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  • av Thomas Carlyle
    187

    Thomas Carlyle's history of the French Revolution, originally published in 1837, opens with the death of Louis XV in 1774 and ends in 1795 when Bonaparte quelled the insurrection of the Vendemiaire. It is a work of great narrative and descriptive power that was itself meant to be revolutionary.

  • av Anton Chekhov
    157

    A schoolteacher in a provincial town falls in love with and marries a young local woman. He thinks he's found a bliss only described in novels. But before long, his sharp points of bliss become blurred. The loss of ideals and poverty of actual experience are the themes of these stories. Chekhov's Russians, at the close of the 19th century are trapped in a prison of frustration, which he depicts with laconic power.

  • av Charles Dickens
    127

    Our hero confronts a large and varied cast, including Wackford Squeers, the fantastic ogre of a schoolmaster, and Vincent Crummles, the grandiloquent ham actor, on his comic and satirical adventures up and down the country. Punishing wickedness, befriending the helpless, strutting the stage, and falling in love, Nicholas shares some of his creator's energy and earnestness as he faces the pressing issues of early Victorian society.

  • av Jack London
    147

    Of all Jack London's fictions none have been so popular as his dog stories. In addition to The Call of the Wild, the epic tale of a Californian dog's adventures during the Klondike gold rush, this edition includes White Fang, and five famous short stories - 'Batard', 'Moon-Face', 'Brown Wolf', 'That Spot', and 'To Build a Fire'.

  • av John Webster
    157

    This volume offers John Webster's two great Jacobean tragedies, The White Devil and The Duchess of Malfi, together with his brilliant tragicomedy, The Devil's Law-Case, and the comedy written with William Rowley, A Cure for a Cuckold. All four plays display the provocative intelligence of a profoundly original playwright. A critical introduction defends Webster against charges of over-indulgence in violence, and explores his sophisticated staging and scenic forms.

  • - with parallel Spanish text
    av Federico Garcia Lorca
    151

    Lorca's poetry is steeped in the land and folklore of his native Andalusia, and he evokes a world of intense feelings. This selection balances his early poems with better-known later work to give a clear vision of his poetic development, in excellent translations and with an astute Introduction.

  •  
    137

    The Dhammapada, the Pali version of one of the most popular texts of the Buddhist canon, ranks among the classics of the world's great religious literature. Like all religious texts in Pali, the Dhammapada belongs to the Therevada school of the Buddhist tradition, adherents of which are now found primarily in Kampuchea, Laos, Sri Lanka, and Thailand. Dhammapada, or "sayings of the dhamma," is taken to be a collection of the utterances of the Buddha himself. Taken together, the verses form a key body of teaching within Buddhism, a guiding voice along the struggle-laden path towards true enlightenment, or Nirvana. However, the appeal of these epithets of wisdom extends beyond its religious heritage to a general and universal spirituality. This edition provides an introduction and notes which examine the impact that the text has had within the Buddhist heritage through the centuries.

  • av Henry of Huntingdon
    126,99

    Henry of Huntingdon's History is a major source for events in England and Normandy during his lifetime, including the Battle of Hastings, the reigns of William II, Henry I, and Stephen, written with panache and passion and embellished with anecdotes such as Henry's death from a surfeit of lampreys, and Cnut and the waves.

  • av Robert Burns
    137 - 183

    This volume offers Burns's work as it was first encountered by contemporary readers, presenting the texts in the contexts in which they were originally published. It includes the whole of Poems, chiefly in the Scottish Dialect (1786), a generous selection of songs with full scores, comprehensive notes, some important letters and a glossary.

  • - and Other Psychological works
    av Aristotle
    157

    Aristotle's De Anima (On the Soul) is one of the great classics of philosophy. Aristotle examines the nature of the soul-sense-perception, imagination, cognition, emotion, and desire, including, memory, dreams, and processes such as nutrition, growth, and death.

  • av George Moore
    151

    One of the great novels of London life and labour in the 1890s, Esther Waters is the story of a single mother struggling against prejudice and injustice. It vividly brings to life a world of horse racing, gambling, and public houses and was groundbreaking in its approach. This is the only available edition of this powerful novel.

  • av Ben Jonson
    151

    The five plays in this collection are Everyman in his Humour, the tragedy Sejanus, Volpone, The Alchemist, and Bartholomew Fair. They represent the full range and complexity of Jonson's art as a playwright. The text is the modernized version of Herford and Simpson's edition (OUP 1925-52), with full annotation.

  • av Thorstein Veblen
    151

    Veblen's landmark study of affluent American society exposes the 'pecuniary culture' and 'conspicuous consumption' that results when unessential goods are exploited at the expense of production of true value. This new edition examines Veblen's still pertinent arguments.

  • av Charlotte Bronte
    147 - 2 017

    Shirley is Charlotte Bronte's only historical novel and her most topical one. The introduction to this new edition considers its autobiographical overtones as well as its social context, and includes revised notes and bibliography.

  • av Emile Zola
    151

  • - An Anthology 1560-1700
     
    176

    In a famous passage in A Room of One's Own, Virginia Woolf asked 'why women did not write poetry in the Elizabethan age'. She went on to speculate about an imaginary Judith Shakespeare who might have been destined for a career as illustrious as that of her brother William, except that she had none of his chances. The truth is that many women wrote during the sixteenth and seventeenth centuries and this collection will serve to introduce modern readers tothe full variety of women's writing in this period - from poems, prose and fiction to prophecies, letters, tracts and philosophy. Here are examples of the work of twelve women writers, from aristocrats such as Mary Wroth, Anne Clifford and Margaret Cavendish to women of obscure background caught up in thereligious ferment of the mid seventeenth century like Hester Biddle, Pricscilla Cotton and Mary Cole. The collection includes three plays, and a generous selection of poetry, letters, diary, prose fiction, religious polemic, prophecy and science.

