Böcker i Princeton Essays in Literature-serien

We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Seeing Flannery O'Connor in the company of poets, rather than realistic prose writers, this work shows how she uses recurring figures of speech to transform or re-create the external world.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The world of the troubadours of medieval Provence-of Bertran de Born, Arnaut de Mareuil, and Peire Bremon lo Tort-always fascinated Ezra Pound and, as Stuart McDougal shows, provided both themes and techniques for his early poetry.Pound's first translations of Provencal poetry were a way of penetrating an alien sensibility and culture and making it his own; they were also important technical exercises. Confronted with the problem of finding a suitable form and language for the Provencal experience, he condensed, deleted, expanded-the results were highly original works.Among Pound's early experiments were the studies of individual Provencal poets, each representing one of the qualities of Provencal culture that attracted him-Bertran is the man of action and Vidal is an example of the close connection between man and the "e;vital universe."e;Implicit in Pound's treatment of the past is his belief in the contemporaneity of these medieval values. This belief remains constant in The Cantos, although as the work developed it became clear that no single cultural framework could encompass it. Nevertheless, the medieval world remained the cornerstone of Pound's paradise-a brilliantly unified, vibrant world against which he could contrast the chaos and sterility of contemporary civilization.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In the nineteenth century, the French lyric poets imposed their diction on the theatrical genre and thus illuminated the essence of both poetry and theatre. Ten plays by Victor Hugo, the standard-bearer of the French romantic theatre, and Alfred de Musset, the romantic playwright most frequently performed in France today, are analyzed by Charles Affron to answer the question, "e;Can the dialetic form of the theatre accommodate the solitary elan of the lyric poet?"e; As a functional point of departure, he considers those characteristics of lyric poetry-time, voice, and metaphor-which bring us closest to the singular attitudes of Hugo and Musset. Then, examining the texts of Hernani, Les Burgraves, Torquemada, Fantasio, and Lorenzaccio as well as several lesser known plays, Mr. Affron discusses such topics as poetic time, the scope of analogy, theatrical and poetic rhetoric, the guises of the poet-hero, and the manner of sounding the poet's voice upon the stage.Originally published in 1971.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Through a careful rendering of the text, deciphering its hidden ironies, Mr. Weinberg sees Promethee as a modern allegory, a parable wrought of allusions, symbols, and images drawn from classical antiquity and calvinist theology, and a multi-leveled sotie a miroirs.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The search for a substitute for religion, Adalaide Kirby Morris argues, occupies Stevens' poetic energy from his earliest to his latest work. It emerges in his patterns of speech, in his symbols, and in his poetic forms; it encompasses a critique of Christianity, often wryly humorous and sometimes bitterly satiric; and it results in a theory of poetry that becomes a mystical theology.At the center of this mystical theology, the author finds, is the conviction that God and the imagination arc one. The study concludes that poetry provides for Stevens a sanction, a solace, a form of order, a source of delight, and a means of redemption through which men arc saved, and natural fact is transformed into divine force.Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In applying the standards of modern literary criticism to medieval Arabic literature, Andras Hamori concentrates on those aspects of the literature that appear most alien to modern Western taste: the limitation of themes, the sedimentation with conventions, and the use of elusive patterns of composition.The first part of the book approaches Arabic literature from the historical point of view, concentrating on the transformations in poetic genres and poetic attitudes towards time and society in the literature between the sixth and the tenth centuries. The problems of poetic technique are then discussed, with special emphasis on poetic unity and the use of conventions. The third part of the book deals with methods of composition in prose through an examination of the orders and disorders in two tales from the Arabian Nights.Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In an original and provocative demonstration that Coleridge's later poetry took on a powerful metaphysical conception, Edward Kessler emphasizes Coleridge's struggle with language as a means of both expressing and creating Being. While many of Coleridge's late poems are generally viewed as fragments that constitute an aesthetic failure, Professor Kessler contends that what at first may appear to reflect Coleridge's inability to finish a poem can otherwise be seen as a deliberate rejection of what the poet came to see as a confining form.