In the eighteenth century, a type of novel flourished, showing outsiders who come to Europe. After studying the origin of the genre in Montaigne's essay ""Des Cannibales"", this book analyzes Montesquieu's ""Lettres persanes"", Francoise de Graffigny's ""Lettres d'une Peruvienne"", Voltaire's ""L'Ingenu"", and Claire de Duras's ""Ourika"".
Between 1605 and 1621, Quevedo wrote a sequence of five ""Dreams"" or ""Visions"" (Suenos y discursos). Censorship prohibited its publication of such satire, but copies were made by hand. In 1993 a critical edition of all of the surviving manuscripts was published. Crosby's work compares this version with all of the 43 extant manuscripts.
In this comparative study of Honore d'Urfe's ""L'Astree"" and Charles Sorel's ""Le Berger extravagant"", the author examines the historical transition from the idealist, pastoral romance to the more realist anti-romance.
This work attempts to theorize the process of the emergence, in 18th-century New Spain, of a position of intellectual subjectivity differentiated from that established by the regime of Spanish imperial authority. It traces how groups of ""criollo"" intellectuals try to construct such discourses.
Looking at six Spanish novels, from the 1940s through the 1990s, this book proposes a new concept of the novel of feminine development. It emphasizes the importance of voicing women's sentiments previously unexpressed in Spanish literature.
Examines the connections between artistic production and political action. This book focuses on the politics of the black movement and the literary production of a Sao Paulo-based group of Afro-Brazilian writers, the Quilombhoje.
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