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Böcker i Transnational Studies in Jazz-serien

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  • av Noam Lemish
    606 - 1 986,-

    Transcultural Jazz: Israeli Musicians and Multi-Local Music Making studies jazz performance and composition through the examination of the transcultural practices of Israeli jazz musicians and their impact globally.

  • av Heli (University of the Arts Helsinki Reimann
    650 - 1 890,-

  • av Mischa van Kan
    650 - 1 890,-

  • av Stan BH (VinUniversity Project Tan-Tangbau
    650 - 1 890,-

  • av Pedro (Birmingham City University Cravinho
    650 - 1 890,-

  • av Alan (University of Toronto Stanbridge
    1 786,-

  • av Adiel (Tel Aviv University Portugali
    606 - 1 890,-

  • - The Localization of a Global Music Form in Sydney
    av Andrew Robson
    650 - 1 996,-

  • - Improvisation in Practice
    av Petter Frost Fadnes
    676 - 1 976,-

  • - Free Jazz and Singing
    av The Netherlands) Tonelli & Chris (University of Groningen
    706 - 1 980,-

  • av The Netherlands) Schuiling & Floris (Utrecht University
    646 - 1 890,-

  • - Improvising Ethnicity
    av Charles B. Hersch
    660 - 2 100,-

  • av Canada) Laver & Mark (University of Guelph
    656 - 2 106,-

  •  
    716,-

    Jazz and Totalitarianism examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.

  • - This Is Our Music
     
    2 106,-

    The Cultural Politics of Jazz Collectives: This Is Our Music documents the emergence of collective movements in jazz and improvised music. Jazz history is most often portrayed as a site for individual expression and revolves around the celebration of iconic figures, while the networks and collaborations that enable the music to maintain and sustain its cultural status are surprisingly under-investigated. This collection explores the history of musician-led collectives and the ways in which they offer a powerful counter-model for rethinking jazz practices in the post-war period. It includes studies of groups including the New York Musicians Organization, Sweden''s Ett minne f├╢r livet, Wonderbrass from South Wales, the contemporary Dutch jazz-hip hop scene, and Austria''s JazzWerkstatt. With an international list of contributors and examples from Europe and the United States, these twelve essays and case studies examine issues of shared aesthetic vision, socioeconomic and political factors, local education, and cultural values among improvising musicians.

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