Böcker i Studies in Popular Music-serien

The Rosary and the Microphone explores U2 as a politically engaged band that manifests a particular brand of Christianity through the band's mediation in a global context and for a global audience.

In an updated paperback edition, Helen Reddington investigates the social and commercial reasons for how women musicians of the Punk era became lost from the rock music record, and rewrites this period in history in the context of other periods when female musicians have been visible in previously male environments.

Presenting the history of global electronic dance music countercultures, this title explores the trajectories of post-rave. This book documents a network of techno-tribes, exploring their pleasure principles and cultural politics.

Examines the Jamaican background, necessary for understanding the cultural significance of dub. This work analyses its musical, cultural and political importance for both African-Caribbean and, particularly, white communities in the United Kingdom during the late-1970s and early 1980s.

This study analyses the work of Nick Cave, a singular, idiosyncratic and brilliant musician, specifically through his engagements with theology and the Bible. It does so not merely in terms of his written work - the novels and plays and poetry and lyrics that he continues to produce - but also the music itself.

This book makes an important contribution to the understanding of the phenomenon of the tribute band by linking it to other types of imitative entertainment such as 'ghost', cover and parody bands.

Falco and Beyond is devoted to the most popular Austrian song-writer, singer and rapper of the twentieth century and one of the most successful European singers of all time.

The result of fifteen years of research in over a dozen countries, this book applies a sharp lens on a little understood global dance culture that has mushroomed all over the world since its beginnings in the diverse psychedelic music scenes flourishing in Goa in the 1970s and 1980s.

The aim of this anthology is to analyse the relationship between heavy metal and society within a global context.

explores the relationship between The Beatles and their times, situating them in the changing class, gender and ethnic dynamics of postwar Britain, and considers them as Liverpudlians, Orientalists, and creative pioneers.