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Using the fiction the young James Joyce was writing from 1904 to 1906, this study traces the process by which Joyce evolved into the mature artist. The author argues that Joyce enriched his fiction with a series of elegant strategies that made him his own esoteric subject.

This book sheds light on how the text and physical design of James Joyce's two most challenging works, Ulysses and Finnegans Wake, reflect changes that transformed Europe between World War I and II.

This innovative analysis shows how James Joyce uses the language of prayer to grapple with profoundly human ideas in Finnegans Wake-the dreamlike masterpiece that critics have called his "e;book of the night."e; Colleen Jaurretche moves beyond what scholars know about how Joyce composed this work to suggest why he wrote and arranged it as he did. Jaurretche provides a sequential reading of the four chapters and corresponding themes of the Wake from the perspective of prayer. She examines image, manifested by the letters of the alphabet and the Book of Kells; magic, which Joyce equates with the workings of language; dreams, which he relates to poetry; and speech, glorified in the Wake for its potential to express emotions and ecstasy. Jaurretche bases her study on important thinkers from antiquity to the present, including Origen of Alexandria, Giambattista Vico, and Giordano Bruno. She demonstrates how these philosophers influenced Joyce's view that prayer can imbue language with power. This book is an illuminating and much-needed interpretation of a work that abounds with echoes and cadences of sacred language. Jaurretche's insights will guide readers' understanding of the style and structure of Finnegans Wake.A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

In a paradigm shift away from classical understandings of geometry, nineteenth-century mathematicians developed new systems that featured surprising concepts such as the idea that parallel lines can curve and intersect. Providing evidence to confirm much that has largely been speculation, Joyce and Geometry reveals the full extent to which the modernist writer James Joyce was influenced by the radical theories of non-Euclidean geometry. Through close readings of Ulysses, Finnegans Wake, and Joyce's notebooks, Ciaran McMorran demonstrates that Joyce's experiments with nonlinearity stem from a fascination with these new mathematical concepts. He highlights the maze-like patterns traced by Joyce's characters as they wander Dublin's streets; he explores recurring motifs such as the topography of the Earth's curved surface and time as the fourth dimension of space; and he investigates in detail the enormous influence of Giordano Bruno, Henri Poincar and other writers who were critical of the Euclidean tradition. Arguing that Joyce's obsession with measuring and mapping space throughout his works encapsulates a modern crisis between geometric and linguistic modes of representation, McMorran delves into a major theme in Joyce's work that has not been fully explored until now. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

Presents, in a single volume, key seminal essays in the study of James Joyce. Representing important contributions to scholarship that have helped shape current methods of approaching Joyce's works, the volume reacquaints contemporary readers with the literature that forms the basis of ongoing scholarly inquiries in the field.

Assuming the position of the ideal contemporary Irish reader that Joyce might have anticipated, this work argues that the main character, James Duffy, is a "spoiled priest," emotionally arrested by his guilt at having rejected the call to the priesthood. Duffy's intellectual life thereafter progresses through German idealism to eventual nihilism.

An exploration of the influence of and connection to German writers and literary traditions in the works of James Joyce.

Each of James Joyce's major works appeared in a year defined by armed conflict in Ireland or continental Europe: Dubliners in 1914 at the outbreak of the First World War; A Portrait of the Artist as a Young Man in the same year as the 1916 Easter Rising; Ulysses in February 1922, two months after the Anglo-Irish Treaty and a few months before the outbreak of the Irish Civil War; and Finnegans Wake in 1939, as Joyce complained that the German army's westward advances upstaged the novel's release.In Joyce and Militarism, Greg Winston considers these masterworks in light of the longstanding shadows that military culture and ideology cast over the society in which the writer lived and wrote. The first book-length study of its kind, this articulate volume offers original and interesting insights into Joyce's response to the military presence in everything from education and athletics to prostitution and public space.

Modernism's most contentious rivals, James Joyce and D.H. Lawrence, are traditionally seen as opposites. This is the first book to explore the resonances between the two writers, revealing that their lives, works, and careers have striking similarities. Modernists at Odds is a long overdue extended comparison of two of the most compelling writers of the twentieth century.

Provides the first in-depth study of the forty short texts James Joyce called ""epiphanies"". Composed between 1901 and 1904, at the beginning of Joyce's writing career, these texts are often dismissed as juvenilia. Sangam MacDuff argues that the epiphanies are an important point of origin for Joyce's entire body of work.

James Joyce never used quotation marks. This book springs from that aversion, tracing Joyce's transgressive relation to that history from ""Memorabilia"" to ""Finnegan's Wake"". The author argues Joyce's rejection of the mark signals a wider and deeper rejection of the system it implements.

This text covers Joyce's writing in terms of music and evaluates the music - its form, kind and technique - in each work. Using Joyce's own rhetoric of theme and variation, the author moves from one character to another, through the poems, fiction and drama.

Presents a collection of essays that reviews the theory on James Joyce's ""Ulysses"". This volume, for seasoned Joyceans, offers an important review of the methodologies that have made significant contributions to understanding the novel. In addition, it surveys an array of feminist scholarship on ""Ulysses"".

This volume argues that Joyce's ""Ulysses"" is the Irish national epic - a new international epic written at the moment a new nation, the Irish Free State, was being founded, and one that evades the potential constraints of the epic tradition.

Offers an in-depth comparative study of two classic literary works, examining essential themes such as change, the self, and humans' dependence on and isolation from others. Stephanie Nelson shows that in these texts, both Joyce and Homer address identity by looking at the paradox of time - that people are constantly changing yet remain the same.

Examines the influence of Aristotle and Thomas Aquinas on James Joyce. O'Rourke demonstrates that Joyce was a philosophical writer who engaged creatively with questions of diversity and unity, identity, permanence and change, and the reliability of knowledge.

The first book to explore the role of disability in the writings of James Joyce, this volume approaches the subject both on a figurative level, as a symbol or metaphor in Joyce's work, and also as a physical reality for many of Joyce's characters.

Argues that American universities have lost their way, and that the works of James Joyce will put them back on the scent. There are chapters on centrifugal motion, gramophones, elephants, fox-hunting, philately, brain mapping, and baseball: a compendium of approaches befitting the ever-expanding world of James Joyce.

Making the case that legal issues are central to James Joyce's life and work, international experts in law and literature offer new insights into Joyce's most important texts. They analyse Dubliners, A Portrait of the Artist as a Young Man, Giacomo Joyce, Ulysses, and Finnegans Wake in light of the legal contexts of Joyce's day.

In an effort to facilitate and generate renewed scholarly interest in the play, Fargnoli and Gillespie have compiled the first and only critical edition of "Exiles." They contend that when read on its own, the play stands very much on the cutting edge of modern drama.

Modernism's most contentious rivals, James Joyce and D. H. Lawrence, were polar opposites - stylistically, personally, and professionally - yet their lives, works, and careers bear striking similarities. This is the first book to explore the resonances between the two writers, shattering the historical silence between Joyceans and Lawrentians.