Böcker i Palgrave Studies in Literature, Science and Medicine-serien

Many of the ways in which medical practitioners and lay people imagined cancer - as a 'woman's disease' or a 'beast' inside the body - remain strikingly familiar, and they helped to make this disease a byword for treachery and cruelty in discussions of religion, culture and politics.

Advancing Medical Posthumanism Through Twenty-First Century American Poetry places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body¿one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general.

This book investigates the relationship between the fascinating and misunderstood penny blood, early Victorian popular fiction for the working class, and Victorian anatomy.

This collection establishes the term 'medical paratexts' as a useful addition to medical humanities, book history, and literary studies research. Discussing the development of medical paratexts across scribal, print and digital media, the collection spans the medieval period to the twenty-first century.

This book argues that poetry is compatible with systematic knowledge including science, and indeed inherent in it; The book also discusses some of the obstacles to a 'poetry of knowledge', including scientific objectivism, the Kantian tradition in philosophy, and the separation of the 'two cultures' in our academic and intellectual institutions.

This book analyzes recent physics plays, arguing that their enaction of concepts from the sciences they discuss alters the nature of the decisions made by the characters, changing the ethical judgements that might be cast on them.

This book offers new interpretations of Tennyson's major poems along-side contemporary geology, and specifically Charles Lyell's Principles of Geology (1830-3).

This book presents ten new chapters on John Keats's medical imagination, beginning with his practical engagement with dissection and surgery, and the extraordinary poems he wrote during his 'busy time' at Guy's Hospital 1815-17.

This book explores the phenomenon of second sight in nineteenth-century literature and culture. Focusing on the nineteenth century, this book examines second sight in relation to mesmerism and phrenology, modern spiritualism and anthropology, romance literature and folklorism and finally, psychical research and Celtic mysticism.

This book reveals the cultural significance of the pregnant woman by examining major eighteenth-century debates concerning separate spheres, man-midwifery, performance, marriage, the body, education, and creative imagination.

The book analyses attempts by both elite and popular practitioners of electricity to elucidate the mysteries of electricity, and traces the figurative uses of electrical language in the works of writers including Mary Robinson, Edmund Burke, Erasmus Darwin, John Thelwall, Mary Shelley and Richard Carlile.

and second, committed alleviation of caregiver burden through social support systems and altered healthcare policies requires significantly altered views about aging, dementia, and Alzheimer's patients.

This book is a survey of personal illness as described in various forms of early modern manuscript life-writing. Observing that medical explanations for illness were fewer than may be imagined, the author explores the social and religious frameworks by which illness was more commonly recorded and understood.

This book is a study of depictions of health and sickness in the early American novel, 1787-1808. These texts reveal a troubling tension between the impulse toward social affection that built cohesion in the nation and the pursuit of self-interest that was considered central to the emerging liberalism of the new Republic.

This book considers scientific performances across two centuries, from the early nineteenth century to the present day. Performances include demonstrations of technologies, experiments that look like theatre, theatre that looks like science, tourist representations and natural history film-making. Its key aim is to open debate on how scientific activity, both historical and contemporary, might be understood in the context of performance studies and the imaginative acts required to stage engaging performances.Scientific performances have become increasingly of interest to historians of science, literature and science scholars, and in the field of science studies. As yet, however, no work has sought to examine a range of scientific performances with the aim of interrogating and illuminating the kinds of critical and theoretical practices that might be employed to engage with them. With scientific performance likely to become ever more central to scholarly study in the next few years this volume offer a timely, and early, intervention in the existing debates, and aims, too, to be a touchstone for future work.

The reconfiguration and relinquishing of one's conviction in a world system long held to be finite required for many in the sixteenth and seventeenth centuries a compromise in one's beliefs and the biblical authority on which he or she had relied - and this did not come without serious and complex challenges.

