In recent years, social workers have raised concern about the appearance of a new category among the working poor. This book tells about how we live in geographical space and how work and patterns of domicile affect our status and our inner being.
Stella Vinitchi Radulescu's poetry dwells in spaces of paradox, seeking out the words, metaphors, and images that capture both the peaceful stillness of snow and the desperate cry of human experience. A Cry in the Snow often draws on these two fertile tropes: the beauty of nature and the power and limitations of language. A trilingual poet who has published in French, English, and her native Romanian, Radulescu seeks to harness the elemental aspects of human experience, working between language and the mysterious power of silence. Combining poems from two French-language collections, Un Cri dans la neige (A Cry in the Snow) and a poetic prose sequence, Journal aux yeux fermés (Journal with Closed Eyes), this collection presents the distinctive and powerful French poems of Stella Vinitchi Radulescu to an English-language readership for the first time.
Collects the remarkable letters and poems sent by French poet Guillaume Apollinaire to his fiancee, Madeleine Pages, during World War I.
Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein's casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.
Writing in 2007, French social philosopher André Gorz was remarkably prophetic, foretelling the international economic meltdown of 2008: "The real economy is becoming an appendage of the speculative bubbles sustained by the finance industry--until that inevitable point when the bubbles burst, leading to serial bank crashes and threatening the global system of credit with collapse and the real economy with a severe, prolonged depression." This prescient article is collected in Ecologica alongside many of Gorz's final writings and interviews, which together offer practical and often path-breaking set of solutions to our current economic and political problems. In his writings Gorz condemns the speculative global economic system and anatomizes its terminal crisis. Advocating an exit from capitalism through the self-limitation of needs and the networked use of the latest technologies, he outlines a practical, democratically based solution to our current predicament. Compiled by Gorz, Ecologica is intended as a final distillation of his work and thought, a guide to the survival of our planet. It is a work of political, rather than scientific ecology--Gorz aruges that the key to planetary survival is not a surrender to environmental experts and eco-technocrats, but a switch to non-consumerist modes of living that would amount to a type of cultural revolution. Praise for André Gorz"To my mind the greatest of modern French social thinkers."--Herbert Gintis, author of Schooling in Capitalist America"Gorz's work was always within the Utopian tradition--a label he welcomed but which was used pejoratively by his opponents. . . . Many of his derided early warnings about globalization and environmental degradation have become commonplace discourses in political debates today. Ultimately, Gorz's Utopianism was expressed in a very practical sense--we never know how far along the road we are if we have no idea of the destination."--Independent
A play that recounts the tragic death of Patrice Lumumba, the first prime minister of the Congo Republic and an African nationalist hero.
Rejecting not only the identification of the aesthetic with the work of art, but also the Kantian association of the aesthetic with subjectively universal judgment, the author's analysis of aesthetic relations opens up a space for a theory of art that is free of historicism and capable of engaging with noncanonical and non-Western arts.
We defy augury. Thereâ¿s a special providence in the fall of a sparrow. If it be now, â¿tis not to come â¿ the readiness is all. Under the sign of Hamletâ¿s last act, Hélÿne Cixous, in her eightieth year, launched her new bookâ¿and the latest chapter in her Human Comedy, her Search for Lost Time. Surely one of the most delightful, in its exposure of the seams of her extraordinary craft, We Defy Augury finds the reader among familiar faces. In these pages we encounter Eve, the indomitable mother; Jacques Derrida, the faithful friend; children, neighbors; and always the literary forebears: Montaigne, Diderot, Proust, and, in one moving passage, Erich Maria Remarque. We Defy Augury moves easily from Cixousâ¿s Algerian childhood, to Bacharach in the Rhineland, to, eerily, the Windows on the World restaurant atop the World Trade Center, in the year 2000. In one of the most astonishing passages in this tour-de-force performance of the art of digression, Cixous proclaims: âMy books are free in their movements and in their choice of routes [â¿] They are the product of many makers, dreamed, dictated, cobbled together.â? This unique experience, which could only have come from the pen of Cixous, is now available in English, and readers are sure to delight in this latest work by one of Franceâ¿s most celebrated writer-philosophers. Â
Perros, is best remembered for the autobiographical poems, vignettes, short prose narratives, occasional diary-like notations, critical remarks, and personal essays. This title presents a selection of short texts alongside numerous maxims, a genre in which Perros excelled.
