Böcker i Weatherhead Books on Asia-serien

Hiratsuka Raicho (1886-1971) was the most influential figure in the early women's movement in Japan. This autobiography describes her childhood, early youth, and subsequent rebellion against the strict social codes of the time.

Set in the long-lost City of Victoria (a fictional world similar to Hong Kong), Atlas is written from the unified perspective of future archaeologists struggling to rebuild a thrilling metropolis. Divided into four sections-"e;Theory,"e; "e;The City,"e; "e;Streets,"e; and "e;Signs"e;-the novel reimagines Victoria through maps and other historical documents and artifacts, mixing real-world scenarios with purely imaginary people and events while incorporating anecdotes and actual and fictional social commentary and critique.Much like the quasi-fictional adventures in map-reading and remapping explored by Paul Auster, Jorge Luis Borges, and Italo Calvino, Dung Kai-cheung's novel challenges the representation of place and history and the limits of technical and scientific media in reconstructing a history. It best exemplifies the author's versatility and experimentation, along with China's rapidly evolving literary culture, by blending fiction, nonfiction, and poetry in a story about succeeding and failing to recapture the things we lose. Playing with a variety of styles and subjects, Dung Kai-cheung inventively engages with the fate of Hong Kong since its British "e;handover"e; in 1997, which officially marked the end of colonial rule and the beginning of an uncharted future.

Vasily Eroshenko was one of the most remarkable transnational literary figures of the early twentieth century: a blind multilingual Esperantist from Ukraine who joined left-wing circles in Japan and befriended the writer Lu Xun in China. This book presents a selection of his stories, translated from Japanese and Esperanto, to English readers.

Vasily Eroshenko was one of the most remarkable transnational literary figures of the early twentieth century: a blind multilingual Esperantist from Ukraine who joined left-wing circles in Japan and befriended the writer Lu Xun in China. This book presents a selection of his stories, translated from Japanese and Esperanto, to English readers.

Dung Kai-cheung's A Catalog of Such Stuff as Dreams Are Made On is a playful and imaginative glimpse into the consumerist dreamscape of late-nineties Hong Kong. First published in 1999, it comprises ninety-nine sketches of life just after the handover of the former British colony to China.

Park Wan-suh is a best-selling and award-winning writer whose work has been widely translated and published throughout the world. Who Ate Up All the Shinga? is an extraordinary account of her experiences growing up during the Japanese occupation of Korea and the Korean War, a time of great oppression, deprivation, and social and political instability.Park Wan-suh was born in 1931 in a small village near Kaesong, a protected hamlet of no more than twenty families. Park was raised believing that "e;no matter how many hills and brooks you crossed, the whole world was Korea and everyone in it was Korean."e; But then the tendrils of the Japanese occupation, which had already worked their way through much of Korean society before her birth, began to encroach on Park's idyll, complicating her day-to-day life. With acerbic wit and brilliant insight, Park describes the characters and events that came to shape her young life, portraying the pervasive ways in which collaboration, assimilation, and resistance intertwined within the Korean social fabric before the outbreak of war. Most absorbing is Park's portrait of her mother, a sharp and resourceful widow who both resisted and conformed to stricture, becoming an enigmatic role model for her struggling daughter. Balancing period detail with universal themes, Park weaves a captivating tale that charms, moves, and wholly engrosses.

Ch'ae Manshik is one of the most accomplished modern Korean writers yet is underrepresented in English translation because of the challenges posed by his distinctive voice and colloquial style. Sunset: A Ch'ae Manshik Reader is the first English-language anthology of his works and features a variety of genres-novella, short fiction, anecdotal essay, travel writing, children's story, one-act play, three-act play, and roundtable discussion.This anthology moves beyond the usual "e;representative works"e; to provide a well-rounded selection of writing by one of Korea's most innovative and memorable voices, drawing on Ch'ae's ten-volume Complete Works. This edition also provides a comprehensive introduction outlining the limitations of existing approaches to Ch'ae. It contextualizes the anthology's contents both in terms of the author's career and the rich Korean tradition of intertextuality and intermediality that he reflects from the country's earliest times to the new millennium.

