Böcker i Oxford Mid-Century Studies Series-serien

Demonstrates how spatial and temporal dislocation were defining traits of the artistic response to the urban bombing campaigns of the Second World War. Studying a range of writers, as well as film, photography, and art, it argues that for civilian populations, aerial bombardment distorts the experience of time itself.

Both an intellectual biography and an intellectual history of the mid-century, this book reconstructs Ian Watt's wartime world and shows how our ideas about the social, moral, and psychological work that the novel accomplishes can be traced to the crises of the Second World War and its aftermath.

Drawing upon a wealth of previously unexplored architectural criticism by British authors, this book reveals how arguments about architecture led to innovations in literature, as well as to redesigns in the concept of modernism itself.

Red Britain is a provocative rethinking of the cultural politics of twentieth-century Britain, which demonstrates the central importance of the Russian Revolution to mid-century literature and culture.

This volume explores how religion influenced the works of mid-century writers and how authors used Christian ideas for social and political ends in the 1940s and 1950s.

Wastepaper Modernism traces how 20th-century writers imagined the fate of paper at the dawn of a new media age.

Explores the influence that public opinion polling, and the developing idea of a public consciousness in the British mid-century, had upon the literature of the period. It traces the emergence and growing dominance of public opinion research in cultural and governmental bodies, and the ways in which it came to be aestheticized by British writers.

David Nowell Smith draws on newly available archival materials to examine the work of British poet W. S. Graham. This book views Graham's work in light of the idea of the poem as 'art object', looking at both his written and visual/mixed-media artworks.