Böcker i Radical Americas-serien

Thea Riofrancos explores the politics of extraction, energy, and infrastructure in contemporary Ecuador in order to understand how resource dependency becomes a dilemma for leftist governments and movements alike.

Franck Gaudichaud, Massimo Modonesi, and Jeffery R. Webber explore the Latin American Pink Tide as a political, economic, and cultural phenomenon, showing how it failed to transform the underlying class structures of their societies or challenge the imperial strategies of the United States and China.

Rocio Zambrana uses the current political-economic moment in Puerto Rico to outline how debt functions as both an apparatus that strengthens neoliberalism and the island's colonial relation to the United States.

Robert Nichols reconstructs the concept of dispossession as a means of explaining how shifting configurations of law, property, race, and rights have functioned as modes of governance, both historically and in the present.

Naomi Schiller explores how community television in Venezuela created openings for the urban poor to embrace the state as a collective process with the potential for creating positive social change.

Christopher Taylor shows why nineteenth-century British West Indian letters were remarkably un-British by exploring how West Indians reoriented their affective, cultural, and political worlds toward the Americas in response to the liberalization of the British Empire and the resulting imperial neglect.

Veronica Gago provides a new theory of neoliberalism by examining how Latin American neoliberalism is propelled not just from above by international finance, corporations, and government, but by the activities of migrant workers, vendors, sweatshop workers, and other marginalized groups in and around the La Salada market in Buenos Aires.

George Ciccariello-Maher brings the work of Georges Sorel, Frantz Fanon, and Enrique Dussel together with contemporary Venezuelan politics to formulate a decolonized dialectics that is suited to the struggle against the legacies of slavery and colonialism while also breaking the impasse between dialectics and postcolonial theory.

Susana Draper puts the events and aftermath of 1968 Mexico into a global picture and counters the dominant cultural narratives of 1968 by giving voice to the Mexican Marxist philosophers, political prisoners, and women who participated in the movement and inspired alternative forms of political participation.

Susana Draper puts the events and aftermath of 1968 Mexico into a global picture and counters the dominant cultural narratives of 1968 by giving voice to the Mexican Marxist philosophers, political prisoners, and women who participated in the movement and inspired alternative forms of political participation.