This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.

These captivating short stories portray three major periods in modern Korean history: the forces of colonial modernity during the late 1930s; the postcolonial struggle to rebuild society after four decades of oppression, emasculation, and cultural exile (1945 to 1950); and the attempt to reconstruct a shattered land and a traumatized nation after the Korean War.Lost Souls echoes the exceptional work of China's Shen Congwen and Japan's Kawabata Yasunari. Modernist narratives set in the metropolises of Tokyo and Pyongyang alternate with starkly realistic portraits of rural life. Surrealist tales suggest the unsettling sensation of colonial domination, while stories of the outcast embody the thrill and terror of independence and survival in a land dominated by tradition and devastated by war. Written during the chaos of 1945, "e;Booze"e; recounts a fight between Koreans for control of a former Japanese-owned distillery. "e;Toad"e; relates the suffering created by hundreds of thousands of returning refugees, and stories from the 1950s confront the catastrophes of the Korean War and the problematic desire for autonomy. Visceral and versatile, Lost Souls is a classic work on the possibilities of transition that showcases the innovation and craftsmanship of a consummate and widely celebrated storyteller.

In novels such as Silence, Endo Shusaku examined the persecution of Japanese Christians in different historical eras. Sachiko, set in Nagasaki in the painful years between 1930 and 1945, is the story of two young people trying to find love during yet another period in which Japanese Christians were accused of disloyalty to their country.

In these indelible short stories, contemporary South Korean author Yun Ko-eun conjures up slightly off-kilter worlds tucked away in the corners of everyday life. Throughout Table for One, comedy and an element of the surreal are interwoven with the hopelessness and loneliness that pervades the protagonists' decidedly mundane lives.

Paek Nam-nyong's Friend is a tale of marital intrigue, abuse, and divorce in North Korea. This groundbreaking translation of one of North Korea's most popular writers offers English-language readers a page-turner full of psychological tension as well as a revealing portrait of a society that is typically seen as closed to the outside world.

Fu Ping is a keenly observed portrait of the lives of lower-class women in Shanghai in the early years of the People's Republic of China. Wang Anyi, one of contemporary China's most acclaimed authors, explores the daily lives of migrants from rural areas and other people on the margins of urban life.

Tsering Doendrup is one of the most popular and critically acclaimed authors writing in Tibetan today. The Handsome Monk and Other Stories brings together short stories from across Tsering Doendrup's career to create a panorama of Tibetan society.

Robert Tuck offers a groundbreaking study of the connections among traditional poetic genres, print media, and visions of national community in late nineteenth-century Japan. Structured around the work of Masaoka Shiki, Idly Scribbling Rhymers reveals poetry's surprising yet fundamental role in emerging forms of media and national consciousness.

Yi T'aejun was one of twentieth-century Korea's true masters of the short story-and a man who in 1946 stunned his contemporaries by moving to the Soviet-occupied North. Dust and Other Stories offers a selection of Yi's stories across time and place, showcasing a superb stylist caught up in his era's most urgent ideological and aesthetic divides.

Jun'ichiro Tanizaki's In Black and White is a literary murder mystery in which the lines between fiction and reality are blurred. The writer Mizuno has penned a story about the perfect murder that comes to intrude on his life. In Black and White is a masterful yet little-known novel from a great writer at the height of his powers.

Includes various literary, personal, and journalistic responses to the events in the mid-twentieth-century Chinese society. This work reflects the diversity, liveliness, humor, and cosmopolitanism of women's writing from the period. It also reveals the ways in which women writers imagined and inscribed new meanings to Chinese feminism.

This book brings together the essay collection "Written in the margins of life (Xie zai ren sheng bian shang)" and the short story collection "Human, beast, ghost (Ren shou gui)."

