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Böcker i The Metropolitan Museum of Art - How to Read-serien

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  • av Danielle O. Kisluk-Grosheide
    376,-

    Illuminating three centuries of European artistry and ingenuity, this volume in The Met's acclaimed How to Read series provides a wide-ranging exploration of decorative arts from British writing tables to Russian snuffboxes

  • av Wendy A. Stein
    360,-

    An enlightening, accessible guide to understanding and appreciating European art from the Middle Ages

  • av Walter Denny
    360,-

    Carpets made in the "Rug Belt" - an area that includes Morocco, North Africa, the Middle East, Central Asia, and northern India - have been a source of fascination and collecting since the 13th century. This book explores the history, design techniques, materials, craftsmanship, and socio-economic contexts of these works.

  • av Denise Patry Leidy
    360,-

    "Among the most revered and beloved artworks in China are ceramics-sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum's collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era."--Museum's website.

  • av Eric Kjellgren
    376,-

    An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture

  • av Joan R. Mertens
    376,-

    Works of art are eloquent intermediaries. This title provides an introduction to the painted pottery that served specific utilitarian functions and that afforded artists a medium for depicting their gods and heroes and the details of daily existence.

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