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Böcker i Studies in Russian Literature and Theory-serien

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  • - Reading Against the Grain
    av Carol Apollonio
    680,-

    When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense", it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky's work, reading through the facts-the text-of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose.

  • - Folklore, Philology, Form
    av Jessica Merrill
    696,-

  • - Verbal Skepticism in Russian Poetry
    av Sofya Khagi
    2 106,-

    Silence and the Rest argues that throughout its entire history, Russian poetry can be read as an argument for "verbal skepticism," positing a long-running dialogue between poets, philosophers, and theorists central to the antiverbal strain of Russian culture.

  • - Suspense, Closure, Minor Characters
    av Greta Matzner-Gore
    886,-

    Traces Dostoevsky's indefatigable investigations into the ethical implications of his own formal choices. Drawing on his drafts, notebooks, and writings on aesthetics, Greta Matzner-Gore argues that he wove the moral and formal questions that obsessed him into the fabric of his last three novels.

  • av Elizabeth A. Blake
    728,99

    While Dostoevsky's relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake's ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship.

  • - Views from the Twenty-First Century
    av Inessa Medzhibovskaya
    696,-

    In the broadest sense, this volume offers a fresh evaluation of Tolstoy's program to reform the ways we live, work, commune with nature and art, practice spirituality, exchange ideas and knowledge, become educated, and speak and think about history and social change.

  • - Russian Modernism and Its New Religious Aesthetic
    av Martha M. F. Kelly
    776,-

    Unorthodox Beauty shows how Russian poets of the early twentieth century consciously adapted Russian Orthodox culture in order to create a distinctly religious modernism. Martha M. F. Kelly contends that, beyond mere themes, these writers developed an entire poetics that drew on liturgical tradition.

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