Böcker i Rethinking Canada in the World-serien

A major reinterpretation of the internment of Japanese Canadians.

A surprising and innovative analysis of the continental dimensions of the Canadian Rebellion of 1837-38.

Inviting readers to reconsider Canada's place in the world.

As schools continue to grapple with creating diverse educational programs for all Canadians, Schooling the System is a timely excavation of the meaningful contributions of black women educators who helped create equitable policies and practices in schools and communities.

Explores how Canadians engaged in informal and formal politics in the course of their everyday lives, locally and transnationally. Langford provides an enduring record of otherwise fleeting anti-poverty programs and their effects: the lived activism and opinions of development workers and ordinary people.

Canada's Other Red Scare makes the case that Indigenous political protest during the '60s should be thought of as both local and transnational, an urgent exercise in confronting the experience of settler-colonialism in places and moments of protest, when its logic and acts of dispossession are held up like a mirror.

Constant Struggle examines how Canadian democracy has been understood by its advocates and resistors, exploring key historical realities that have shaped it. Scholars from a range of disciplines tackle the methodological issues of this elusive concept, offering a renewed, sometimes unsettling depiction of Canada's democratization process.

"It is a little-known fact that the first cultural agreement Canada signed was with Brazil in 1944. The two countries' rapprochement launched a flurry of activity connecting Montreal to Rio de Janeiro amid the turbulence of war and its aftermath. Why Brazil? And what could songs and paintings achieve that traditional diplomacy could not? Distant Stage examines the neglected histories of Canada-Brazil relations and the role played by culture in Canada's pursuit of an international identity. The efforts of French-Canadian artists, intellectuals, and diplomats are at the heart of both. Eric Fillion demonstrates how music and the visual arts gave state and non-state actors new connections to the idea of nation, which in turn informed their sense of place in the world. Tracing the origins of Canadian cultural diplomacy to South America, the book underscores the significance of race and religion in the country's international history, showing how Brazil served as a distant stage where Canadian identity politics and aspirations could play out. Both a timely invitation to think about cultural diplomacy as a critical practice and a reflection on the interplay between internationalism and nationalism within the context of Canada's contested federalism, Distant Stage draws attention to the ambiguous yet essential roles played by artists in international and intercultural relations."--