The book reassesses well-known literary and medical works by such authors as William Wordsworth, Samuel Taylor Coleridge, and Humphry Davy, argues for the importance of lesser-studied work by authors including Charles Lamb and Thomas Beddoes, and introduces significant unpublished work by Tom Wedgwood.

A disturbing but ultimately discredited strain in American thought, eugenics was a crucial ideological force in the early twentieth century. Luczak investigates the work of writers like Jack London and Charlotte Perkins Gilman, to consider the impact of eugenic racial discourse on American literary production from 1900-1940.

Speculative fiction often shows the complicated and rather fraught history of medicine as it relates to black women. Through prominent writers like Octavia Butler, Nnedi Okorafor, and Nalo Hopkinson, Jones highlights how personal experiences of illness and disease frequently reflect larger societal sicknesses in connection to race and gender.

This book examines Thomas De Quincey's notion of the unconscious in the light of modern cognitive science and nineteenth-century science. It challenges Freudian theories as the default methodology in order to understand De Quincey's oeuvre and the unconscious in literature more generally.

This collection examines different aspects of attitudes towards disease and death in writing of the long eighteenth century. Taking three conditions as examples ¿ ennui, sexual diseases and infectious diseases ¿ as well as death itself, contributors explore the ways in which writing of the period placed them within a borderland between fashionability and unfashionability, relating them to current social fashions and trends. These essays also look at ways in which diseases were fashioned into bearing cultural, moral, religious and even political meaning. Works of literature are used as evidence, but also medical writings, personal correspondence and diaries. Diseases or conditions subject to scrutiny include syphilis, male impotence, plague, smallpox and consumption. Death, finally, is looked at both in terms of writers constructing meanings within death and of the fashioning of posthumous reputation.

This collection establishes the term 'medical paratexts' as a useful addition to medical humanities, book history, and literary studies research. Discussing the development of medical paratexts across scribal, print and digital media, the collection spans the medieval period to the twenty-first century.

This book investigates how popular American literature and film transformed the poisonous woman from a misogynist figure used to exclude women and minorities from political power into a feminist hero used to justify the expansion of their public roles.

Meredith Ray offers the first in-depth study and complete English translation of the fascinating correspondence between Margherita Sarrocchi (1560-1617), a natural philosopher and author of the epic poem, Scanderbeide (1623), and famed astronomer, Galileo Galilei.

Most of us have, at one time, been obsessed with something, but how did obsession become a mental illness? This book examines literary, medical, and philosophical texts to argue that what we call obsession became a disease in the Romantic era and reflects the era's anxieties. Using a number of literary texts, some well-known (like Mary Shelley's 1818 Frankenstein and Edgar Allan Poe's 1843 "The Tell Tale Heart") and some not (like Charlotte Dacre's 1811 The Passions and Charles Brockden Brown's 1787 Edgar Huntly), the book looks at "vigilia", an overly intense curiosity, "intellectual monomania", an obsession with study, "nymphomania" and "erotomania", gendered forms of desire, "revolutiana", an obsession with sublime violence and military service, and "ideality," an obsession with an idea. The coda argues that traces of these Romantic constructs can be seen in popular accounts of obsession today.

This book presents ten new chapters on John Keats's medical imagination, beginning with his practical engagement with dissection and surgery, and the extraordinary poems he wrote during his 'busy time' at Guy's Hospital 1815-17.

This collection of essays explores current thematic and aesthetic directions in fictional science narratives in different genres, predominantly novels, but also poetry, film, and drama.

This book addresses the evident but unexplored intertwining of visibility and invisibility in the discourses around syphilis. This book is the first large-scale interdisciplinary study of syphilis in late Victorian Britain whose significance lies in its unprecedented attention to the multimedia and multi-discursive evocations of syphilis.

This book considers the historical and cultural origins of the gut-brain relationship now evidenced in numerous scientific research fields.

This book investigates how popular American literature and film transformed the poisonous woman from a misogynist figure used to exclude women and minorities from political power into a feminist hero used to justify the expansion of their public roles.