Böcker i Special Publications of the Lilly Library-serien

Two centuries ago, a teenage genius created a monster that still walks among us. In 1818, Mary Shelley published Frankenstein, and in doing so set forth into the world a scientist and his monster. The daughter of Mary Wollstonecraft, famed women's rights advocate, and William Godwin, radical political thinker and writer, Mary Shelley is considered the mother of the modern genres of horror and science fiction. At its core, however, Shelley's Frankenstein is a contemplation on what it means to be human, what it means to chase perfection, and what it means to fear things suchsuch things as ugliness, loneliness, and rejection. In celebration of the two hundredth anniversary of the publication of Frankenstein, the Lilly Library at Indiana University presents Frankenstein 200: The Birth, Life, and Resurrection of Mary Shelley's Monster. This beautifully illustrated catalog looks closely at Mary Shelley's life and influences, examines the hundreds of reincarnations her book and its characters have enjoyed, and highlights the vast, deep, and eclectic collections of the Lilly Library. This exhibition catalog is a celebration of books, of the monstrousness that exists within us all, and of the genius of Mary Shelley.

This book serves as a companion to an exhibition of Richard G. Lugar's papers at the Lilly Library at Indiana University.

The Hamilton collections document not only his distinguished congressional career but his commitment to, and work in support of, the belief that the most pressing national and international problems can be successfully addressed through the nonpartisan work of people of good faith within the context of the American form of representative democracy.

Love and Loss in Hollywood uses previously unpublished letters between raising star Florence Deshon and socialist writer Max Eastman to reconstruct their relationship against the backdrop of the "golden age" of Hollywood.

Love and Loss in Hollywood uses previously unpublished letters between raising star Florence Deshon and socialist writer Max Eastman to reconstruct their relationship against the backdrop of the "golden age" of Hollywood.