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  • av Catherine Roach
    721 - 2 191

    Repainting the work of another into one's own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images.

  • av Flavia (University College London) Frigeri & Kristian (University of Copenhagen) Handberg
    617 - 2 051

  • av Galina (Stern College for Women of Yeshiva University) Mardilovich & Maria (Yale-NUS College Taroutina
    667 - 2 211

  • - Revising Peripheral Critical Practices
     
    1 971

    This book is devoted to the concept of horizontal art history¿a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952¿2015)¿that aims at undermining the hegemony of the discourse of art history created in the Western world.

  •  
    1 951

    This book argues that the provenance of early modern and medieval objects from Islamic lands was largely forgotten until the "long" eighteenth century, when the first efforts were made to reconnect them with the historical contexts in which they were produced.

  • - Maddening Sculpture and the Writing of Art History
    av Michael Yonan
    617 - 2 191

  • - Politics, History, and Art in Nineteenth-Century Mexico
    av Ray Hernandez-Duran
    617 - 2 191

  • av Katherine Wheeler
    757 - 1 967

    In the mid-1880s, an influential British architectural journal published an article characterizing Renaissance architecture as a corruption of classical architecture. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the 'Christopher Columbus of modern architecture.

  • - Art, Hysteria, and the Puppet
    av Nathan J. (University of Miami) Timpano
    617 - 1 991

  • - The Challenge of Aboriginal Art
    av Susan (University of Melbourne) Lowish
    1 997

    This book aims to redefine Australia's earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term's use through published literature in the late eighteenth, nineteenth and early twentieth centuries.

  • - A Critical Anthology
     
    761

    During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ’expressionist’, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field''s Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvořák, Heinrich Wölfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book''s introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.

  •  
    707

    Essays in this volume emphasize questions of transcultural encounters and exchanges as circulations, and provide an overview of current research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies.

  •  
    2 097

    Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The essays assess the strengths and weaknesses of the comparative practice in the history of art, and consider the larger issue of the place of the comparative in how art history may develop in the future.

  •  
    2 421

    Using a range of theoretical perspectives, this book offers a study on key issues such as temporality, theatricality, word-and-image relations, the narrative function of inanimate objects, the role played by viewers, and the ways in which visual narrative has been bound up with history painting.

  • - Traditions and Negotiations
    av Malin Hedlin Hayden
    737 - 2 037

  •  
    2 177

    Essays in this volume emphasize questions of transcultural encounters and exchanges as circulations, and provide an overview of current research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies.

  • av Robert Williams & Peter Mack
    661 - 1 971

  • av Oystein Sjastad
    617 - 2 037

    Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.

  • - An Institutional Biography
    av Diana Reynolds Cordileone
    617 - 2 037

    In Alois Riegl in Vienna 1875-1905, Diana Cordileone applies standard methods of cultural and intellectual history for close readings of Riegl's published texts, several of which are still unavailable in English.

  • av Maureen McCue
    681 - 2 177

    Offering cultural, historical and literary readings of the responses to Italian Old Master art by early nineteenth-century writers, McCue illuminates the important role these artworks played in shaping the themes that are central to our understanding of Romanticism. She argues that they informed the writing of Romantic period authors.

  • - A Critical Anthology
     
    1 971

    During the period in which Expressionist artists were active in central Europe, art historians were producing texts which were characterized as 'expressionist', yet the notion of an expressionist art history has yet to be fully explored in historiographic studies.

  • av Kristel Smentek
    717 - 2 051

    Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette's career.

  • - Temporality, Chronology and Anachrony
     
    2 091

  • - A Charter for the Avant-Garde
    av Jeremy Howard, Z. S. Strother & Dr. Irena Buzinska
    617 - 1 967

    Hailed as a brilliant theoretician, Voldemars Matvejs was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. This volume introduces Markov as an innovative and pioneering art photographer and assembles for the first time five of his most important essays.

  • - Temporality, Chronology and Anachrony
     
    667

    Addressed to students of the image-both art historians and students of visual studies-this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects.

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