This volume offers an informed survey of the problematic relationship between the ancient empires of Rome and Parthia from c.96/95 BCE to 224 CE. Schlude explores the rhythms of this relationship and invites its readers to reconsider the past and our relationship with it.
This collection of essays investigates histories in the ancient world and the extent to which the producers and consumers of those histories believed them to be true. Beginning with comparisons between historiography and aspects of belief in Greek tragedy, chapters include discussions of historiography through the works of Herodotus, Xenophon, and Ktesias, as well as Hellenistic and later historiography, material culture in Vitruvius, and Lucian's satire. The volume examines pluralities of truth and belief within the ancient world - and consequences for our understanding of culture, ancient or otherwise.
In film imagery, urban spaces show up not only as spatial settings of a story, but also as projected ideas and forms that aim to recreate and capture the spirit of cultures, societies and epochs. Some Imagining Ancient Cities in Film explores for the first time in scholarship film representations of cities of the Ancient World from early cinema to the 21st century. The volume analyzes the different choices made by filmmakers, art designers and screen writers to recreate ancient urban spaces as more or less convincing settings of mythical and historical events. In looking behind and beyond intended archaeological accuracy, symbolic fantasy, primitivism, exoticism and Hollywood-esque monumentality, this volume pays particular attention to the depiction of cities as faces of ancient civilizations, but also as containers of moral ideas and cultural fashions deeply rooted in the contemporary zeitgeist and in continuously revisited traditions.
Offers a vivid narrative and analysis of the clashes of Cicero and Catiline during the 'Roman Revolution', and illuminates the political, military, economic and social problems which lead to the demise of the republican system and the rise of the imperial regime of the Caesars.
Ancient Graffiti in Context brings together papers by historians and archaeologists using graffiti as evidence to explore the Greek and Roman worlds. Illuminating such varied topics as ancient emotions, Roman children, quarry workers, and military communities, this collection demonstrates the importance of this often undervalued form of evidence.
Ancient Graffiti in Context brings together papers by historians and archaeologists using graffiti as evidence to explore the Greek and Roman worlds. Illuminating such varied topics as ancient emotions, Roman children, quarry workers, and military communities, this collection demonstrates the importance of this often undervalued form of evidence.
This collection of essays investigates histories in the ancient world and the extent to which the producers and consumers of those histories believed them to be true. Beginning with comparisons between historiography and aspects of belief in Greek tragedy, chapters include discussions of historiography through the works of Herodotus, Xenop
In film imagery, urban spaces show up not only as spatial settings of a story, but also as projected ideas and forms that aim to recreate and capture the spirit of cultures, societies and epochs. Some Imagining Ancient Cities in Film explores for the first time in scholarship film representations of cities of the Ancient World from early
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