Böcker i Robert Kroetsch Series-serien

Balancing an ambivalent relationship to the past, and fear and hope for the future, Kasia Van Schaik's portraits of female interiority, immigrant identity, dislocation, and desire trace the transitions from girlhood to adulthood, grappling with the struggle to understand what it means to live on earth.

Maylor's The Bad Wife is an intimate, first-hand account of how to ruin a marriage.

Deriving explores infertility, motherhood, and family, while troubling colonial legacies of language and Canadian identity.

A poet's struggle for identity and salvation in the face of religious dogma and alcoholism.

"You Look Good for Your Age is a collection of fiction, non-fiction, and poetry about ageism by 29 women writers ranging in age from forties to nineties. The anthology responds to a culture that values youth and that positions aging in women as a failure. Questions arise. What effects do negative social assumptions have on women as they age? What messages about aging do we pass on to our daughters? Through essays, short stories, and poetry, the contributing writers explore these questions with thoughtfulness, satire, and fury. Contributors: Rona Altrows, Debbie Bateman, Moni Brar, Maureen Bush, Sharon Butala, Jane Cawthorne, Joan Crate, Dora Dueck, Cecelia Frey, Ariel Gordon, Elizabeth Greene, Vivian Hansen, Joyce Harries, Elizabeth Haynes, Paula Kirman, Joy Kogawa, Laurie MacFayden, JoAnn McCaig, Wendy McGrath, E.D. Morin, Lisa Murphy Lamb, Lorri Neilsen Glenn, Olyn Ozbick, Roberta Rees, Julie Sedivy, Madelaine Shaw-Wong, Anne Sorbie, Aritha van Herk, Laura Wershler."--

Memory and reality, homeland and settlement, life and death-uncovering sacrifices, secrets, and forgiveness.

Strong, voice-driven poetry explores the broader experience of the African Diaspora, and taboos within taboos.

"The poems in Ghosts Still Linger explore the past and present of the prairies, juxtaposing contemporary responses to grief and environmental issues with musings about iconic historical figures such as Buffalo Bill Cody and Annie Oakley. Kat Cameron's engaging and lyrical voice illuminates the unsung perspectives of the women of the West, creating a compelling narrative that reflects on her own struggles with sorrow. She conjures ghosts, weaves together insights on notable individuals with wit and irony, and interrogates prairie sensibilities, loss, memory, and the impacts of boom and bust."--

"The poems in E. Alex Pierce's new collection invite readers to meditate upon language embedded in landscape, and trace the formation of a young artist who begins in music, arrives at theatre, and ends in poetry. From striking individual poems such as "The fetch of the wind" and "The sky full of empty rooms" to the stunning stretched sonnet sequence "The Stanzas. Rooms."--Which searches a passionate relationship with a photographer for the beginnings of a poet's voice--the collection moves from the fragmented textures of childhood memory in an East Coast village to the complex juxtaposition of art museums, performance, opera, and string quartets. These fiercely poised poems are layered and rich, with a sensuous attention to line and breath; a major new volume from an accomplished poet."--

Delicate, authentic poems that oscillate between grief and joy as they explore parenthood and loss.

This diverse anthology of contemporary creative nonfiction explores the universal agony and hope of waiting.

Drawing from the family story, Therrien's poems speak to and simultaneously transcend the label "prairie."

"Jalal Barzanji chronicles the path of exile and estrangement from his beloved native Kurdistan to his chosen home in Canada. His poems speak of the tension that exists between the place of one's birth and an adoptive land, of that delicate dance that happens in the face of censorship and oppression. In defiance of Saddam Hussein's call for sycophantic political verse, he turns to the natural world to reference a mournful state of loss, longing, alienation, and melancholy. Barzanji's poetry is infused with the richness of the Middle East, but underlying it all is a close affinity to Western Modernists. In those moments where language and culture collide and co-operate, Barzanji carves out a strong voice of opposition to political oppression." --Publisher's description.