Böcker i Publications of the Department of Art and Archaeology, Princeton University-serien

Excavation of the ancient city of Morgantina in southeastern Sicily since 1955 has recovered an extraordinary quantity and variety of pottery, both locally made and imported. This volume presents the fine-ware pottery dating between the second half of the fourth century BCE, when Morgantina was a thriving inland center closely tied to the Hellenistic east through Syracuse, and the first half of the first century CE, when Morgantina had been reduced to a dwindling Roman provincial town that would soon be abandoned. Bearing gloss and often paint or relief, these fine ceramics were mostly tableware, and together they provide a well-defined picture of the evolving material culture of an important urban site over several centuries. And since virtually all these vessels come from dated deposits, this volume provides wide-ranging contributions to the chronology of Hellenistic and early Roman pottery. An introductory chapter sketches out a comprehensive history of the city, discusses the many well-dated archaeological deposits that contained the excavated pottery, and defines the major fabrics of the ceramics found at the site. The bulk of the volume consists of a scholarly presentation of more than 1,500 pottery vessels, analyzing their shapes, fabrics, chronology, decoration, and techniques of fabrication. This rich ceramic material includes significant bodies of Republican black-gloss and red-gloss vases, Sicilian polychrome ware, and Eastern Sigillata A, as well as early Italian terra sigillata, with numerous examples imported from Arezzo and other Italian centers, along with regional versions from Campania and elsewhere on Sicily. The relief ware includes important groups of third-century BCE medallion cups and hemispherical moldmade cups of the second and first centuries BCE. Morgantina was also an active center of pottery production, and the debris from several workshops has been recovered, enabling Shelley Stone to reconstruct the working techniques and materials of the local craftsmen, the range of ceramics they produced, and how their products were influenced by pottery imported to the site from elsewhere on Sicily, the Italian mainland, and even more distant centers. The volume also presents new information about the sources of the clay used by the Morgantina potters, as revealed by X-ray fluorescence analysis of selected vases.

A beautifully illustrated study of the caves at Dunhuang, exploring how this important Buddhist site has been visualized from its creation to today Situated at the crossroads of the northern and southern routes of the ancient silk routes in western China, Dunhuang is one of the richest Buddhist sites in the world, with more than 500 richly decorated cave temples constructed between the fourth and fourteenth centuries. The sculptures, murals, portable paintings, and manuscripts found in the Mogao and Yulin Caves at Dunhuang represent every aspect of Buddhism. From its earliest construction to the present, this location has been visualized by many individuals, from the architects, builders, and artists who built the caves to twentieth-century explorers, photographers, and conservators, as well as contemporary artists. Visualizing Dunhuang: Seeing, Studying, and Conserving the Caves is a paperback edition of the ninth volume of the magnificent nine-volume hardback set, and examines how the Lo Archive, a vast collection of photographs taken in the 1940s of the Mogao and Yulin Caves, inspires a broad range of scholarship. Lavishly illustrated with selected Lo Archive and modern photographs, the essays address three main areas--Dunhuang as historical record, as site, and as art and art history. Leading experts across three continents examine a wealth of topics, including expeditionary photography and cave architecture, to demonstrate the intellectual richness of Dunhuang. Diverse as they are in their subjects and methodologies, the essays represent only a fraction of what can be researched about Dunhuang. The high concentration of caves at Mogao and Yulin and their exceptional contents chronicle centuries of artistic styles, shifts in Buddhist doctrine, and patterns of political and private patronage--providing an endless source of material for future work. Contributors include Neville Agnew, Dora Ching, Jun Hu, Annette Juliano, Richard Kent, Wei-Cheng Lin, Cary Liu, Maria Menshikova, Jerome Silbergeld, Roderick Whitfield, and Zhao Shengliang. Published in association with the Tang Center for East Asian Art, Princeton University

