Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art.
Uses the writing of Freud, Lacan, the Surrealists, and Roland Barthes to elaborate a theory of art beyond the pleasure principle. Lacan was in close contact with the Surrealists and, early in his career, exchanged ideas with Dali. This book offers a reading of Dali's "paranoiac-critical" tour de force, "The Tragic Myth of Millet's Angelus".
Our view of modernism in the arts has been shaped by the prominence of painting and, in particular, by a succession of painters working in Paris - from Courbet and Manet to the Cubists. This title offers a singular critical voice challenging us to think differently about modernism.
Discusses an epochal shift in the representation of sexuality in modern art with the images of nudes made by Paul Cezanne. This book proposes a way of reading Cezanne's biography as a form of art criticism. It also proposes a reading of Cezanne's images of bathers that accounts for their strangenesses and for the pleasures they produce.
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