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Peter Bien focuses on Kazantzakis' obsession with the demotic, the language "e;on the lips of the people,"e; showing how it governed his writing, his ambition, and his involvement in Greek politics and educational reform. Kazantzakis' obsession worked against him in his Odyssey and found its natural vehicle only in his translation of Homer's Iliad and his novels, Zorba the Greek, The Last Temptation of Christ, and The Greek Passion.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Although some of the most distinguished German novels written since about 1770 are generally considered to be Bildungsromane, the term Bildungsroman is all too frequently used in English without an awareness of the tradition from which it arose. Professor Swales concentrates on the roles of plot, characterization, and narrative commentary in novels by Wieland, Goethe, Stifter, Keller, Mann, and Hesse. By pointing out that the goal in each work is both elusive and problematic, he suggests a previously unsuspected ironic intent. His analysis adds to our awareness of the potentialities inherent in the novel.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Drawing on the entire corpus of Coleridge's prose, Emerson Marks shows how the poet's rationale was grounded in the mimetic theory that informed his distinction between a copy and an imitation which Coleridge himself labeled the universal principle of the fine arts."e;Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Why, during the last two hundred years, when critical achievement in the field of tragedy has been outstanding, has there been little creative practice? David Lenson examines the work of various writers not ordinarily placed in the tragic tradition-among them, Kleist, Goethe, Melville, Yeats, and Faulkner-and suggests that the tradition of tragedy does continue in genres other than drama, that is, in the novel and even in lyric poetry.The notion of tragedy's migration from one genre to others indicates, however, rather sweeping modifications in the theory of tragedy. Achilles' Choice proposes a structural model for tragic criticism that synthesizes the almost scientific theories predominant since World War II with the irrationalist theories they replaced.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Michel Benamou's essays have established his reputation as a critical interpreter of Stevens' relation to the French poetic tradition. Mr. Benamou has now collected these essays in one volume, revising and expanding them, and has added a general introduction. He discusses, in turn, Stevens' affinities with and differences from Baudelaire, Laforgue, Mallarme, Apollinaire, the Impressionists, and the Cubists.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book-length treatment of Gyorgy Lukacs' major achievement, his Marxist aesthetic theories. Working from the thirty-one volumes of Lukacs' works and twelve separately published essays, speeches, and interviews, Bela Kiralyfalvi provides a full and systematic analysis for English-speaking readers. Following an introductory chapter on Lukacs' philosophical development, the book concentrates on the coherent Marxist aesthetics that became the basis for his mature literary criticism. The study includes an examination of Lukacs' Marxist philosophical premises; his theory of the origin of art and the relationship of art to life, science, and religion; and his theory of artistic reflection and realism. Later chapters treat the concepts of type and totality in Lukacs' category of specialty, the distinctions between allegory and symbolism in his theory of the language of art, and Lukacs' understanding of aesthetic effect and form and content in art. There is a separate chapter on Lukacs' dramatic theory. This lucid and readable account of Lukacs' aesthetic theories will be of special interest to students of literature, aesthetics, and drama. In addition, it will be appreciated by those generally concerned with Marxist theory.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book interprets Mon Faust and explores the differences between Valery's and Goethe's treatments of the Faust figure. The author shows by close analysis how Valery opposes a Cartesian, anti-Pascalian Faust to Goethe's romantically flawed hero. The title of the project conceived by Valery's Faust, The Mind's Body-part autobiography, part metaphysical treatise-embodies the Cartesian dilemma ironically illustrated by the Mon Faust fragments: the misfortunes of the thinking essence, the cogito, in its subjugation to the body. The first three chapters examine the Cartesian character of a Faust engaged in superhuman but vain attempts to reconcile the intellect and the libido. A fourth chapter discusses the differences between Goethe's and Valery's protagonists and as well between Goethe and his Faust. Throughout the book the author explores Valery's linguistic experimentation, which, through charades, paranomasia, onomastics, and etymological puns, brings into full play the mystifying and mythologizing aspects of language. To resolve the stylistic problems associated with this fragmentary work the author adapts the tone of his exegesis to the diverse stylistic levels of Mon Faust. His analysis illuminates the Cartesian potential inherent in Valery's protagonist.Originally published in 1976.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.