The idea of distance is one of the defining principles of modern historical method. This volume gives the discussion of historical distance new breadth, flexibility and importance by incorporating diverse modes of representation including photography, sculpture, painting, musical theatre, and fashion.
Explores the uncalculated and incalculable elements in historical re-enactment - unexpected emotions, unplanned developments - and locates them in countries where settlers were trying to establish national identities derived from metropolitan cultures inevitably affected by the land itself and the people who had been there before them.
The idea of distance is one of the defining principles of modern historical method. This volume gives the discussion of historical distance new breadth, flexibility and importance by incorporating diverse modes of representation including photography, sculpture, painting, musical theatre, and fashion.
Since the late 1700s new forms of visual entertainment have tried to simulate the details of nature: reenactment has now become the most widely-consumed form of popular history. This book engages with the quest for definition and appropriate delimitation of reenactment as well as questions about the relationship between realism and affect.
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