Böcker i Religion and American Public Life-serien

Steven K. Green, renowned for his scholarship on the separation of church and state, charts the career of the concept and helps us understand how it has fallen into disfavor with many Americans. In 1802, President Thomas Jefferson distilled a leading idea in the early American republic and wrote of a wall of separation between church and state. That metaphor has come down from Jefferson to twenty-first-century Americans through a long history of jurisprudence, political contestation, and cultural influence. This book traces the development of the concept of separation of church and state and the Supreme Court's application of it in the law. Green finds that conservative criticisms of a separation of church and state overlook the strong historical and jurisprudential pedigree of the idea. Yet, arguing with liberal advocates of the doctrine, he notes that the idea remains fundamentally vague and thus open to loose interpretation in the courts. As such, the history of a wall of separation is more a variable index of American attitudes toward the forces of religion and state. Indeed, Green argues that the Supreme Court's use of the wall metaphor has never been essential to its rulings. The contemporary battle over the idea of a wall of separation has thus been a distraction from the real jurisprudential issues animating the contemporary courts.

In Red Dynamite, Carl R. Weinberg argues that creationism's tenacious hold on American public life depended on culture-war politics inextricably embedded in religion. Many Christian conservatives were convinced that evolutionary thought promoted immoral and even bestial social, sexual, and political behavior. The "e;fruits"e; of subscribing to Darwinism were, in their minds, a dangerous rearrangement of God-given standards and the unsettling of traditional hierarchies of power. Despite claiming to focus exclusively on science and religion, creationists were practicing politics. Their anticommunist campaign, often infused with conspiracy theory, gained power from the fact that the Marxist founders, the early Bolshevik leaders, and their American allies were staunch evolutionists. Using the Scopes "e;Monkey"e; Trial as a starting point, Red Dynamite traces the politically explosive union of Darwinism and communism over the next century. Across those years, social evolution was the primary target of creationists, and their "e;ideas have consequences"e; strategy instilled fear that shaped the contours of America's culture wars. By taking the anticommunist arguments of creationists seriously, Weinberg reveals a neglected dimension of antievolutionism and illuminates a source of the creationist movement's continuing strength. Thanks to generous funding from Indiana University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellopen.org) and other repositories.

Since its composition in Washington's Willard Hotel in 1861, Julia Ward Howe's "e;Battle Hymn of the Republic"e; has been used to make America and its wars sacred. Few Americans reflect on its violent and redemptive imagery, drawn freely from prophetic passages of the Old and New Testaments, and fewer still think about the implications of that apocalyptic language for how Americans interpret who they are and what they owe the world. In A Fiery Gospel, Richard M. Gamble describes how this camp-meeting tune, paired with Howe's evocative lyrics, became one of the most effective instruments of religious nationalism. He takes the reader back to the song's origins during the Civil War, and reveals how those political and military circumstances launched the song's incredible career in American public life. Gamble deftly considers the idea behind the song-humming the tune, reading the music for us-all while reveling in the multiplicity of meanings of and uses to which Howe's lyrics have been put. "e;The Battle Hymn of the Republic"e; has been versatile enough to match the needs of Civil Rights activists and conservative nationalists, war hawks and peaceniks, as well as Europeans and Americans. This varied career shows readers much about the shifting shape of American righteousness. Yet it is, argues Gamble, the creator of the song herself-her Abolitionist household, Unitarian theology, and Romantic and nationalist sensibilities-that is the true conductor of this most American of war songs. A Fiery Gospel depicts most vividly the surprising genealogy of "e;The Battle Hymn of the Republic,"e; and its sure and certain position as a cultural piece in the uncertain amalgam that was and is American civil religion.