Böcker i The Works of Tobias Smollett Ser.-serien

The first critical edition of Smollett's 1776 translation of Bishop Fenelon's 1699 "Mirror of Princes," one of the most popular and revered works of the eighteenth century, written especially for Duc de Burgogne, heir presumptive to Louis XIV, and meant to teach him the proper way to rule.

This is a reprinting of Tobias Smollett's translation of The Devil upon Crutches. Alain Rene Le Sage's novel relates the picaresque wanderings of Asmodeus, a refined, likable but decrepit devil, and Zambullo, his newfound mortal companion. This edition is based on the 1759 second edition of Smollett's translation.

An allegory of England during the Seven Years' War (1756-1763), draping kings and politicians, domestic and foreign affairs in a veil of satire. This is a book of tales about ancient Japan related to a London haberdasher by an atom that has lived in the bodies of great figures of state.

This volume presents Smollett's 1755 translation of Cervantes' ""Don Quixote"" in the form most faithful to Smollett's own intentions. It includes discussion of the composition, publication, and reception of the work, and considers it's originality or debt to other versions.

This work brings to life Tobias Smollett's fourth novel, "The Life and Adventures of Sir Launcelot Greaves". This version includes more accurate text and critical information. It also includes an examination of "Sir Launcelot Greaves", the first illustrated serial novel.

The poems, plays, and political writings in this volume are essential to an understanding of Smollett and the literary and social currents of eighteenth-century England. In his introductions to the sections, Gassman traces the history of their publication and reception, and provides extensive explanations of historical and literary allusions.

First published in 1753, this experimental work explores the relations between history and fiction while introducing episodes of Gothic melodrama. Filled with satiric thrusts at the legal, medical, and military establishments of mid-eighteenth-century Europe, the novel reveals Smollett's capacities as a commentator on contemporary life.