Böcker i Pantheon Graphic Library-serien

A stunning graphic debut: the life of the legendary silent-film actor Lon Chaney (the original Phantom of the Opera and Hunchback of Notre Dame), as imagined by an artist whose work recalls the style and skill of early-era New Yorker cartoonists.From the artist: "''No one will ever love me!'' I believe it was this near-universal fear that makes Lon Chaney''s characters continue to resonate with us today. On their surface, most of them are distinctly unlikeable: they are monsters, outcasts, criminals. But through his unique magic, Chaney makes them empathetic. He pioneered the craft of makeup artist long before that term ever existed, and he used his expertise to hide himself from public view--what if nobody loved him?"PART OF THE PANTHEON GRAPHIC LIBRARY

Corrina Park used to have big plans. Studying English literature in college, she imagined writing a successful novel and leading the idealized life of an author. But she’s been working at the same advertising agency for the past five years and the only thing she’s written is . . . copy. Corrina knows there must be more to life, but and she faces the same question as does everyone in her generation: how to find it? Here is the brilliant debut graphic novel about a young woman’s search for happiness and self-fulfillment in the big city.(With two-color illustrations throughout.)

The triumphant return of one of comics’ greatest talents, with an engrossing story of one man’s search for love, meaning, sanity, and perfect architectural proportions. An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.

A mesmerizing coming-of-age and coming-out graphic novel by the genius writer-artist of the Eisner Award–winning breakout hit My Brother’s HusbandSet in contemporary suburban Japan, Our Colors is the story of Sora Itoda: a sixteen-year-old aspiring painter who experiences his world in synesthetic hues of blues and reds, governed by the emotional turbulence of being a teenager. He wants to live honestly as a young gay man in high school, but that is still not acceptable in Japanese society. His best friend and childhood confidant is Nao, a young woman whom everyone thinks is (or should be) his girlfriend; and it would be the easiest thing to play along—she knows he is gay but knows, too, how hard it is to live one’s truth in their situation. Sora’s world changes forever when he meets Mr. Amamiya, a middle-aged gentleman who is the owner and proprietor of a local coffee shop, and who is completely, unapologetically out as a gay man. A mentorship and friendship ensues, as Sora comes out to him and agrees to paint a mural in the shop, and Mr. Amamiya counsels him (platonically) about how to deal with who he is. But it won’t be easy. Mr. Amamiya paid a high price for his freedom of identity, and when a figure from his past suddenly appears, it becomes a prime example of just how complicated life can be.

"Set in and around 1971 in Los Angeles, [this book] follows an immigrant film editor named Seymour who is desperate to make his own movies. But without money or clout, he has no choice but to spend his days slumming it for the worst and most exploitative production company in town. When Seymour is given the chance to make a film of his own, his unbending principles and relentless drive violently clash with an industry that rewards everything but principles and drive"--

"From the author of The Arab of the Future, comes the first book in a bestselling series of graphic novels that follow the ... true life of a real girl growing up in Paris. Every week, the comic book artist Riad Sattouf has a chat with his friend's 10-year old daughter Esther. She tells him about her life, her family, her school, her friends, her hopes, her dreams, and her fears. And then he creates a one-page comic strip based on what she says. This book is a collection of 156 of those strips, comprising the first three volumes as they appeared in Europe, spanning Esther's life from age 10 to 12"--

"Newly-out trans artist's assistant Sammie is invited to an old friend's bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean's international waters--think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie's old friends haven't quite gotten the message--as evidenced by their former best friend Adam asking them to be his 'best man.' Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom's pals--all met with zero pushpack from supposed 'nice guy' Adam. But also, they seem to be the only one who's noticed the mysterious cult that's also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god"--

"Author, illustrator, and translator Deena Mohamed presents a literary, feminist, Arab-centric graphic novel that marries magic and the socio-political realities of contemporary Egypt. Shubeik Lubeik--a fairytale rhyme meaning 'Your Wish is My Command' in Arabic--is the story of three characters navigating a world where wishes are literally for sale; mired in bureaucracy and the familiar prejudices of our world, the more expensive the wish, the more powerful and therefore the more likely to work as intended"--