The author's wife and young daughter have abandoned him, he has no work or prospects, he's blind in one eye, and he must move into a horribly tiny apartment with his only possession: a twenty-five-volume encyclopedia. This book explores themes such as the roles of family, history, and one's moral responsibility toward others.
When translator Claire Methuen travels back to her hometown of Dinard for a family wedding, she runs into her old piano teacher Madame Ladon. After befriending the ageing woman, Methuen begins to toy with the idea of a permanent return to live in Brittany. She becomes increasingly obsessed by her childhood sweetheart, Simon Quelen, who, now married and a father, still lives in a village further down the coast where he is the local pharmacist and mayor. Having moved into a farmhouse, she soon spends her days walking the heathland above the cliffs and spying on him as he sails in the bay. As she walks, she is at one with the land of her childhood and youth, âher skull emptying into the landscape.â? And when her younger brother Paul comes to join her there, the web of solidarities is further enriched. Â This is a tale of dramatic episodes, told through intermingling voices and the atmospherics of the austere Breton landscape. Ultimately, it is a story of obsessional love and of a parallel sibling bond that is equally strong. Â
An intensely personal and profoundly moving review of Bonnefoy's childhood memories. In December 2015, six months before his death at the age of 93, Yves Bonnefoy concluded what was to be his last major text in prose, L'écharpe rouge, translated here as The Red Scarf. In this unique book, described by the poet as "an anamnesis"--a formal act of commemoration--Bonnefoy undertakes, at the end of his life, a profoundly moving exegesis of some fragments written in 1964. These fragments lead him back to an unspoken, lifelong anxiety: "My most troubling memory, when I was between ten and twelve years old, concerns my father, and my anxiety about his silence." Bonnefoy offers an anatomy of his father's silence, and of the melancholy that seemed to take hold some years into his marriage to the poet's mother. At the heart of this book is the ballad of Elie and Hélène, the poet's parents. It is the story of their lives together in the Auvergne, and later in Tours, seen through the eyes of their son--the solitary boy's intense but inchoate experience, reviewed through memories of the now elderly man. What makes The Red Scarf indispensable is the intensely personal nature of the material, casting its slant light, a setting sun, on all that has gone before.
The Dancing Other takes readers to France and Martinique to reveal the struggles of people who belong both places, but never quite feel at home in either. Suzanne Dracius tells the story of Rehvana, a woman who feels she is too black to fit in when living in mainland France, yet at the same time not dark-skinned enough to feel truly accepted in the Caribbean. Her sense of dislocation manifests itself at first in a turn to a mythical idea of Mother Africa; later, she moves to Martinique with a new boyfriend and thinks she may have finally found her place--but instead she is soon pregnant, isolated, and lonely. Soon her only reliable companion is her neighbor, Ma Cidalise, who regales her in Creole with supernatural tales of wizards. Rehvana, meanwhile, watches her dream of belonging fade, as she continues to refuse to accept her multicultural heritage.
After the failed revolutions of 1848, Galicia has been brought under the rule of the Habsburg Empire, and the Zemka family find themselves embroiled in the struggle for Polish independence. This is a history of Eastern Europe told in miniature through the tumultuous saga of one family as they try to reclaim their estate.
As the aftershocks of the economic meltdown reverberate throughout the world, and people organize to physically occupy the major financial centers of the West, few experts and even fewer governments have dared to consider a world without the powerful markets that brought on the crash. The author offers a way forward.
Features Max, a French journalist looking for his next story, and Lena, an American singer, who were once lovers, but now friends. They travel with Lena's new man, Thibault and with Max's barely masked jealousy. Then they meet the striking Colonel Strether, the epitome of military decorum and bearing.
