Böcker i Studies in the History and Culture of Scotland-serien

Scotland's islands are diverse, resourceful and singularly iconic in national and global imaginations of places 'apart' yet readily reached. This collection of essays offers a fascinating commentary on Scotland's island communities that celebrates their histories, cultures and economies in general terms.

Discomfort and Joy

«This labour of love is everything a critical biography should be: informative, gossipy, admiring and more than capable of restoring Sharp¿s reputation, giving him his rightful place in both Scottish literature and Scottish screen writing history. »(Carl MacDougall, writer and former President of Scottish PEN)«If Alan Sharp¿s career was a unique one within modern Scottish culture, it has proved an underexplored one within modern Scottish Cultural Studies. "The Anti-herös Journey" remedies that collective oversight by making a compelling and critically informed case for both the individual singularity and international significance of Sharp¿s creative voice.»(Jonathan Murray, Senior Lecturer in Film and Visual Culture, Edinburgh College of Art)Alan Sharp was Scotland¿s greatest screenwriter and one of its most important transnational writers. The adopted son of a Greenock shipyard worker, he became a bestselling novelist, a leading playwright, a record-breaking Hollywood screenwriter and the central figure of a new Scottish national film industry. Today, however, his books, television plays and screenplays are forgotten.This study seeks to restore his work to the prominence it deserves. Including previously unknown work available only now in the Alan Sharp papers collection in the University of Dundee Archive, it traces the life¿s work of a man who made a unique contribution to Scottish culture and considers his themes, especially his awareness of landscape and his use of the ambivalent male protagonist, the anti-hero.Working in exile but consistently «coming back» to his homeland, Sharp wrote from a point of view which allowed him to love Scottish culture without having to pamper it and gave him the detachment to connect it with others. «The Anti-herös Journey» seeks to reposition him as a vital component of Scottish cultural studies from the 1960s into the twenty-first century and proposes that he should be re-evaluated as a major contributor to contemporary transnational Scottish cultural history.

This book aims to address the lack of sustained attention given to Margaret Tait's large body of work, offering a contextualisation of Tait's films within a general consideration of Scottish cinema and artists' moving image. The book's grounding in detailed archival research offers new insights into Scotland (and Britain) in the Twentieth century.

This study is the first monograph on the Scottish writer Brian McCabe. It focuses mainly on McCabe's fiction and on the elements in his writing that allow for a redefinition of individual and national identity. The book opens with an examination of the socio-cultural context that shapes McCabe's position in contemporary Scottish literature. The author goes on to consider McCabe as a writer of the Second Renaissance and the generation of the Lost Poets, and also focuses on the Scottish preoccupation with identity and its representations in the contemporary Scottish short story. Finally, she provides a chronological and thematic analysis of McCabe's short story collections The Lipstick Circus, In a Dark Room with a Stranger and A Date with my Wife, and his novel The Other McCoy.

This book explores the role of the flute in Scottish musical life, primarily in the long eighteenth century, including players, repertoire, manuscripts, and instruments. Evidence for ladies having played the flute is examined, as are possible connections between flute playing and bagpipe playing.

The fifteen essays gathered in this book probe the multi-facetted role of death in Scottish history and culture. They explore personal fears of death, anxieties about Predestination, prayers for the dead and the appeal of Spiritualism

Since World War I, communities of Gaelic-speaking Scotland, characterised by collaborative effort and a robust sense of communal identity, have been transformed. This book will help scholars and general readers grasp the magnitude of change as it has transformed an important aspect of Scottish Gaelic culture.

This interdisciplinary collection draws from the fields of art, literature, social history, demography and legal history, and both architectural and landscape history. Essays employ a range of methodologies and materials - visual, statistical, archival and literary - to illustrate the richness of the primary sources for studying death in Scotland.

This study argues that the works of the Scottish novelist James Kelman should not be seen as a resigned capitulation to capitalism or an acceptance of the fracture of a working-class collective purpose. Instead, his fiction continually disputes the notion of consensus by revealing the voices of those excluded, those who are unaccounted for.