Böcker i Salt Modern Poets-serien

Tackling the loss of the poet's mother - as well as themes of motherhood, birth, death and marriage - this poignant collection explores how we grieve and remember those we love.

Sing Me Down From the Dark explores the highs and lows of a ten-year sojourn in Japan, two international marriages, a homecoming, and the struggles of cross-cultural relationships. It is full of light and dark, as if the writer herself has been 'caught off guard' in the making of these poems.

The Death Poems: Songs, Visons, Meditations explores death in a range of forms - celebratory, visionary and contemplatively.

The Meanwhile Sites is a book about development sites and their relationships with people, and the oppositions of marginality against mainstream, renewability against finitude, utility against intangible value, and the changing forms of physical, cultural and psychological landscapes in a post-industrial age.

Formally-innovative, comic, surreal and deeply poignant - Evans's poetry is a restless delight as he tackles almost anything: lost invoices, hearing aids, fruit flies, migration, bin lorries, road signs and love's strains and pleasures.

Semmens' new collection is a loosely structured sequence of surreal fantasies in which famous figures from (mostly) the past - sometimes singly, sometimes in unlikely pairings - make incongruous, anachronistic appearances in modern settings and situations.

Since 1986, Rachel Blau DuPlessis has been writing a long poem in canto-like sections, grouped in nineteen units. The individual poems fold over each other, using repeated elements to construct a sense of memory and traces or reminders of prior statements. Their themes involve history, gender, mourning and hope, all in "socio-twisty" language.

A tenth anniversary edition of Chris Emery's black comedy debut, Dr. Mephisto, made simultaneously available in print and electronic form. Flamboyant, funny, poignant and excessive, Emery's modernist work is a picaresque, historical road show of hell from the brink of the 21st Century.

`Love Me Do' offers a fresh and distinctive look at how we live our lives. Lydia Macpherson's poems are closely observed, tender, witty and often intensely personal, with subjects ranging from knitting to the far reaches of space, via a Voodoo Barbie and a skeleton under the bed.

Emery's new book presents a dazzling array of voices: art dealers, TV stars, killers, cowboys, poets, coat check boys, checkout girls, composers, priests, gods, angels, winners, losers, lovers, the newly born and the dearly departed.

Heat Wave seeks to unsettle and wrong-foot; it refuses to adopt a sententious or holier than thou attitudes regarding the many crises which confront us. The poems subvert as well as entertain.

Heartbreaking detail permeates Hardisty's deftly musical debut. These are love poems, conjuring relationships just beginning, gone astray, turned wrong, or fading from view.

Peterkin explores the expectations and limits of being human with lashings of wit and sometimes a disquieting note of threat. Mad cap, extravagant, urban and questioning, this is a collection no one will forget.

The Book of Revelation serves as a lonely planet guide to this outrageous place in time. Rob A. Mackenzie's apocalyptic nightmare vision encompasses the rags of Empire, political turpitude and blindingly oppressive headlines in a grimly comic phantasmagoria of twenty-first century turmoil.

A poem sequence that interweaves scenes and stories in a soundtrack that sweeps through modern Los Angeles. A cop and a hooker become a lover and a beloved, who, line by line, scene by scene, reveal their affair in a bitter script that tours the city streets, taking in actresses and immigrants, beauty school students, dreamers and discontents.

Among the most prolific and widely received poets of his generation, Armand's work is luminous with verbal innovation and critical insight. This volume confirms Armand's standing as a major figure of the Prague renaissance and the post-fin-de-siecle of English-language poetry internationally.

The poems in Brother No One take their bearings from our surveillance society, where no action goes unnoticed. The line between victim and perpetrator is blurred. Brian Henry takes on these themes with dizzying energy, examining their effects on language, the body, perception, and the possibility of human love.

The Fraud of Good Sleep is a book of "serious humanist" poems. Theis's poems combine a stunning, classical rigor with a passionate madness that is utterly contemporary and surprising. From prose poems and extended lyric sequences to translations and fragments, this book attempts to enfold the living past into the insane present.

The highly-tuned awareness of these poems comes not out of introspection, but attentiveness and also a real affection for the 'cheerful stabs of flair among the serious junk' of the world.

Mark Burnhope's poems peer out over disability, faith and prejudice. They visit town and sea, husband and wife, monuments to grief built of snow, steel, stone. They take us to a talking tree and an outcast crew including Pinocchio, Queequeg and Quasimodo. But at their heart, there is great warmth.

Poetry Bank Choice and Poetry Book Society Recommendation. These poems are clear, direct and emotional. They do not hide behind imagery, but head right for the heart of shame, laying bare the terrors of parenting, loss, regret, and falling in love with the wrong people.

Peter Jaeger's beautiful new work was written while travelling in Japan, India, Canada, Italy and England, but these intense lyrics are more than "travel poems", they explore body awareness and consciousness within language itself.

Event, the first book by Australian poet Judith Bishop, is the work of a border-crosser. Emotionally intense, formally inventive and musical, with influences ranging from Ted Hughes and Elizabeth Bishop to Yves Bonnefoy.

Jared Stanley strikes at the absurd thingness of things, rings out their histories, traces their loss in the 6th extinction, figures his voluminous overhearing into poems rhetorical and fragmented, mournful and comedic.

Lake Shore Drive is John Wilkinson's most public, openly political and expansive book - wide-ranging and variously vernacular in both scope and form - en route between New York City, East London and the Welsh, Cornish and Indiana shorelines.

In this collection, Peter Daniels looks at his life as an older gay man, his London neighbourhood, his furniture, other people's gardens and London's creatures.

Cracked Skull Cinema offers poems on culture and society, colonialism and its legacies, media and power. Set between these are homages and reflections on middle age, on life's loves and losses.

Lyrical and at times unsettling, The Somnambulist Cookbook explores the quality of disappearance, slowly breaking down as the poems swing from rogue sonnets to fractured prose poems, reminiscent of Larkin, but if he had gone abroad and listened to Pavement rather than jazz.

These are the voices of those who are silent: in the graveyards, holy wells, the mountains, the changing tides. A ghostly choir of children, hermits, rough sleepers and lovers, serving maids and sailor boys resounding through the rhythms of the water.