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  • av Armistead Maupin
    316,-

    The last three novels of Armistead Maupin's classic Tales of the City series?now available for the first time as an omnibus editionPublished between 1978 and 2014, Armistead Maupin's groundbreaking comedy of manners, Tales of the City, follows a richly diverse cast of characters from their youthful adventures in a San Francisco apartment house through the perils and sorrows of the AIDS crisis, and, finally, into the previously unimaginable era of marriage equality. Goodbye Barbary Lane?comprised of Michael Tolliver Lives (2007), Mary Ann in Autumn (2010), and The Days of Anna Madrigal (2014)?brings closure to the lives and legacies of the beloved characters through which generations of devoted readers have found connection to America's larger cultural struggles.Joining two companion omnibus volumes, 28 Barbary Lane and Back to Barbary Lane, Goodbye Barbary Lane presents all of ?Mr. Maupin's adeptness at fluid dialogue, his flair for shaping characters who thread the needle between pop archetypes and singular human beings, and his great gift for intricate if occasionally preposterous plotting? (New York Times).

  • av Armistead Maupin
    320,-

    By turns hilarious and heartbreaking, Armistead Maupin's bestselling Tales of the City novels—the fourth, fifth and sixth of which are collected in this second omnibus volume—stand as an incomparable blend of great storytelling and incisive social commentary on American culture from the seventies through the first two decades of the new millennium."Tearing through [the tales] one after the other, as I did, allows instant gratification; it also lets you appreciate how masterfully they're constructed. No matter what Maupin writes next, he can look back on the rare achievement of having built a little world and made it run.”— Walter Kendrick, Village Voice Literary Supplement Armistead Maupin's uproarious and moving Tales of the City novels have earned a unique niche in American literature and are considered indelible documents of cultural change from the seventies through the first two decades of the new millennium. The nine classic comedies, some of which originally appeared as serials in San Francisco newspapers, won Maupin critical acclaim around the world and enthralled legions of devoted fans.Back to Barbary Lane comprises the second omnibus of the series—Babycakes (1984), Significant Others (1987), and Sure of You (1989)—continuing the saga of the tenants, past and present, of Mrs. Madrigal's beloved apartment house on Russian Hill. While the first trilogy celebrated the carefree excesses of the seventies, this volume tracks its hapless, all-too-human cast across the eighties—a decade troubled by plague, deceit, and overweening ambition.Like its companion volumes, 28 Barbary Lane and Goodbye, Barbary Lane, Back to Barbary Lane is distinguished by what The Guardian of London has called "some of the sharpest and most speakable dialogue you are ever likely to read."

  • av Armistead Maupin
    370,-

    Armistead Maupin's uproarious, moving Tales of the City novels?the first three of which are collected in this omnibus volume?have earned a unique niche in American literature as indelible documents of cultural change from the seventies through the first two decades of the new millennium.Originally serialized in the San Francisco Chronicle, Armistead Maupin's Tales of the City (1978), More Tales of the City (1980), and Further Tales of the City (1982) afforded a mainstream audience of millions its first exposure to straight and gay characters experiencing on equal terms the follies of urban life.Among the cast of this classic saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton; the libidinous Brian Hawkins; Mona Ramsey, still in a sixties trance; Michael ?Mouse? Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.Hurdling barriers both social and sexual, Maupin leads them through heartbreak and triumph, through nail-biting terrors and gleeful coincidences. The result is an addictive comedy of manners that continues to beguile new generations of readers.

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