Offers rare insights into popular experiences from the war's troubled beginnings through Japan's disastrous defeat in 1945 and the new beginning it heralded

Regarded as one of the foremost thinkers in Japanese postwar intellectual history, Takeuchi Yoshimi questioned the very nature of thought, emphasizing that thinking is less a subjective act than an opening to alterity.

Considered one of the great works of Chinese fiction, this is a story of desire and virtue set in the pleasure quarters of nineteenth-century Shanghai. From beautiful sirens to lower-class prostitutes, from well-respected patrons to repugnant criminals, it reveals the romantic games of the sing-song girls.

Yi Mun-yol's Meeting with My Brother is narrated by a middle-aged South Korean professor, also named Yi, whose father abandoned his family and defected to the North at the outbreak of the Korean War. Many years later, despite having spent most of his life under a cloud of suspicion as the son of a traitor, Yi is prepared to reunite with his father. Yet before a rendezvous on the Chinese border can be arranged, his father dies. Yi then learns for the first time that he has a half-brother, whom he chooses to meet instead. As the two confront their shared legacy, their encounter takes a surprising turn.Meeting with My Brother represents the political and psychological complexity of Koreans on both sides of the border, offering a complex yet poignant perspective on the divisions between the two countries. Through a series of charged conversations, Yi explores the nuances of reunification, both political and personal. This semiautobiographical account draws on Yi's own experience of growing up with an absent father who defected to the North and the stigma of family disloyalty. First published in Korea in 1994, Meeting with My Brother is a moving and illuminating portrait of the relationships sundered by one of the world's starkest barriers.

"e;As we passed from the city center into the Fukushima suburbs I surveyed the landscape for surgical face masks. I wanted to see in what ratios people were wearing such masks. I was trying to determine, consciously and unconsciously, what people do in response. So, among people walking along the roadway, and people on motorbikes, I saw no one with masks. Even among the official crossing guards outfitted with yellow flags and banners, none. All showed bright and calm. What was I hoping for exactly? The guilty conscience again. But then it was time for school to start. We began to see groups of kids on their way to school. They were wearing masks."e;Horses, Horses, in the End the Light Remains Pure is a multifaceted literary response to the earthquake, tsunami, and nuclear meltdown that devastated northeast Japan on March 11, 2011. The novel is narrated by Hideo Furukawa, who travels back to his childhood home near Fukushima after 3/11 to reconnect with a place that is now doubly alien. His ruminations conjure the region's storied past, particularly its thousand-year history of horses, humans, and the struggle with a rugged terrain. Standing in the morning light, these horses also tell their stories, heightening the sense of liberation, chaos, and loss that accompanies Furukawa's rich recollections. A fusion of fiction, history, and memoir, this book plays with form and feeling in ways reminiscent of Vladimir Nabokov's Speak, Memory and W. G. Sebald's The Rings of Saturn yet draws its own, unforgettable portrait of personal and cultural dislocation.

Abe Kobo (1924-1993) was one of Japan's greatest postwar writers, widely recognized for his imaginative science fiction and plays of the absurd. However, he also wrote theoretical criticism for which he is lesser known, merging literary, historical, and philosophical perspectives into keen reflections on the nature of creativity, the evolution of the human species, and an impressive range of other subjects. Abe Kobo tackled contemporary social issues and literary theory with the depth and facility of a visionary thinker. Featuring twelve essays from his prolific career-including "e;Poetry and Poets (Consciousness and the Unconscious),"e; written in 1944, and "e;The Frontier Within, Part II,"e; written in 1969-this anthology introduces English-speaking readers to Abe Kobo as critic and intellectual for the first time. Demonstrating the importance of his theoretical work to a broader understanding of his fiction-and a richer portrait of Japan's postwar imagination-Richard F. Calichman provides an incisive introduction to Abe Kobo's achievements and situates his essays historically and intellectually.