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Art criticism is spurned by universities, but widely produced and read. This book presents a conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject.

Artistic representations of landscape are studied in areas ranging from art history to geography to sociology, yet there has been little consensus about how to understand the relationship between landscape and art. This book brings together scholars from these multiple disciplines to establish fresh of thinking about landscape in art.

For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Part of the "The Art Seminar" series, this volume aims to offer many answers to the question - What makes a photograph a photograph?

Featuring contributions from the world's prominent and widely-travelled art history scholars, this third volume in "The Art Seminar" deals with art and visual studies.

In this unparalleled collection, over twenty of the world's most prominent thinkers on the subject including Arthur Danto, Stephen Melville, Wendy Steiner, Alexander Nehamas, and Jay Bernstein ponder the disconnect between these two disciplines.

The near-absence of religion from contemporary discourse on art is one of the most fundamental issues in postmodernism. Artists critical of religion can find voices in the art world, but religion itself, including spirituality, is taken to be excluded by the very project of modernism. The sublime, "re-enchantment" (as in Weber), and the aura (as in Benjamin) have been used to smuggle religious concepts back into academic writing, but there is still no direct communication between "religionists" and scholars. Re-Enchantment, volume 7 in The Art Seminar Series, will be the first book to bridge that gap. The volume will include an introduction and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on religion and art including Boris Groys, James Elkins, Thierry de Duve, David Morgan, Norman Girardot, Sally Promey, Brent Plate, and Christopher Pinney.

Raising interesting issues, and answering questions, this collection presents over twenty of the world's most prominent thinkers who discuss the question: does philosophy have anything to say to art history? It analyzes the commentary by twenty scholars on an animated conversation among ten scholars and aestheticians.

For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Part of the "The Art Seminar" series, this volume aims to offer many answers to the question - What makes a photograph a photograph?

Artistic representations of landscape are studied in areas ranging from art history to geography to sociology, yet there has been little consensus about how to understand the relationship between landscape and art. This book brings together scholars from these multiple disciplines to establish fresh ways of thinking about landscape in art.

The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history.

Discusses the rifts and disagreements about how to understand the Renaissance and debates the principal texts and authors who have sought to reconceptualize the period. This work also discusses the issue of the relation between modern art and the Renaissance.

Discusses the rifts and disagreements about how to understand the Renaissance and debates the principal texts and authors who have sought to reconceptualize the period. This work also discusses the issue of the relation between modern art and the Renaissance.

Featuring contributions from the world's prominent and widely-travelled art history scholars, this third volume in "The Art Seminar" deals with art and visual studies.