The centuries-long economic and military decline of the Byznatine Empire, which culminated in its political disappearance as a state in 1459, was, paradoxically, accompanied by high levels of cultural achievement. Aimed at broadening our understanding of the final phase of the empire, this collection explores how Byzantine ideological, spiritual, and artistic traditions transcending the economic and political realities of the time. The papers, delivered at an interdisciplinary colloquium held in May 1989 at Princeton University, deal with hagiographic, monastic, literary, architectural, and artistic questions, as well as the general cultural and social issues, of this fascinating period.Along with the editors, the contributors are Smilkjka Gabelic, Thalia Gouma-Peterson, Angela Hero, Robert Ousterhout, Marcus Rautman, Steven Reinert, Alice Mary Talbot, SPeros Vryonis, and John J. Yiannias.Slobodan Curcic is Professor of Art and Archaeology at Princeton University. Doula Mouriki teaches at the Technical University of Athens.Publications of the Department of Art and Archaeology, Princeton University.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The centuries-long economic and military decline of the Byznatine Empire, which culminated in its political disappearance as a state in 1459, was, paradoxically, accompanied by high levels of cultural achievement. Aimed at broadening our understanding of the final phase of the empire, this collection explores how Byzantine ideological, spiritual, and artistic traditions transcending the economic and political realities of the time. The papers, delivered at an interdisciplinary colloquium held in May 1989 at Princeton University, deal with hagiographic, monastic, literary, architectural, and artistic questions, as well as the general cultural and social issues, of this fascinating period.Along with the editors, the contributors are Smilkjka Gabelic, Thalia Gouma-Peterson, Angela Hero, Robert Ousterhout, Marcus Rautman, Steven Reinert, Alice Mary Talbot, SPeros Vryonis, and John J. Yiannias.Slobodan Curcic is Professor of Art and Archaeology at Princeton University. Doula Mouriki teaches at the Technical University of Athens.Publications of the Department of Art and Archaeology, Princeton University.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"In this beautifully illustrated book, eminent art historian John Rosenfield explores the life and art of the Japanese Buddhist monk Hozan Tankai (1629-1716). Through a close examination of sculptures, paintings, ritual implements, and primary documents, the book demonstrates how the Shingon prelate's artistic activities were central to his important place in the world of late-seventeenth-century Japanese Buddhism. At the same time, the book shows the richness of early modern Japanese Buddhist art, which has often been neglected and undervalued.Tankai was firmly committed to the spiritual disciplines of mountain Buddhism-seclusion, severe asceticism, meditation, and ritual. But in the 1680s, after being appointed head of a small, run-down temple on the slopes of Mount Ikoma, near Nara, he revealed that he was also a gifted artist and administrator. He embarked on an ambitious campaign of constructing temple halls and commissioning icons, and the Ikoma temple, soon renamed Haozanji, became a vibrant center of popular Buddhism, as it remains today. He was a remarkably productive artist, and by the end of his life more than 150 works were associated with him.A major reconsideration of a key artistic and religious figure, Preserving the Dharma brings much-needed attention to an overlooked period of Japanese Buddhist art"--

The first comprehensive scholarly description of the Western medieval and Renaissance manuscripts in the Princeton University Library

Established in 1917, the Index of Christian Art, located at Princeton University, is the largest archive of medieval art in existence and the most specialized resource for the iconographer. This book features essays that highlight some of the research in the archive and the scholarship for which it has been renowned.

Established in 1917, the Index of Christian Art, located at Princeton University, is the largest archive of medieval art in existence and the most specialized resource for the iconographer. This book features essays that highlight some of the research in the archive and the scholarship for which it has been renowned.

David - the greatest king of Israel, the founder of Jerusalem, and one of the pivotal figures of the Old Testament - was a source of inspiration for artists and their patrons throughout the medieval world. This book is a survey of the profusion of David's images in both Byzantium and the West, providing a guide to a range of medieval depictions.

David - the greatest king of Israel, the founder of Jerusalem, and one of the pivotal figures of the Old Testament - was a source of inspiration for artists and their patrons throughout the medieval world. This book is a survey of the profusion of David's images in both Byzantium and the West, providing a guide to a range of medieval depictions.

The concept of opposing forces of good and evil expressed in a range of moral qualities - virtues and vices - is one of the dominant themes in the history of Christian art. This catalogue documents the occurrence of the Virtues and Vices in well over 1,000 works of art produced between the fifth and the fifteenth centuries.

To mark the eightieth anniversary of "The Index of Christian Art", this two-part volume focuses on the Index's twin strengths: iconography and methodology. The contributors include Adelaide Bennett, Hans Brandhorst, James D'Emilio, Gerda Duifjes-Vellekoop, John Fleming, Jaroslav Folda, Giovanni Freni, Cynthia Hahn, Debra Hassig, and others.

Ranging in topic from premodern Buddhist, narrative, and ink painting in Japan and East Asia to modern and contemporary Japanese painting, prints, and popular visual images, this title includes essays containing research which draws attention to the works of Japanese art and their historical contexts and modern interpretations.

Presents a study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support, and social status.

Offers a contribution to the study of the arts of East Asia. This book features the essays that address a range of subjects, building bridges in many directions, from early jades and bronzes through traditional painting and prints, to photography, cinema, and modern museum practice.

Taking an approach to medieval art, this title reveals the importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. It offers a collection of interdisciplinary essays that explores a range of rituals, performances, works of art, and texts in which movement is crucial to meaning.

The Erligang culture is best known for the remains of an immense walled city at Zhengzhou, a smaller site at Panlongcheng in Hubei, and a large-scale bronze industry of remarkable artistic and technological sophistication. This book deals with Erligang culture.

What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? This book challenges the artificial and narrowly conceived definitions of Chinese art, revealing the great diversity of Chinese art and showing just how complex and uncertain the labels 'contemporary', 'Chinese', and 'American' have become.

A work about the rich holdings of Greek manuscripts and miniatures in Princeton, New Jersey, housed in the Firestone Library and the art museum of Princeton University, in the Scheide Library, and in Princeton Theological Seminary. It features key monuments in the history of Byzantine illumination.

Explores the relationships among art, theology, exegesis, and literature - issues central to the study of medieval art. This book examines the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and more.