How does film construct a historical world? What are the rules, codes, and strategies by which it brings the past to life? What does that historical construction mean to us? This book grapples with these questions, and looks at an example of New History cinema.
Focuses on the 'woman question' in the Middle East, when gender became a highly charged nationalist issue tied up in complex ways with the West. This book is a radical challenge to any easy equation of modernity with progress, emancipation, and the empowerment of women.
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