Intervening into fields including posthumanist, disability, animal and feminist studies, and current critiques of capitalism and consumerism, Frida Beckman recovers a theory of sexuality from Deleuze's work.
Explores the potential for an original ethics based on Deleuze's unique interpretation and use of Kantian critique
What could queer theory do and become had it not been so entrenched in the notion of sexuality? Holding queer theory to its promise to revolutionise our ways of thinking, Nir Kedem offers a forceful encounter between Deleuze's work and contemporary queer thought to provide both critical and practical means to re-evaluate and rework key concepts and methods -- especially sexuality. Kedem provides a new pragmatic approach to working with Deleuze across multiple disciplines, a rigorous demonstration of its critical and creative power, as well as extensive analysis of the relations between Deleuze and queer thought. All of which exemplify that despite -- if not owing to -- the unassuming role of sexuality in his thought, Deleuze proves to be queer thought's true ally. Nir Kedem is Assistant Professor of Cultural Studies in the Department of Cultural Studies, Creation and Production at Sapir Academic College, Israel.
This collection of essays charts the intellectual trajectory of Barbara Glowczewski, an anthropologist who has worked with the Warlpiri people of Australia since 1979. She shows that the ways Aboriginal people actualise virtualities of their Dreaming space-time into collective networks of ritualised places resonate with Guattarian and Deleuzian concepts. Inspired by the art and struggles of different Indigenous people and other discriminated groups, especially women, Glowczewski draws on her own conversations with Guattari, and her debates with various scholars to deliver an innovative agenda for radical anthropology.
An original interpretation of Deleuze's philosophy What gives us the right to speak of a Deleuzian philosophy, a philosophy at first sight concerned solely with interpreting other philosophers and writers? Koichiro Kokubun focuses on Deleuze's method of 'free indirect discourse' to locate and explicate Deleuze's philosophy of transcendental empiricism and its constitutive limits. Working through Deleuze's confrontations with Hume, Kant, Bergson, Freud, Lacan, Foucault and Guattari, Kokubun uncovers a philosophy strongly influenced by structuralism and psychoanalysis, which had to overtake these movements because of its practical ambitions. Kokubun concludes with a radical revitalisation of the political potential of this philosophy. Koichiro Kokubun is Associate Professor of Philosophy at the Tokyo Institute of Technology. This is his first book to be published in English. Wren Nishina is studying for an MPhil in Ethics at the University of Tohoku.
What gives us the right to speak of a Deleuzian philosophy, a philosophy at first sight concerned solely with interpreting other philosophers and writers? Koichiro Kokubun focuses on Deleuze's method of 'free indirect discourse' to locate and explicate Deleuze's philosophy of transcendental empiricism and its constitutive limits. Working through Deleuze's confrontations with Hume, Kant, Bergson, Freud, Lacan, Foucault and Guattari, Kokubun uncovers a philosophy strongly influenced by structuralism and psychoanalysis, which had to overtake these movements because of its practical ambitions. Kokubun concludes with a radical revitalisation of the political potential of this philosophy.
The animality of human beings is completely unknown. Being human means to be something other than an animal, to not be an animal. Felice Cimatti, with reference to the work of Gilles Deleuze, explores what human animality looks like. He shows that becoming animal means to stop thinking of humanity as the reference point of nature and the world. It means that our value as humans has the very same value as a cloud, a rock or a spider. Drawing on a wide range of texts - from philosophical ethology, to classical texts, to continental philosophy and literature - Cimatti creates a dialogue with Flaubert, Derrida, Temple Grandin, Heidegger as well as Malaparte and Landolfi - as part of this intriguing discussion about our humanity - and our unknown animality.
A new translation of two essential works on Deleuze, written by one of his contemporaries. From the publication of Deleuze: A Philosophy of the Event to his untimely death in 2006, Franois Zourabichvili was regarded as one of the most important new voices of contemporary philosophy in France. His work continues to make an essential contribution to Deleuze scholarship today. This edition makes two of Zourabichvili's most important writings on the philosophy of Gilles Deleuze available in a single volume. A Philosophy of the Event (1994) is an exposition of Deleuze's philosophy as a whole, while the complementary Deleuze's Vocabulary (2003) approaches Deleuze's work through an analysis of key concepts in a dictionary form.This new translation is set to become an event within Deleuze Studies for many years to come.Key Features: Distinguishes Deleuze's notion of the event from the phenomenological, ontological and voluntarist conceptions that continue to lay claim to it todayWith an introduction by Gregg Lambert and Daniel W. Smith, two of the world's leading commentators on Deleuze, explaining the key themes and arguments of Zourabichvili's work
Ridvan Askin brings together aesthetics, contemporary North American fiction, Gilles Deleuze, narrative theory and the recent speculative turn to answer the question, 'what is narrative?'
