Böcker i TEXTURES: Philosophy / Literature / Culture-serien

As an alternative to universalism and particularism, Intermedialities: Philosophy, Arts, Politics proposes 'intermedialities' as a new model of social relations and intercultural dialogue. The concept of 'intermedialities' stresses the necessity of situating debates concerning social relations in the divergent contexts of new media and avant-garde artistic practices as well as feminist, political, and philosophical analyses.

Dramas of Culture is the first volume in the TEXTURES: Philosophy/Literature/Culture series to study drama as a cultural effect, linking theatricality to main currents of continental philosophical thinking, cultural critique, and literary theory and interpretation_from Aristotle to contemporary cultural studies. The twelve interwoven interdisciplinary essays focus on the dramatic strategies deployed in cultural discourse and on the cultural meanings embedded in key dramatic writings in the Western repertoire.

Dramas of Culture is shaped by twelve carefully interwoven interdisciplinary essays on the role of performance as inscribed within contemporary cultural debate. Part One addresses the recent cultural turn in scholarship and public affairs and offers three provocative discussions of its genealogy, goals, and shortcomings. Underpinning these arguments are the key dramatic elements of language, performativity, and spectacle. Part Two stresses the constitutive roles of scene and setting, melodrama, and tragic conflict for literary theory, political thought, and dialectical philosophy, each with direct bearings on contemporary cultural studies. Parts Three and Four turn to the intellectual and cultural significance of specific plays in the Western repertoire. Part Three examines several major efforts to rethink the nature of tragedy as a dramatic genre, emphasizing its capacity to reveal the fragility and provisionality of culture, while Part Four focuses on prominent examples of the shifting relations among drama, history, and processes of cultural change.

Bringing together an international and interdisciplinary group of scholars, Intermedialities: Philosophy, Arts, Politics is a comprehensive collection devoted to the new field of research called "intermedialities." The concept of intermedialities stresses the necessity of situating philosophical and political debates on social relations in the divergent contexts of media theories, avant-garde artistic practices, continental philosophy, feminism, and political theory. The "intermedial" approach to social relations does not focus on the shared identity but instead on the epistemological, ethical, and political status of inter (being-in-between). At stake here are the political analyses of new modes of being in common that transcend national boundaries, the critique of the new forms of domination that accompany them, and the search for new emancipatory possibilities. Opening a new approach to social relations, intermedialities investigates not only engagements between already constituted positions but even more the interval, antagonism, and differences that form and decenter these positions. Consequently, in opposition to the resurgence of cultural and ethnic particularisms and to the leveling of difference produced by globalization, the political and ethical analysis of the "in-between" enables a conception of community based on difference, exposure, and interaction with others rather than on an identification with a shared identity. Investigations of "in-betweenness," both as medium specific and between heterogeneous "sites" of inquiry, range here from philosophical conceptuality to artistic practices, from the political circulation of money and power to the operation of new technologies. They inevitably invoke the crucial role of embodiment in creative thought and collective acting. As a mediating instance between the psyche and society, matter and spirit, nature and culture, and biology and technology, the body is another interval forming and informed by socio-linguistic relations. As these com

In this book, fourteen international authors across various fields analyze the concept of chiasm and its role in human perception and experience, discussing the work of major philosophers like Merleau-Ponty, Levinas, Derrida, and Deleuze, and adapting their ideas to cultural analysis.

De-Signing Design: Cartographies of Theory and Practice throws new light on the terrain between theory and practice in transdisciplinary discourses of design and art. The collection brings together a selection of essays on spatiality, difference, cultural aesthetics, and identity in the expanded field of place-making and being.

Employing the concept of "layering," this book seeks to rethink our relation to textual tradition against the background of the emergence of digital culture, the increasing spectacularization of psychic as well as social life, the renegotiation of historical thinking and the precarious position of the theoretical humanities within academia.