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The Second Edition of this Norton Critical Edition continues to be based on Albert Cook's translation, widely acclaimed for its poetic phrasing and linguistic accuracy.

This Norton Critical Edition, edited by one of the pre-eminent scholars in the field, gathers together research on this Greek tragedy, bringing Medea to life for a contemporary audience.

This "Critical Edition" is based on the Maude translation. The text includes three maps of Napoleon's campaigns and battles in Russia, the publication history of "War and Peace", selections from Tolstoy's letters and diaries, three drafts of his introduction to the novel, and 20 critical essays.

This Second Edition is based on the authoritative texts chosen by the editors from their scholarly edition of The Complete Poetry of Percy Bysshe Shelley.

This new annotated edition inlcudes "Live Oak, with Moss" and prose selections from "Democratic Vistas" and "Specimen Days". The text also presents a collection of Whitman's statements about his role as a poet taken from his notebooks, letters, conversations and newspaper articles.

Written in 1901, Kim is considered Kipling's finest work, and was a key factor in his being awarded the Nobel Prize.

"The best Darwin anthology on the market" (Stephen Jay Gould, Harvard) has just become better, in this newly revised version of the now classic Norton Critical Edition, first published in 1970.

The text of this edition is based on the Wessex Edition of 1912, which was revised and corrected by the author.

This Norton Critical Edition provides the most authoritative text of Lord Jim yet published; it is based on the definitive third English edition, collated with the periodical version that appeared in Blackwood's Magazine and with the first English edition.

This Norton Critical Edition, edited by the pioneer of Great Expectations scholarship, presents the most thorough textual edition of the novel (1861) available.

The best-known and most autobiographical of George Eliot's novels is now available as a Norton Critical Edition.

The text of Wharton's richly allusive Pulitzer Prize-winning 1921 novel of desire and its implications in Old New York has been rigorously annotated by a prominent Wharton scholar.

This translation is for the contemporary reader. Specifically commissioned for stage production, it rings easily on the modern ear and yet remains faithful to Sophocles' original, avoiding the archaisms of other translations.

This Norton Critical Edition of one of Defoe's most important works reprints the 1722 text, the only edition published in Defoe's lifetime.

The text of this Norton Critical Edition is based on Eleanor Marx Aveling's celebrated translation, revised by Paul de Man.

The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition.

The Second Edition of the Norton Critical Edition of Robinson Crusoe is based on the Shakespeare Head Press reprint of the first edition copy in the British Museum, with the "errata" listed by Defoe's publisher, William Taylor, incorporated into the text.

The Second Edition of this perennially popular Norton Critical Edition is based on the Today's New International Version of Paul's letters, a new translation that is heralded for its inclusiveness and accuracy in representation of gender.

The text of this Norton Critical Edition of Thackeray's acclaimed 1848 novel is based on the Garland edition, the text approved by the Modern Language Association. The text is fully annotated and is accompanied by all of the author's original illustrations as well as a textual appendix.

The Second Edition of this Norton Critical Edition of Fielding's great novel reprints the definitive fourth edition text (1749, dated 1750), "Carefully revis'd and corrected/By Henry Fielding, Esq;", the last in his lifetime.

This new volume is the most comprehensive collection of Emerson's writings available in a paperback edition.

There are no fewer than seventeen manuscripts of The Prelude in the Wordsworth library at Grasmere. Working with these materials, the editors have prepared an accurate reading version of 1799 and have newly edited from manuscripts the texts of 1805 and 1850-thus freeing the latter poem from the unwarranted alterations made by Wordsworth's literary executors. The editors also provide a text of MS. JJ (Wordsworth's earliest drafts for parts of The Prelude) as well as transcriptions of other important passages in manuscript which Wordsworth failed to include in any fair copy of his poem. The texts are fully annotated, and the notes for all three versions of The Prelude are arranged so that each version may be read independently. The editors provide a concise history of the texts and describe the principles by which each has been transcribed from the manuscripts.There are many other aids for a thorough study of The Prelude and its background. A chronological table enables the reader to contextualize the biographical and historical allusions in the texts and footnotes."References to The Prelude in Process" presents the relevant allusions to the poem, by Wordsworth and by members of his circle, from 1799 to 1850. Another section, "Early Reception," reprints significant comments on the published version of 1850 by readers and reviewers.Finally, there are seven critical essays by Jonathan Wordsworth, M. H. Abrams, Geoffrey H. Hartman, Richard J. Onorato, William Empson, Herbert Lindenberger, and W. B. Gallie.

Christine de Pizan (ca. 1364-ca. 1421) is Europe's first professional woman writer. She wrote an astonishing body of work in many genres, including lyric poetry, allegorical dream visions, history, political treatises, and biography.

Ibsen ascended to the first ranks of European writers in the late nineteenth century and has remained there ever since.

This Norton Critical Edition offers one of the largest collections of Middle English lyrics ever made available to the college student.

An influential seventeenth-century fable, by a pathbreaking woman writer, about the fall of a black prince.

The text presented here remains as faithful to the original Middle English as possible, without sounding archaic.

This Norton Critical Edition of Elizabeth Barrett Browning's 1856 verse-novel is based on Margaret Reynolds' variorum edition, which the British Academy awarded the 1993 Rose Mary Crawshay Prize and which is reprinted here by special arrangement with the Ohio University Press.

The text is that of the third edition text of this influential novel, which incorporates all of Burney's changes.

The text is that of a new authoritative text, which closely follows the one Austen oversaw when the novel was revised and reprinted in 1816.