  •  
    137

    This excellent and accessible work includes many major texts in translation: Aristotle's Poetics, Longinus' On Sublimity, Horace's Art of Poetry, Tacitus' Dialogues, and extracts from Plato and Plutarch.

  • av Juvenal
    151 - 2 351

    Juvenal, writing between AD 110 and 130, was one of the two great satirists of ancient Rome (the other being Horace). His powerful and witty attacks on the vices of the big city have been admired and used by many English writers including Dr Johnson. Niall Rudd's translation aims to reproduce Juvenal's livliness and energy whilst maintaining the poet's general stylistic and metrical effect.

  • av Sophocles
    131

    Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles's reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a central tragic figure, faced with a test of will and character, risking obloquy and death rather than compromise his or her principles: it is striking that Antigone and Electra both have a woman as their intransigent `hero'. Antigone dies rather thanneglect her duty to her family, Oedipus's determination to save his city results in the horrific discovery that he has committed both incest and parricide, and Electra's unremitting anger at her mother and her lover keeps her in servitude and despair. These vivid translations combine elegance and modernity, and are equally suitable for reading or theatrical performance.

  • av Tobias Smollett
    191

    Roderick Random (1748), Smollett's first novel, is full of the dazzling vitality characteristics of all his work, as well as of his own life. Roderick is the boisterous and unprincipled hero who answers life's many misfortunes with a sledgehammer. Left penniless, he leaves his native Scotland for London and on the way meets Strap, and old schoolfellow. Together they undergo many adventures at the hands of scoundrels and rogues. Roderick qualifies as a surgeon's mateand is pressed as a common soldier on bord the man-of-war Thunder. In a tale of romance as well as adventure, Roderick also finds time to fall in love... Smollett drew on his own experiences as a surgeon's mate in the navy for the memorable scenes on board ship, and the novel combines documentaryrealism with great humour and panache. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Spara 12%
    - or Memoirs of an Heiress
    av Fanny Burney
    201

    This novel is an unusual and disturbing love-story. In playing on the issue of the heroine's name, the novel illustrates the high cost of a patriarchal system. Burney exhibits her powers as a comic writer and a satirist in depicting Cecilia's dismaying entry into the gilded fashionable world. This edition presents 'Cecilia' as it first appeared in 1782, indicating changes Burney made to later editions.

  • av Guy de Maupassant
    137

    Maupassant's second novel, Bel-Ami (1885) is the story of a ruthlessly ambitious young man making it to the top in fin-de-siecle Paris. It is a novel about money, sex, and power, set against the background of the politics of the French colonization of North Africa. This new translation is complemented by fullest introduction and notes of any edition.

  • av Wilkie Collins
    151

    Armadale tells the devastating story of the independent, murderous, and adulterous Lydia Gwilt. This traditional melodrama also considers the modern theme of the role of women in society.

  • - with `The Princesse de Montpensier' and `The Comtesse de Tende'
    av Madame de Lafayette
    137

    Poised between the fading world of chivalric romance and a new psychological realism, Madame de Lafayette's novel of passion and self-deception marks a turning point in the history of the novel. When it first appeared - anonymously - in 1678 in the heyday of French classicism, it aroused fierce controversy among critics and readers, in particular for the extraordinary confession which forms the climax of the story. Having long been considered a classic, it is now regarded as a landmark in the history of women's writing.In this entirely new translation, The Princesse de Cl`eves is accompanied by two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende; the Introduction and ample notes take account of the latest critical and scholarly work.

  • av Walter Scott
    164

    First published in 1816 in the aftermath of Waterloo, The Antiquary deals with the problem of how to understand the past in order to enable the future. It displays Scott's matchless skill at painting the social panorama and in creating vivid characters,from the beggar Edie Ochiltree to the Antiquary himself. The text is based on Scott's own final, authorized version, the 'Magnum Opus' edition of 1829.

  • av Thomas Hardy
    157

    Elfride Swancourt is the daughter of the Rector of Endelstow, a remote sea-swept parish in Corwall based on St Juliot, where Hardy began A Pair of Blue Eyes during the beginning of his courtship of his first wife, Emma. Blue-eyed and high-spirited, Elfride has little experience of the world beyond, and becomes entangled with two men: the boyish architect, Stephen Smith, and the older literary man, Henry Knight. The former friends become rivals, and Elfride faces an agonizing choice.Written at a crucial time in Hardy's life, A Pair of Blue Eyes expresses more directly than any of his novels the events and social forces that made him the writer he was. Elfride's dilemma mirrors the difficult decision Hardy himself had to make with this novel: to pursue the profession of architecture, where he was established, or literature, where he had yet to make his name. This updated edition contains a new introduction, bibliography, and chronology.

  • av Rudyard Kipling
    137

    This was Kipling's first published volume of fiction. The stories with their brevity and concentration of effect are a landmark in the history of the short story.

  • av Abbe Prevost
    141

    "The sweetness of her glance, or rather my evil star already in its ascendant and drawing me to my ruin, did not allow me to hesitate for a moment."So begins the story of Manon Lescaut, a tale of passion and betrayal, of delinquency and misalliance, which moves from early eighteenth-century Paris--with its theatres, assemblies, and gaming-houses-via prison and deportation to a tragic denouement in the treeless wastes of Louisiana. It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prevost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion.This new translation includes the vignette and eight illustrations that were approved by Prevost and first published in the edition of 1753.

  • av Matthew Arnold
    137

    First published in 1869, Culture and Anarchy debates questions about the nature of culture and society. Arnold asks what good culture can do and how it can best be disseminated. This edition reproduces the first book version and enables readers to appreciate its historical context and its continued importance.

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