In an age where art history's questions are expected to receive answers, this work embraces doubt as a critical tool and asks how particular histories of art have come to be. It is a study of the tension between practicing art and practicing criticism.
Examining the rival theories of modernism and postmodernism, and including a survey of ideas about the relation of modern art to skill and politics, this is the first book to gather the principal authors and theories of twentieth-century art history
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