Böcker i Refiguring Modernism-serien

Uses the writing of Freud, Lacan, the Surrealists, and Roland Barthes to elaborate a theory of art beyond the pleasure principle. Lacan was in close contact with the Surrealists and, early in his career, exchanged ideas with Dali. This book offers a reading of Dali's "paranoiac-critical" tour de force, "The Tragic Myth of Millet's Angelus".

"Explores cubism and interwar modernism, focusing on the career of art dealer Lâeonce Rosenberg and his Parisian gallery, L'Effort Moderne"--

A collection of essays on the work of Djuna Barnes, including her early journalism, poetry, prose, visual art, and drama.

Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle.

A collection of essays on the work of Djuna Barnes, including her early journalism, poetry, prose, visual art, and drama.

Examines art and literature of the Americas through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Demonstrates how modernism and the avant-garde were debated at the very moment of their development and consolidation.

Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art.

Traces changes in Andean artists' vision of indigenous peoples as well as shifts in the critical discourse surrounding their work between 1920 and 1960.

Argues that Viennese Jewish modernism is explicable as an aesthetic reconfiguration of Jewish tradition in response to multifaceted crises of memory, identity and language. Examines the works of Hugo von Hofmannsthal (1874-1929), Arthur Schnitzler (1862-1931), Richard Beer-Hofmann (1866-1945) and Sigmund Freud (1856-1939).

Joan Miro (1893-1983) is one of the leading artists of the early twentieth century, to be ranked alongside such artists as Picasso, Matisse, Mondrian, and Pollock in his contributions to Modernist painting. This book advances an understanding of Miro's enterprise in 1920s and of the important works of his career.

Explores an international network of artists, artist groups, and critics linked by their aesthetic and theoretical responses to science, science fiction, and new media. Focuses on the Italian Spatial Artist Lucio Fontana and French Painter of Space Yves Klein.

Discusses an epochal shift in the representation of sexuality in modern art with the images of nudes made by Paul Cezanne. This book proposes a way of reading Cezanne's biography as a form of art criticism. It also proposes a reading of Cezanne's images of bathers that accounts for their strangenesses and for the pleasures they produce.

Our view of modernism in the arts has been shaped by the prominence of painting and, in particular, by a succession of painters working in Paris - from Courbet and Manet to the Cubists. This title offers a singular critical voice challenging us to think differently about modernism.

Examines postcards as images that are carriers of text, and textual correspondence that circulate images across boundaries of class, gender, nationality and race. Discusses issues concerning the concrete practices of production, consumption, collection and appropriation.

Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art.

Examines how Russian Constructivist artists in the 1920s imagined a new physical environment through the creation of recycled and reappropriated objects.

Examines U.S. obscenity trials in the early twentieth century and how they framed a wide-ranging debate about the printed word's power to deprave, offend, and shape behavior.

Examines the influence of experimental science, concerned with the workings of the body, the mind, and their various pathologies, on the works of late nineteenth-century artists Maurice Denis, Edouard Vuillard, August Strindberg, and Edvard Munch.

A series of studies examining literary modernism in Ireland. Explores how cultural work assumed new meaning amid the strategic imperatives of the mid-twentieth century, and demonstrates how the late modernist field became today's information age.

Explores the emergence of an amateur class of curators in France between the world wars. Focuses on the Surrealist writers and artists who developed an alternative curatorial practice to that pursued by the community of professionally trained curators and exclusive art dealers.

Examines the literary and visual works of the Spanish vanguardists, which engaged with and incorporated the mass-produced commodities of the Machine Age and anticipated the modern fields of material culture, technology studies, and network theory.

Examines the wide-ranging influence of games and play on the development of modern art in the twentieth century.

During the 1930s, American artists, such as Ben Shahn, developed a mode of representation generally known as Social Realism. Presenting an assessment of Social Realism, this book contends that the radical, "realistic" art of the Americas during the 1930s was shaped as much by hemispheric exchange as by emulation of the European avant-garde.

In 1878, the author Marius Roux, a noted friend of Emile Zola and Paul Cezanne, published "La proie et l'ombre", which offers an insight into the thoughts and lives of the Impressionists. This book discusses the effects of a burgeoning capitalist economy on the artistic practices of the period.

Explores the career of Hungarian-born French painter Simon Hantai (1922-2008) from his earliest paintings and writings in France in the 1950s through his final abstractions of the 2000s.

Recounts the history of the Netherlands Carillon, given to the United States in the 1950s by the Dutch government, and explores its paradoxical placement in the American memorial landscape.