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Böcker i Refiguring Modernism-serien

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  • - Freud, Lacan, Barthes
    av Margaret Iversen
    696,-

    Uses the writing of Freud, Lacan, the Surrealists, and Roland Barthes to elaborate a theory of art beyond the pleasure principle. Lacan was in close contact with the Surrealists and, early in his career, exchanged ideas with Dali. This book offers a reading of Dali's "paranoiac-critical" tour de force, "The Tragic Myth of Millet's Angelus".

  • av Giovanni (Scuola Normale Superiore) Casini
    1 356,-

    "Explores cubism and interwar modernism, focusing on the career of art dealer Lâeonce Rosenberg and his Parisian gallery, L'Effort Moderne"--

  • - The Line from Minimal to Conceptual Art
    av Anna (Assistant Professor Lovatt
    1 110,-

    Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle.

  • - Modern Art and Visuality in England, 1848-1914
    av David Peters (The University of East Anglia) Corbett
    1 506,-

  • - Djuna Barnes's Modernism
     
    1 050,-

    A collection of essays on the work of Djuna Barnes, including her early journalism, poetry, prose, visual art, and drama.

  • - Questions on Modernism, Art, and the Americas in Transatlantic Magazines
    av Lori Cole
    516 - 1 176,-

    Examines art and literature of the Americas through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Demonstrates how modernism and the avant-garde were debated at the very moment of their development and consolidation.

  • - Mobile, Contingent, and Ephemeral Networks, 1960-1980
     
    1 436,-

    Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art.

  • - German Literature and the "New" Media, 1895-1930
    av Stefanie (Texas A and M University) Harris
    860,-

    An interdisciplinary examination of the responses of literary authors in Germany, from 1895-1930, to the emerging media of image and sound recording.

  • - Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920-1960
    av Michele (George Mason University) Greet
    850,-

    Traces changes in Andean artists' vision of indigenous peoples as well as shifts in the critical discourse surrounding their work between 1920 and 1960.

  • - Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler
    av Abigail Gillman
    776,-

    Argues that Viennese Jewish modernism is explicable as an aesthetic reconfiguration of Jewish tradition in response to multifaceted crises of memory, identity and language. Examines the works of Hugo von Hofmannsthal (1874-1929), Arthur Schnitzler (1862-1931), Richard Beer-Hofmann (1866-1945) and Sigmund Freud (1856-1939).

  • - Joan Miro in the 1920s
    av Charles Palermo
    740,-

    Joan Miro (1893-1983) is one of the leading artists of the early twentieth century, to be ranked alongside such artists as Picasso, Matisse, Mondrian, and Pollock in his contributions to Modernist painting. This book advances an understanding of Miro's enterprise in 1920s and of the important works of his career.

  • - Lucio Fontana, Yves Klein, and the Postwar European Avant-Garde
    av Stephen (University of Delaware) Petersen
    1 036,-

    Explores an international network of artists, artist groups, and critics linked by their aesthetic and theoretical responses to science, science fiction, and new media. Focuses on the Italian Spatial Artist Lucio Fontana and French Painter of Space Yves Klein.

  • - Biography and the Erotics of Paint
    av Aruna D’Souza
    740,-

    Discusses an epochal shift in the representation of sexuality in modern art with the images of nudes made by Paul Cezanne. This book proposes a way of reading Cezanne's biography as a form of art criticism. It also proposes a reading of Cezanne's images of bathers that accounts for their strangenesses and for the pleasures they produce.

  • - Adrian Stokes's Engagement with Architecture, Art History, Criticism, and Psychoanalysis
     
    690,-

    Our view of modernism in the arts has been shaped by the prominence of painting and, in particular, by a succession of painters working in Paris - from Courbet and Manet to the Cubists. This title offers a singular critical voice challenging us to think differently about modernism.

  • - Artists, Exhibition Culture, and the Modern Nation, 1929-1939
    av Jordana (New York University ) Mendelson
    966,-

  • - Modern Art and Visuality in England, 1848-1914
    av Professor David Peters Corbett
    730,-

  • - Ephemeral Histories of Modernity
    av Penn State University
    846,-

    Examines postcards as images that are carriers of text, and textual correspondence that circulate images across boundaries of class, gender, nationality and race. Discusses issues concerning the concrete practices of production, consumption, collection and appropriation.

  • - Mobile, Contingent, and Ephemeral Networks, 1960-1980
     
    656,-

    Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art.

  • - Fabrications of Modernism, Gender, and Power
    av Jessica (Assistant Professor of African and African-American Studies Gerschultz
    1 210,-

  • - Imperial Debris, Revolutionary Reuse, and Russian Constructivism
    av Catherine Walworth
    656 - 1 366,-

    Examines how Russian Constructivist artists in the 1920s imagined a new physical environment through the creation of recycled and reappropriated objects.

  • - U.S. Case Law and Naturalism after Modernism
    av Erik M. Bachman
    546 - 1 050,-

    Examines U.S. obscenity trials in the early twentieth century and how they framed a wide-ranging debate about the printed word's power to deprave, offend, and shape behavior.

  • av Allison Morehead
    639 - 1 296,-

    Examines the influence of experimental science, concerned with the workings of the body, the mind, and their various pathologies, on the works of late nineteenth-century artists Maurice Denis, Edouard Vuillard, August Strindberg, and Edvard Munch.

  • - Irish Writing, Radio, Late Modernist Communication
    av Damien Keane
    420 - 870,-

    A series of studies examining literary modernism in Ireland. Explores how cultural work assumed new meaning amid the strategic imperatives of the mid-twentieth century, and demonstrates how the late modernist field became today's information age.

  • - Surrealism and Exhibition Practice in France, 1925-1941
    av Adam Jolles
    636 - 1 280,-

    Explores the emergence of an amateur class of curators in France between the world wars. Focuses on the Surrealist writers and artists who developed an alternative curatorial practice to that pursued by the community of professionally trained curators and exclusive art dealers.

  • - The Spanish Avant-Garde and Material Culture, 1920-1930
    av Juli Highfill
    600 - 1 160,-

    Examines the literary and visual works of the Spanish vanguardists, which engaged with and incorporated the mass-produced commodities of the Machine Age and anticipated the modern fields of material culture, technology studies, and network theory.

  • - Games, Play, and Twentieth-Century Art
     
    1 206,-

    Examines the wide-ranging influence of games and play on the development of modern art in the twentieth century.

  • - Political Art of the 1930s in the Western Hemisphere
     
    822,-

    During the 1930s, American artists, such as Ben Shahn, developed a mode of representation generally known as Social Realism. Presenting an assessment of Social Realism, this book contends that the radical, "realistic" art of the Americas during the 1930s was shaped as much by hemispheric exchange as by emulation of the European avant-garde.

  • av Paul Smith
    560,-

    In 1878, the author Marius Roux, a noted friend of Emile Zola and Paul Cezanne, published "La proie et l'ombre", which offers an insight into the thoughts and lives of the Impressionists. This book discusses the effects of a burgeoning capitalist economy on the artistic practices of the period.

  • av Molly (Assistant Professor Warnock
    1 120,-

    Explores the career of Hungarian-born French painter Simon Hantai (1922-2008) from his earliest paintings and writings in France in the 1950s through his final abstractions of the 2000s.

  • - The Cold War, Modernism, and the Netherlands Carillon in Arlington
    av Diederik (Professor of English Literature Oostdijk
    940,-

    Recounts the history of the Netherlands Carillon, given to the United States in the 1950s by the Dutch government, and explores its paradoxical placement in the American memorial landscape.

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