Engaging with questions of representation, Ideas and the transcendental, Daniela Voss offers a sophisticated treatment of the Kantian aspects of Deleuze's thought, taking account of Leibniz, Maimon, Lautman and Nietzsche.
F. LeRon Shults explores Deleuze's fascination with theological themes and shows how his entire corpus can be understood as a creative atheist machine that liberates thinking, acting and feeling. Shults also demonstrates how the flow of a productive atheism can be increased by bringing Deleuzian concepts into dialogue with insights derived from the bio-cultural sciences of religion.
Explores the nature and relation of history and becoming in the work of Gilles Deleuze.How are we to understand the process of transformation, the creation of the new, and its relation to what has come before? In History and Becoming, Craig Lundy puts forward a series of fresh and provocative responses to this enduring problematic. Through an analysis of Gilles Deleuze's major solo works and his collaborations with Felix Guattari, he demonstrates how history and becoming work together in driving novelty, transmutation and experimentation. What emerges from this exploration is a new way of thinking about history and the vital role it plays in bringing forth the future.Key features* Provides a novel approach to and appreciation of Deleuze's philosophy of creativity * Demonstrates the importance of history to Deleuze's conception of becoming * Charts the relation of history and becoming throughout Deleuze's corpus * Shows how history can be creative, virtual and nonlinear
The first study of Deleuze's critical and clinical projectAidan Tynan addresses Deleuze's assertion, that 'literature is an enterprise of health', and shows how a concern of health and illness was a characteristic of his philosophy as a whole, from his earliest works to his groundbreaking collaborations with Guattari, to his final, enigmatic statements on 'life'.He explains why alcoholism, anorexia, manic depression and schizophrenia are key concepts in Deleuze's literary theory, and shows how, with the turn to schizoanalysis, literature takes on a crucial political and ethical role in helping us to diagnose our present pathologies and articulate the possibilities of a health to come.Key Features * The first book length study of Deleuze's critical and clinical project and the conceptualisations of health and illness he developed over the course of his career * Uses the idea of the literary clinic to unify Deleuze's literary theory with the political critique he developed with Guattari, and argues in this way for a distinctively Deleuzian critical practice * Draws on Deleuze conceptualisations of health and illness to reassess his relationship to key thinkers such as Spinoza, Marx, Nietzsche, Freud and Melanie Klein and literary figures such as Melville F. Scott Fitzgerald, Kafka, Beckett and Artaud
Deleuze turns to the cinema because its formal resources enable it to 'think' the relation between movement and duration in ways that philosophy cannot. Discover the nature of the philosophical problems that Deleuze turns to the cinema to resolve and how resources of the cinema enable him to do what philosophy alone cannot.
One of the terminological constants in the philosophical work of Gilles Deleuze is the word 'immanence', and it has therefore become a foothold for those wishing to understand exactly what 'Deleuzian philosophy' is. Deleuze's philosophy of immanence is held to be fundamentally characterised by its opposition to all philosophies of 'transcendence'. On that basis, it is widely believed that Deleuze's project is premised on a return to a materialist metaphysics. Christian Kerslake argues that such an interpretation is fundamentally misconceived, and has led to misunderstandings of Deleuze's philosophy, which is rather one of the latest heirs to the post-Kantian tradition of thought about immanence. This will be the first book to assess Deleuze's relationship to Kantian epistemology and post-Kantian philosophy, and will attempt to make Deleuze's philosophy intelligible to students working within that tradition. But it also attempts to reconstruct our image of the post-Kantian tradition, isolating a lineage that takes shape in the work of Schelling and Wronski, and which is developed in the twentieth century by Bergson, Warrain and Deleuze.
