Böcker i Palgrave Studies in the History of the Media-serien

This book recounts the reception of selected films about the Great War released between 1918 and 1938 in the USA and Great Britain.

This edited collection invites the reader to enter the diverse worlds of Australia's migrant and minority communities through the latest research on the contemporary printed press, spanning the mid-nineteenth century to our current day.

This book explains how the media helped to invent the European Union as the supranational polity that we know today. In contrast, this book aims to deconstruct how journalists - as part of Western European elites - played a key role in elite European identity building campaigns.

The book explores how Churchill was portrayed in the UK press during the Second World War, comparing his depictions in Scottish, Welsh, Northern Irish, and provincial English newspapers. It analyses how Churchill was received and depicted by newspapers in the UK and why differences in these depictions emerged in each area.

This book, part media history and part group biography, tells the story of the BBC's attempts to reach out to listeners in Nazi Germany at a time when Anglo-German relations were particularly strained.

This book brings together long-obscured histories to discuss Australia's cultural, social, and political diversity in depth. The history of Australia's migrant and minority print media reveals extensive evidence for the nation's global connectedness, from the colonial era to today.

Gandhi or Mahatma Gandhi, and the press, telegraphs, broadcasting and popular culture. This edited collection explores both Gandhi's own approach to the press, but also how different advocacy groups and the media, within India and overseas, engaged with Gandhi, his ideology and methodology, to further their own causes.

During the early years of the Cold War, England and the United States both found themselves reassessing their relationship with their former ally the Soviet Union, and the status of their own "special relationship" was far from certain.

An exploration of how the theme of Anti-Americanism was employed by influential sections of the West German media to oppose the modernisation of the Federal Republic of Germany during the 'long 1950s'. In the public battle over the future direction of Germany, America stood as a symbol of social, political and economic corruption.

This edited collection invites the reader to enter the diverse worlds of Australia's migrant and minority communities through the latest research on the contemporary printed press, spanning the mid-nineteenth century to our current day.

Sir Philip Gibbs was one of the most widely read English journalists of the first half of the twentieth century. This coverage of his writing offers a broad insight into British social and political developments, government and press relations, propaganda, and war reporting during the First World War.

This book analyzes the conduct of press policy in Bohemia from the Revolutions of 1848 through the period of the Tabory, 1867-71.

This book investigates the `decline and fall' of Rome as perceived and imagined in aspects of British and American culture and thought from the late nineteenth through the early twenty-first centuries.

This book examines the pioneering radio broadcasts and television documentaries about the United States made in the 1950s by the influential West German journalist Peter von Zahn.

This book provides the first detailed account of the formative decades of BBC televised sport when it launched its flagship programmes Sportsview, Grandstand and Match of the Day.

Using a wide array of archival sources, Brian Dolber demonstrates the importance of cultural activity in movement politics, and the need for thoughtful debate about how to structure alternative media in moments of political, economic, and technological change.

This book deals with the social, cultural and especially political significance of media by shifting from the usual focus on the public sphere and publics and paying attention to populations.

A groundbreaking study of the Franco regime's utilization of Hollywood film production in Spain, American tourism, and sophisticated public relations programs - including the most popular national pavilion at the 1964-65 New York World's Fair - in a determined effort to remake the Spanish dictatorship's post-World War II reputation in the US.

The gendered nature of the relationship between the press and emergence of cultural citizenship from the 1860s to the 1930s is explored through original data and insightful comparisons between India, Britain and France in this integrated approach to women's representation in newspapers, their role as news sources and their professional activity.

The first book to compare and contrast the rise of mass circulation press in Britain and America. It provides insights into the origins of tabloid journalism and explores a range of cross-cultural and literary issues, tracing the history of key newspapers and the careers of influential journalists such as Bennett, Russell, Harmsworth and Pulitzer.

James Mussell provides an accessible account of the digitization of nineteenth-century newspapers and periodicals. As studying this material is essential to understand the period, he argues that we have no choice but to engage with the new digital resources that have transformed how we access the print archive.

Interwar era efforts to expand US radio into China floundered in the face of flawed US policies and approaches. Situated at the intersection of media studies, technology studies, and US foreign relations, this study frames the ill-fated radio initiatives as symptomatic of an increasingly troubled US-East Asian relationship before the Pacific War.

An analysis of Seldes' media criticism of the fake news, lies and propaganda in daily newspapers in the 1930s and 1940s exposes the historical nature and impact of fake news on public debate, and affirms the critical role of journalists in exposing fake news.

This book provides a narrative history of the BBC Radio Variety Department exploring, along chronological lines, the workings of, tensions within and the impact of BBC policies on the programme-making department which generated the organisation's largest audiences.