A collection of poems that echo each other, returning to and elaborating upon key images, thoughts, feelings, and people. Intriguing and enigmatic, it is a mixture of sonnet sequences and prose poems.
Argues that the use of the terms 'war' and 'terror' dehumanize the enemy and permit treatment that would otherwise be impermissible. This title examines the implications and corrupting impact of the attempt to impose 'good' through violence and the attempt to spread democratic values by unethical means.
In Paris, Montreal, Seville, Berlin, and towns large and small, the author has dreamt - and she has remembered her dreams. In this small volume, she shares her dreams of the years 2008-10, a time of global upheaval that happened to coincide with upheavals in her own life.
Beginning in the 1960s and ending in the late '80s, this title presents a narrative of a passionate, and ultimately tragic, relationship between Mali and Farid set against the simultaneous decline of Egyptian-Lebanese society. It chronicles the casualties of social conventions, religious divisions, and cultural cliches.
When Anna discovers a long letter that her mother, Marie, wrote, Marie has been dead for some time, and Anna is shocked to learn that her mother disappeared with a secret. The letter is addressed to Marie's first great love, a much older teacher who she describes as a great dinosaur.
A compact collection of eight wide-ranging essays by Sartre from the immediate postwar years. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Â Post-War Reflections collects eight of Sartreâ¿s essays that were written in his most creative period, just after World War II. Sartreâ¿s extraordinary range of engagement is manifest in this collection, which features writings on postwar America, the social impact of war in Europe, contemporary philosophy, race, and avant-garde art. Â
Four essays by the French master addressing other philosophers and their work. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. The four essays of varying length assembled in this volume bear witness to Sartre's preoccupation with philosophers and their work. In these pages he examines Descartes's concept of freedom; comments on a fundamental idea in Husserl's phenomenology: intentionality; writes a mixed review of Denis de Rougemont's monumental Love in the Western World; and provides an extensive critical analysis of the work of Brice Parain, one of France's leading philosophers of language.
A window onto one of the most consequential friendships in philosophical history, that of Sartre and Camusâ¿and on its end. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Â Sartre met Albert Camus in Occupied France in 1943, and from the start, they were an odd pair: one from the upper reaches of French society; the other, a pied-noir born into poverty in Algeria. The love of âfreedom,â? however, quickly bound them in friendship, while their fight for justice united them politically. But in 1951 the two writers fell out spectacularly over their literary and political views, their split a media sensation in France. This volume holds up a remarkable mirror to that fraught relationship. It features an early review by Sartre of Camusâ¿s The Stranger; his famous 1952 letter to Camus that begins, âOur friendship was not easy, but I shall miss itâ?; and a moving homage written after Camusâ¿s sudden death in 1960.
A collection of insightful essays by the French philosopher on contemporary art. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Sartre was a prodigious commentator on contemporary art, as is evident from the short but incisive essays that make up this important volume. Sartre examines here the work of a wide range of artists, including recognized masters such as Alberto Giacometti, Alexander Calder, and Andre Masson, alongside unacknowledged greats like French painter Robert Lapoujade and German painter-photographer Wols.
A trio of short pieces on two cities of eternal magic, Venice and Rome. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Â âVenice speaks to us; this false witnessâ¿s voice, shrill at times, whispering at others, broken by silences, is its voice.â? In these three moving short pieces, we discover Sartre as a master stylist, lyrically describing his time in two bewitching eternal citiesâ¿Venice and Rome. âAntiquity,â? Sartre writes, âis alive in Rome, with a hate-filled, magical life.â? Â
A moving tribute to phenomenologist Maurice Merleau-Ponty in the wake of his early death. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Â This volume consists of a single long essay that analyzes the work of Maurice Merleau-Ponty (1908â¿1961), who was the leading phenomenological philosopher in France and the lead editor of the influential leftist journal Les Temps modernes, which he established with Sartre and Simone de Beauvoir in 1945. Written in the wake of Merleau-Pontyâ¿s death, this essay is a moving tribute from one major philosopher to another. Â
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