Böcker i The New Middle Ages-serien

This book offers the first complete English translation of the poems by the late-medieval German (Tyrolean) Oswald von Wolkenstein (1376/1377-1445). German scholarship and musicologists have long recognized the extraordinary strength and power of Oswald s Middle High German songs, both in terms of his poetic imagery and his musical performance.

No study has been carried out examining the gnostic undercurrents in medieval England. For the first time, Natanela Elias investigates the existence of these gnostic traces, using prominent late medieval English literary works such as Piers Plowman and Confessio Amantis and ultimately shedding light on a previously overlooked religious dimension.

The first-of-its-kind, Games and Gaming in Medieval Literature explores the depth and breadth of games in medieval literature and culture. Chapters span from the twelfth to the sixteenth centuries, and cover England, France, Denmark, Poland, and Spain, re-examining medieval games in diverse social settings such as the church, court, and household.

The secrets of nature's alchemy captivated both the scientific and literary imagination of the Middle Ages. This book explores Chaucer's fascination with earth's mutability. Gabrovsky reveals that his poetry represents a major contribution to a medieval worldview centered on the philosophy of physics, astronomy, alchemy, and logic.

Although Chaucer is typically labeled as the "Father of English Literature," evidence shows that his work appealed to Europe and specifically European women. Rereading the Canterbury Tales , Thomas argues that Chaucer imagined Anne of Bohemia, wife of famed Richard II, as an ideal reader, an aspect that came to greatly affect his writing.

A literary reading informed by the recent temporal turn in Queer Theory, this book analyzes medieval Biblical drama for themes representing modes of power such as the body, politics, and law. Revitalizing the discussions on medieval drama, Sturges asserts that these dramas were often intended not to teach morality but to resist Christian authority.

Heir to an earldom, and wife and widow of William de Valence (half-brother of King Henry III), Joan de Valence was an important actor in the volatile political world of thirteenth-century England, Wales, Scotland, and Ireland.

Exploring medieval literary representations of the Islamic conquest of Spain in 711, Hazbun discusses chronicles, epic and clerical poetry, and early historical novels. While material on the conquest of Spain is substantial, it is understudied and this book works to fill that gap.

Drawing from classical myth, the history of philosophy, literature, film, music, and painting, Workman connects the artistic claims of Chaucer and tests them against similar gestures in the history of philosophy and literature. What results is a radical retake on Chaucer as a philosopher and poet, upending any preconceived views.

The earliest complete morality play in English, The Castle of Perseverance depicts the culture of medieval East Anglia, a region once known for its production of artistic objects. Discussing the spectator experience of this famed play, Young argues that vision is the organizing principle that informs this play's staging, structure, and narrative.

From devotional literature to political narratives, medieval texts propose that sexual violence victims have privileged moral, ethical, and spiritual insight. This book explores these discourses of survival in a wide range of medieval English texts, including letters of spiritual advice, legal cases, romances, and legendary histories.

Geoffrey Chaucer was not a writer, primarily, but a privileged official place-holder. Chaucer's Jobs shows that the servile and disciplinary nature of the daily work Chaucer did was repeated in his poetry, which by turns flatters his aristocratic betters and deals out discipline to malcontent others.

The varied cultural functions of dress, textiles, and clothwork are used in this collection of essays to examine long-standing assumptions about the Middle Ages.

within a culture, robing established a personal link 'from the hand' of the giver - king, pope, head of a sect, ambassador - to the receiver - noble, general, official, nun, or acolyte.

To be a virgin or a widow never promised a stable, uniform status to a woman during the Middle Ages. Constructions of Widowhood and Virginity in the Middle Ages addresses many facets of these two female positions in medieval literature: gender constructions;

This book provides a systematic analysis of the innovations that occurred in the display of royal power during John II's four years in English captivity.

The Orientalist romance, in the late medieval period and in modernity, is emblematic of popular attitudes towards the East. This book, the first full-length cross-period comparison of medieval and modern Orientalist romances, offers detailed case studies on how these texts represent sameness and difference in gender, ethnicity, and religion.

Virginia Langum offers anaccount of the medical imagery used to describe feelings and actions inreligious and literary contexts, referencing a variety of behavioraldiscussions within medical contexts.

This study traces the genealogy of Saint Perpetua's story with a straightforward yet previously overlooked question at its center: How was Perpetua remembered and to what uses was that memory put?

This book examines the story of the 'discovery of America' through the prism of the history of the Franciscans, a socio-religious movement with a unique doctrine of voluntary poverty.

These scholarly writings blend with and relate to his fictional writings in various ways depending on the moment at which he began teaching, translating, or editing a specific medieval work and, simultaneously, composing a specific poem, fantasy, or fairy-story.

The Middle English Melusine offers a particularly rich source for such a study, as it presents the story of a powerful fairy/human woman who desires a full human life-and death-within a literary tradition that is more friendly to women's agency than its continental counterparts.

Beginning with Saint Barbatianus, a fifth-century wonderworking monk and confessor to the Empress Galla Placidia, this book focuses on the changes in the religious landscape of Ravenna, a former capital of the Late Roman Empire, through the Middle Ages.

This collection of essays offers fresh analysis of topics in the exciting area of Atlantic World studies. Challenging standard assumptions, the essays advance the argument that the Atlantic Ocean was a region that encompassed ethnic and political boundaries, in which a sub-community shaped by culture and commerce arose.

Building on recent work in critical animal studies and posthumanism, this book challenges past assumptions that animals were only explored as illustrative of humanity, not as interesting in their own right. The contributors combine close reading of Chaucer's texts with insights drawn from cultural or critical animal studies.

Skin is a multifarious image in medieval culture: the material basis for forming a sense of self and relation to the world, as well as a powerful literary and visual image. This book explores the presence of skin in medieval literature and culture from a range of literary, religious, aesthetic, historical, medical, and theoretical perspectives.

This collection examines the cultural and intellectual dimensions of war and its resolution between Han Chinese and the various ethnically dissimilar peoples surrounding them during the crucial 'middle period' of Chinese history.

This study argues that late medieval English 'mystery plays' were about masculinity as much as Christian theology, modes of devotion, or civic self-consciousness. Performed repeatedly by generations of merchants and craftsmen, these Biblical plays produced fantasies and anxieties of middle class, urban masculinity, many of which are familiar today.

Top scholars in the field unite here with critical newcomers to offer fresh perspectives on the function of poetry on the cusp of the modern age, and in particular on the way that poetry speaks to the heightened relevance of material goods and possessions to the formation of late medieval identity and literary taste.