John Wilders brings to life the range of approaches that have been taken to the play's production and performance. The edition includes guidance on the play's many classical references and short biographies of historical characters.
David Scott Kastan's lucid exploration of the remarkable richness and ambitious design of "King Henry IV Part I" reveals the play to be almost a treatise on the central relationship between value and political authority.
The author takes a broad look at the different meanings which have been attributed to "King Henry V", through a discussion of its various critical and theatrical interpretations.
Critically acclaimed as one of Shakespeare's most complex and intriguing plays, "Twelfth Night" is a classic romantic comedy of mistaken identities. This book explores the factors that make up the play's textual, theatrical, critical and cultural history. It surveys the play's production and reception and emphasizes the role of the spectator.
A major new edition of this perennially succesful play which continues to entertain and perplex modern audiences. The play is discussed in its critical and theatrical contexts and Hodgdon, a leading feminist scholar, opens up new readings for modern audiences and students.
"King Henry VIII" has one of the fullest theatrical histories of any play in the Shakespeare canon, yet has been consistently misrepresented, both in performance and in criticism. This edition offers a fresh perspective on this ironic, multi-layered, collaborative play.
First performed in 1727, Cardenio or Double Falsehood was based on a play originally written by William Shakespeare. This significant new edition traces the elements of his work to be found in the text we have today, opening up fascinating questions and ideas for all students of Shakespeare.
One of Shakespeare's late plays, The Winter's Tale falls into two distinct parts: the first part tragedy and the second, comedy. John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance.
A major new edition of Shakespeare's tragedy arguing that the play is ultimately Juliet's. The illustrated introduction discusses the play's stage and screen history, its language and the many critical issues surrounding it.It gives a comprehensive, penetrating introduction to the play.On-page notes to deepen understanding.
Frantic Assembly fuses a taut adaptation of the classic text with its trademark hard-hitting choreography.
The Merchant of Venice is one of Shakespeare's most problematic plays, largely because of what is seen as its inherent anti-semitism. At the centre of the play is one of the most famous anti-heroes in Shakespeare: Shylock 'the Jew'. How to interpret Shylock baffles critics as they divide on whether Shakespeare is prejudiced or sympathetic.
Sir Thomas More deals with matters so controversial that it may never have reached performance on stage. A compelling play of riots and religious politics, it is also an intriguing document of what could, and could not, be articulated in the early modern public theatre.
This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare's plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623.With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.
This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare's plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623.With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.
A murdered King. A usurped Prince. A promise of revenge. Returning to court to find his father murdered and his mother married to the murderer, Hamlet faces a terrible dilemma. This is Shakespeare's great tragedy of passion, corruption and revenge.
"Shakespeare's dexterous comedy of two twin masters and two twin servants continually mistaken for one another is both farce and more than farce. The Comedy of Errors examines the interplay between personal and commercial relationships, and the breakdown of social order that follows the disruption of identity" --
The Tempest isone of Shakespeare's enduringly popular and much-studied later plays. The introduction has been extended to focus on new scholarship about the play's first production and to take account of major theatre and film versions since first publication in 1999, including Julie Taymor's 2010 film starring Helen Mirren.
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