Böcker i Studies in the Social and Cultural History of Modern Warfare-serien

Until now scholars have looked for the source of the indomitable Tommy morale on the Western Front in innate British bloody-mindedness and irony, not to mention material concerns such as leave, food, rum, brothels, regimental pride, and male bonding. However, re-examining previously used sources alongside never-before consulted archives, Craig Gibson shifts the focus away from battle and the trenches to times behind the front, where the British intermingled with a vast population of allied civilians, whom Lord Kitchener had instructed the troops to 'avoid'. Besides providing a comprehensive examination of soldiers' encounters with local French and Belgian inhabitants which were not only unavoidable but also challenging, symbiotic and uplifting in equal measure, Gibson contends that such relationships were crucial to how the war was fought on the Western Front and, ultimately, to British victory in 1918. What emerges is a novel interpretation of the British and Dominion soldier at war.

The War Inside is a groundbreaking history of the contribution of British psychoanalysis to the making of social democracy, childhood, and the family during World War II and the postwar reconstruction. Psychoanalysts informed understandings not only of individuals, but also of broader political questions. By asserting a link between a real 'war outside' and an emotional 'war inside', psychoanalysts contributed to an increased state responsibility for citizens' mental health. They made understanding children and the mother-child relationship key to the successful creation of a democratic citizenry. Using rich archival sources, the book revises the common view of psychoanalysis as an elite discipline by taking it out of the clinic and into the war nursery, the juvenile court, the state welfare committee, and the children's hospital. It traces the work of the second generation of psychoanalysts after Freud in response to total war and explores its broad postwar effects on British society.

'We request an immediate favour of you, to build a shelter for us women and small children, because we have absolutely no place to take refuge and we are terrified!' This French mother's petition sent to her mayor on the eve of Germany's 1940 invasion of France reveals civilians' security concerns unleashed by the Blitzkrieg fighting tactics of World War II. Unprepared for air warfare's assault on civilian psyches, French planners were among the first in history to respond to civilian security challenges posed by aerial bombardment. France under Fire offers a social, political and military examination of the origins of the French refugee crisis of 1940, a mass displacement of eight million civilians fleeing German combatants. Scattered throughout a divided France, refugees turned to German Occupation officials and Vichy administrators for relief and repatriation. Their solutions raised questions about occupying powers' obligations to civilians and elicited new definitions of refugees' rights.

The cultural legacy of the air war on Germany is explored in this comparative study of two bombed cities from different sides of the subsequently divided nation. Contrary to what is often assumed, Allied bombing left a lasting imprint on German society, spawning vibrant memory cultures that can be traced from the 1940s to the present. While the death of half a million civilians and the destruction of much of Germany's urban landscape provided 'usable' rallying points in the great political confrontations of the day, the cataclysms were above all remembered on a local level, in the very spaces that had been hit by the bombs and transformed beyond recognition. The author investigates how lived experience in the shadow of Nazism and war was translated into cultural memory by local communities in Kassel and Magdeburg struggling to find ways of coming to terms with catastrophic events unprecedented in living memory.

A major contribution to the study of collective identity and memory in France, this book examines a French republican myth: the belief that the nation can be adequately defended only by its own citizens, in the manner of the French revolutionaries of 1793. Alan Forrest examines the image of the citizen army reflected in political speeches, school textbooks, art and literature across the nineteenth century. He reveals that the image appealed to notions of equality and social justice, and with time it expanded to incorporate Napoleon's victorious legions, the partisans who repelled the German invader in 1814 and the people of Paris who rose in arms to defend the Republic in 1870. More recently it has risked being marginalized by military technology and by the realities of colonial warfare, but its influence can still be seen in the propaganda of the Great War and of the French Resistance under Vichy.

The First World War is usually believed to have had a catastrophic effect on British art, killing artists and movements, and creating a mood of belligerent philistinism around the nation. In this book, however, James Fox paints a very different picture of artistic life in wartime Britain. Drawing on a wide range of sources, he examines the cultural activities of largely forgotten individuals and institutions, as well as the press and the government, in order to shed new light on art's unusual role in a nation at war. He argues that the conflict's artistic consequences, though initially disruptive, were ultimately and enduringly productive. He reveals how the war effort helped forge a much closer relationship between the British public and their art - a relationship that informed the country's cultural agenda well into the 1920s.

Amidst the ruins of postwar Europe, and just as the Cold War dawned, many new memorials were dedicated to those Americans who had fought and fallen for freedom. Some of these monuments, plaques, stained-glass windows and other commemorative signposts were established by agents of the US government, partly in the service of transatlantic diplomacy; some were built by American veterans' groups mourning lost comrades; and some were provided by grateful and grieving European communities. As the war receded, Europe also became the site for other forms of American commemoration: from the sombre and solemn battlefield pilgrimages of veterans, to the political theatre of Presidents, to the production and consumption of commemorative souvenirs. With a specific focus on processes and practices in two distinct regions of Europe - Normandy and East Anglia - Sam Edwards tells a story of postwar Euro-American cultural contact, and of the acts of transatlantic commemoration that this bequeathed.

This ground-breaking study investigates the history and legacy of the Korean War within the realm of intimate human social experience. In doing so, it boldly reclaims kinship as a vital category in historical and political enquiry and examines how Korea's civil war memories remain present in the Korean consciousness.

The vivid and traumatic phenomenon of war provides the basis for a detailed examination of how war has been remembered collectively this century. Material is drawn from Europe, America and Israel to show that small groups of survivors act together in order to preserve a piece of the past.

For four years, German soldiers not only stood guard over and fought in France, but also lived their lives. While the everyday experiences of the occupied French population are well-documented, we know much less about the occupiers. The lives of ordinary German soldiers offer new insights into the occupation of France and the history of Nazism.

Before Rwanda and Bosnia, and before the Holocaust, the first genocide of the twentieth century happened in Turkish Armenia in 1915. Jay Winter has brought together a team of experts to examine how Americans learned of this catastrophe and how they tried to help its victims.

This 2007 volume tackles the comparative social and economic history of the three capital cities of Britain, France and Germany during and immediately after the First World War. It takes in notions of identity, the various sites and rituals of city life, and civic and popular culture.

A comparative study of European cultural and social history during the First World War.

This is a volume of comparative essays on political and cultural 'mobilization' in the main belligerent countries in Europe during the First World War. It explores how and why the war was supported for so long, and why those states with a strong political support and national integration were ultimately successful.

Before Rwanda and Bosnia, and before the Holocaust, the first genocide of the twentieth century happened in Turkish Armenia in 1915. Jay Winter has brought together a team of experts to examine how Americans learned of this catastrophe and how they tried to help its victims.

This 2007 volume tackles the comparative social and economic history of the three capital cities of Britain, France and Germany during and immediately after the First World War. It takes in notions of identity, the various sites and rituals of city life, and civic and popular culture.

This is a volume of comparative essays on political and cultural 'mobilization' in the main belligerent countries in Europe during the First World War. It explores how and why the war was supported for so long, and why those states with a strong political support and national integration were ultimately successful.

A benchmark in our understanding of the social aspects of World War I, this is one of the few truly comparative studies of that conflict. Expert contributors from several fields, stretching from history to economics, bring an interdisciplinary approach to the study of Europe's great wartime cities.