Böcker i Pavilion Poetry-serien

Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told.

Jodie Hollander's compelling second collection charts the emotional journey of the daughter of a professional classical pianist. These bold and arresting poems, rich with musicality, and fierce in their emotional honesty, chart the complicated repercussions of family dysfunction and musical obsession while traversing the landscape of the human condition.

Emily Hasler's second collection exposes the dailiness of disaster and charts the constantly shifting courses of rivers and lives. Local Interest maps the friable and slippery landscapes of Suffolk and Essex. This is a book of threatened habitats teeming with life. Here is poetry that wallows at the muddy edges of things.

Standing in the Forest of Being Alive looks unflinchingly at painful realities, posing the question 'What isn't hell?' and finds the answer in a powerful eros, letting a loved one pull laughter out of the narrator's reluctant mouth like a red violet cerulean handkerchief.

In her debut collection, Denise Saul explores family and identity as she tells the story of a mother's illness and subsequent aphasia, and a daughter's ongoing role as carer. Such betweenness creates a space to explore wider dynamics of power, and the epiphanies and aftershocks of ongoing loss.

Hiding to Nothing suggests that complex and damaging legacies in all their forms can create shockwaves that reverberate over a lifetime, stopping lives from reaching their full potential. Bloodfruit gives voice to the less heard narratives of infertility and difficult trajectories towards becoming, or not becoming, a 'mother'.

Whether revisiting Dante's forest of the suicides, experiencing the saturation of new motherhood or engaging in a boundary-dissolving encounter with a psychedelic cactus, these meticulous and sensuous poems demonstrate a restless intelligence, seeking out what we are losing and inviting us to 'break ourselves each against the beauty of the other'.

'Have you looked / have you looked deeply?' ask these poems, rooted in the human body and its movement through an interconnected living world. Bloom, Sarah Westcott's second collection, approaches the cultural and physical spaces where human and non-human lives co-exist.

'Hiller offers extraordinary resilience and moments of immense, liberatory tenderness. [...] This is a harrowing book, yes, but ultimately, with its invitation to "billow forth the wrecks we hold", with its emphasis on resistance and joy, it is a staggeringly beautiful piece of life-affirming work.'Stephanie Sy-Quia, The Poetry Review

What Fire is about how to continue as catastrophe crawls in, when the climate crisis has its grip on us all, the internet has been shut down, and the buildings are burning up. In her third collection, Alice Miller takes a fierce, unflinching look at the world we live in, at what we have made, and whether it is possible to change.

Set against the charms and vicissitudes of growing up in a family of musicians, Jodie Hollander's beautifully-structured and compelling debut follows the story of a daughter's maturing relationship with her mother.

A soul's journey through the night, a missing woman: time and narrative bend and interlock across a play of poetic forms and voices to make one story of love and loss.

Poetry Book Society Recommendation, Summer 2018. In her compelling second collection, Alice Miller tackles thecircularity of thought, the company of the dead, and the lure of alternative futures. They dare you to visit,through a series of cities, the futures we never let happen.

Walking, getting lost, and finding home is refuge in an unsettling world, are the themes in Sarah Corbett's fifth collection. Written from an intimate knowledge of the Calder Valley, these poems respond to a landscape as beautiful as it is disquieting, troubled by a warming climate and by violence.

Following Arshi's Forward prize-winning collection, Small Hands, this book continues in its lyrical exploration of grief. Moving and discomfiting, these poems tune to the dangers and violences of the contemporary world, yet, at the centre of this book is an overarching commitment to hope and its 'churning, broken song'.

Winner of the 2015 Forward Prize for Best First Collection Mona Arshi's debut collection, 'Small Hands', introduces a brilliant and compelling new voice.

Original and ambitious poetry that makes readers pay attention to the current conversation about the nature of lyric and human relationships in the 21st century.

The poems in Citadel are temporal harmonies written by a composite 'I', brought together by a rupture in time as the result of ambiguous, traumatic events in the lives of two women, Juana of Castile and the poet, separated by almost five hundred years.

Frank, conversational and suffused with a dry humour, this book is a record of poet and novelist Lieke Marsman's diagnosis, events and thoughts of having bone cancer. An energising mix of prose and lyric, the poems offer readings of both the writer and her environment. Translated by poet Sophie Collins.