Böcker i The Slovak List-serien

The moving yet humorous story of a girl struggling to care for herself and others in post-communist Slovakia. Emotionally neglected by her immature, promiscuous mother and made to care for her cantankerous dying grandmother, twelve-year-old Jarka is left to fend for herself in the social vacuum of a post-communist concrete apartment-block jungle in Bratislava, Slovakia. She spends her days roaming the streets and daydreaming in the only place she feels safe: a small garden inherited from her grandfather. One day, on her way to the garden, she stops at a suburban railway station and impulsively abducts twin babies. Jarka teeters on the edge of disaster, and while struggling to care for the babies, she discovers herself. With a vivid and unapologetic eye, Monika Kompaníková captures the universal quest for genuine human relationships amid the emptiness and ache of post-communist Europe. Boat Number Five, which was adapted into an award-winning Slovak film, is the first of two books that launch Seagull‿s much-anticipated Slovak List.

An engrossing novel about the lives in a small Slovak town during the tumultuous twentieth century. In this highly acclaimed novel, Jana Bodnárová offers an engrossing portrayal of a small Slovak town and its inhabitants in the north of the country against the backdrop of the tumultuous history of the twentieth century. As Sara, the protagonist of Necklace/Choker, returns to her native town after many years in exile to sell the old family house and garden, she begins to piece together her family‿s history from snippets and fragments of her own memory and the diaries of her artist father, Imro. A talented painter, he survived the Holocaust only to be crushed by the constraints imposed on his art by Stalinist censorship, and Sara herself was later driven into exile after dreams of socialism with a human face were shattered by the Soviet-led invasion of Czechoslovakia in 1968.   Through their stories, and that of Sara‿s friend, Iboja, the daughter of a hotelier, readers will be immersed in key moments of Slovak history and their bearing on the people in this less familiar part of Central Europe.

Traditional African narrative forms combined with European modernism.   The stories comprising The Healer, Marek Vadas's first collection, which was originally published in 2006, are steeped in the culture, rituals, and traditions of Africa, blurring the boundaries between dream and reality and peopled with characters whose gender, shape, skin color or even memories may change at a stroke. Nevertheless, Vadas refuses to exoticize this world, and many of the stories, told in pared-down language, blend mythical elements with realistic depictions of harsh living conditions, economic deprivation, and colonial oppression. The narratives unfold from the perspective of their protagonists-children (often orphaned), and men struggling to make ends meet and trying in vain to resist the allure of strong women endowed with magic powers. As a Slovak writer focusing on the African continent, Vadas is a rare voice that helps to build bridges between very different cultures, and now his writing is introduced to the global anglophone readership.

A glimpse into the world of young people, modern nomads, roving in search of a new and promising life. The Moon in Foil traces the stories of Petra, Natália, Anka, Mika, Juliana, and Jackie as they go out into the world in search of a better lifeâEUR"or maybe just a different one. In post-communist Europe, they have the freedom to study and work in places their parents couldnâEUR(TM)t even have visitedâEUR"Paris, London, Helsinki, and Budapest. But the reality of that âEURœfreedom,âEUR? they soon discover, is often nothing more than tedious work and poor living conditions. From close looks at the work of a housekeeper at a French hotel, a bartender at an Irish pub, a snowboarding instructor in Slovakia in the winter and an office worker in London in the summer, and a programmer in Helsinki, to explorations of larger topics such as marriage, divorce, and relationships, Zuska KepplováâEUR(TM)s novel is a millennialsâEUR(TM) odysseyâEUR"a search for the self by the postâEUR"Cold War generation.

"The Bonnet, the first work of prose by Slovak poet Kataírna Kucbeloáv, defies easy pigeonholing: both political and personal, it is a work of literary reportage, a quest for one's roots, a critical exploration of folk art and, not least, social commentary on the coexistence of the Slovak majority and the Roma minority, offering a nuanced and sympathetic look at the lives of Roma people in Slovakia, and raising important questions about the nature of prejudice and discrimination. Over two years, the author made regular visits to the remote village of `umiac in Slovakia to learn the dying craft of bonnet making from one of its last practitioners, Il'ka, an elderly local woman who in the process became her mentor in more ways than one. Through the parallel stories of Il'ka and the narrator's grandmother, The Bonnet also offers a subtly feminist reading of the position of women in rural Europe from the early twentieth century to the present day."