Jack Brennan is a Marine Corps sergeant whose infantry squad has been cleared to return home from a grueling deployment to Afghanistan. A few years prior, Sergeant Brennan lost one of his closest friends—a young combat veteran—to suicide and has vowed to do everything in his power to keep his Marines from a similar fate. On their last night in-country, Brennan, who has long kept a tattered copy of the Odyssey with him on deployment, shares his version of Homer’s classic with his fellow soldiers to help prepare them for the transition back home.   Brennan plunges into a rich retelling of Odysseus’s long journey home from the battlefield at Troy, during which Odysseus and his men confront numerous obstacles—from the lure of a psychedelic lotus plant to ghoulish shades in the Land of the Dead to the seductive songs of the deadly Sirens—as they try to make it back to Greece. Along the way, Brennan and his fellow Marines map the struggles faced by Odysseus and his men onto their own—isolation, addiction, guilt, depression, and loss. Through his retelling, Brennan reminds his squad that the gulf separating the battlefield from the home front is deep, wide, and sometimes hard to cross—that it is possible to travel all the way home and, like the characters in the Odyssey, still feel lost at sea.   Tragic, poignant, and at times funny and hopeful, The Odyssey of Sergeant Jack Brennan brilliantly conveys the profound challenges that many of today’s veterans face upon returning to civilian life, even as it tells “the oldest war story of all time.”

"Over a hundred page-long comics from around the world, documenting humanity's retreat into COVID-19 lockdown and imagining our eventual, boisterous reemergence, from the founder of the Brooklyn Comic Arts festival and owner of beloved indie comic shop Desert Island. On April 1, 2020, the Instagram account of Desert Island, Brooklyn's celebrated alternative comics shop, put out a call. By then, the shop had shuttered indefinitely, and the world's major cities had locked down as the first wave of the COVID-19 pandemic took hold: 'We all need something positive to think about, and a lot of us have time on our hands, ' the post read. 'Who wants to make something?' Hundreds of short comics from over fifty countries poured into Desert Island's inbox. Some came from notable cartoonists. Most, astonishingly, came from amateur artists just looking for an outlet to create in the midst of tragedy--for a chance to join the rescue party that leads us out of isolation. Collected here are one hundred fifty notable entries from the Rescue Party project, capturing the loneliness and the surprising comforts of early lockdown; the mania of its middle days as the mind begins to fray; and the branching paths of humanity's future, as we re-enter a world wracked with injustice. Bracing, beautiful, and conspicuously optimistic, Rescue Party is part graphic diary, part time capsule, and part field guide: a grassroots project that tells the collective story of lockdown from a chorus of global voices, and charts a course to a more just future"--

"Meet little Maurice Vellekoop, the youngest of five children raised by Dutch immigrants in the 1970s in a middle class suburb of Toronto. He loves watching Cher and Carol Burnett on TV, making clothes for his best friend's Barbie dolls, and helping his mum with her hair salon which she runs out of the basement of the house. In short: he is really, really gay. Which is a huge problem, because his family is part of the Christian Reformed Church, a strict Calvinist sect, which is not accepting of homosexuality to say the least. We see him participating in weekly church services, catechism classes, going to Christian schools, his stint as a member of the Calvinist Cadet Corps. Vellekoop struggles through all of this, until he finally graduates high school and gets accepted into the Ontario College of Art and Design in 1982. It is there that his life truly changes, thanks in no small part to his taking a class called "Plays In Performance" taught by the wildly flamboyant and brilliant Paul Baker. Baker is the first "out" gay man Maurice has ever met, and the two soon become close friends. It is through witnessing Baker's functional relationship with his long-time partner Martin that Maurice finally starts to reconcile with himself and begin to accept who he actually is. But it's going to be a long, messy, difficult, and occasionally hilarious process. I'm So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist."--

"Portions of this book originally appeared, in different form, in Tablet in 2017 and in The Believer in Spring 2018 and Summer 2019"--Copyright page.