Theoretically sophisticated and meticulously situated at the fraught scene of reconciliation between indigenous and non-indigenous peoples in contemporary Australia, Postcolonial Agency is an inspiring manifesto for non-imperial mutuality. Bignall's advocacy of an ethics of joy opens up a new direction for postcolonial studies.Professor Leela Ghandi, Department of English, University of ChicagoA sustained piece of theorisation about the postcolonial to rival Peter Hallward's 'Absolutely Postcolonial'.Simone Bignall argues that a non-imperial concept of ethical and political agency and a materialist philosophy of transformation are embedded within a minor tradition of Western philosophy. Postcolonial Agency provides a significantly new understanding of the processes of social transformation faced by many societies as they struggle with the aftermath of empire. It also offers a valuable new way of conceptualising practices of postcolonial sociability. It will be of interest to students and researchers in political and postcolonial studies, cultural studies, critical theory and Continental philosophy.
Marc Rolli offers us a detailed examination of Gilles Deleuze's philosophy of transcendental empiricism. He demonstrates that Deleuze takes up and radicalises the empiricist school of thought developing a systematic alternative to the mainstreams of modern continental philosophy.
The Psychoanalysis of Sense' shows that Deleuze was not merely aware of the debates animating the Lacanian School during the 1960s: he sought to contribute to them. He offers a new, integrated reading of Deleuze's 'The Logic of Sense' (1969) by understanding it as a 'psychoanalysis of sense'.
Scholarship has ignored one of the more formative influences on Deleuze: Lucretian atomism. Filling a significant gap in Deleuze Studies, Ryan J. Johnson tells the story of the Deleuze-Lucretius encounter that begins and ends with a powerful claim: Lucretian atomism produced Deleuzianism.
An account of Leibniz's influence on Deleuze's philosophy
Brian Willems draws on the science fiction of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Mieville, Doris Lessing and Kim Stanley Robinson alongside speculative materialists including Graham Harman, Quentin Meillassoux and Jane Bennett, to try and imagine the end of anthropomorphism.
Deleuze turns to the cinema because its formal resources enable it to 'think' the relation between movement and duration in ways that philosophy cannot. Discover the nature of the philosophical problems that Deleuze turns to the cinema to resolve and how resources of the cinema enable him to do what philosophy alone cannot.
The Universal (In the realm of the sensible): Beyond Continental Philosophy proposes a radical, new philosophical system that moves from ontology to ethics. Dorothea Olkowski develops the concept of an ontological unconscious, a connection arising from our sensible relation to the world that conditions encounters with the environment and with others. This fundamental ontology rethinks the space-time relations opened by Irigaray's notion of the 'interval,' Bergson's 'recollection,' Merleau-Ponty's idea of the 'flesh' and Deleuze's 'plane of immanence'. Writing in an original style, inspired by literature and the arts, Olkowski locates a 'realm of the senses', a field of vulnerability, felt as pleasures and pains. This presents an aesthetic sense of something universal to all human kind, as well as to the organic and inorganic world. In addition to this proposal for a wider ontology, the relation between traditional ontologies and politics is examined as a means of opening politics beyond a no exit or limit cycle. Instead a multiplicity of self-organized, emergent perspectives emerges, eliminating the need for the connections, conjunctions, and disjunctions of the Kantian paradigm at work in contemporary continental philosophy.This is a timely, controversial and important book that will contribute enormously to the study of Deleuze and Continental Philosophy.
Untimely Affects offers an ethical and aesthetic interweaving of Deleuzian philosophy and close film analysis to discern how thought persists productively after the horrors of World War II. In this first extensive analysis of Chris Marker and Alain Resnais' films, Nadine Boljkovac draws on concepts and images that interrogate 'what we are now living through', in the words of Klossowski's Nietzsche. Mindful of the seen and unseen 'that quicken the heart' (Marker), this book of film-philosophy discerns new and deeply ethical life-affirming possibilities through its weave of cine-philosophy. As such, this book speaks directly to essences of cinema, thought and life through creative untimeliness and the idea of the 'ever new'.
An insightful reading of Deleuze, from the point of view of a student, a reader and a fellow philosopher with whom Deleuze himself corresponded about his work
Deleuze's philosophy of immanence, with its vigorous rejection of every appeal to the beyond, is often presumed to be indifferent to the concerns of religion. Daniel Barber shows that this is not the case. Addressing the intersection between Deleuze's thought and the notion of religion, he proposes an alliance between immanence and the act of naming God. In doing so, he gives us a way out of the paralysing debate between religion and the secular. What matters is not to take one side or the other, but to create the new in this world.
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