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  • av Charles Dickens
    86,-

    Presents a combination of the sentimental, the grotesque and the socially concerned, this novel tells the story of pursuit and courage, which sets the downtrodden and the plucky against the malevolent and the villainous.

  • av Joseph Conrad
    86,-

    Introduction and Notes by Gene M. Moore, Universiteit van Amsterdam.Generally regarded as the pre-eminent work of Conrad's shorter fiction, Heart of Darkness is a chilling tale of horror which, as the author intended, is capable of many interpretations. Set in the Congo during the period of rapid colonial expansion in the 19th century, the story deals with the highly disturbing effects of economic, social and political exploitation of European and African societies and the cataclysmic behaviour this induced in some individuals.The other two stories in this book - Youth and The End of the Tether - concern the sea and those who sail upon it, a genre in which Conrad reigns supreme.

  • av Charles Dickens
    86,-

    John Harmon returns to England as his father's heir. He is believed drowned under suspicious circumstances - a situation convenient to his wish for anonymity until he can evaluate Bella Wilfer whom he must marry to secure his inheritance.

  • av Charles Dickens
    86,-

    Presenting a tale of imprisonment, both literal and metaphorical, this novel highlights its concern with personal responsibility in private and public life.

  • av Charles Dickens
    86,-

    Set in the imaginary mid-Victorian Northern industrial town of Coketown with its blackened factories, downtrodden workers and polluted environment, which is the the soulless domain of the strict utilitarian Thomas Gradgrind and the heartless factory owner Josiah Bounderby.

  • av Anne Bronte
    86,-

    An expose of the frequently isolated, intellectually stagnant and emotionally-starved conditions under which many governesses worked in the mid-19th century, Agnes Grey has a power and poignancy which mark it out as a landmark work of literature

  • av Charles Dickens
    86,-

    Mr Dombey is a man obsessed with his firm. His son is groomed from birth to take his place within it, despite his visionary eccentricity and declining health. But Dombey also has a daughter, whose unfailing love for her father goes unreturned.

  • av Charles Dickens
    86,-

    Features characters that range from the iniquitous Wackford Squeers and his family, to the delightful Mrs Nickleby, taking in the eccentric Crummles and his travelling players, the Mantalinis, the Kenwigs, and many more.

  • av Charlotte Brontë
    86,-

    The Professor is Charlotte Bronte's first novel, in which she audaciously inhabits the voice and consciousness of a man, William Crimsworth

  • av Alexandre Dumas
    86,-

    With an Introduction and Notes by Keith Wren, University of Kent at Canterbury.The story of Edmund Dantes, self-styled Count of Monte Cristo, is told with consummate skill. The victim of a miscarriage of justice, Dantes is fired by a desire for retribution and empowered by a stroke of providence. In his campaign of vengeance, he becomes an anonymous agent of fate.The sensational narrative of intrigue, betrayal, escape, and triumphant revenge moves at a cracking pace. Dumas' novel presents a powerful conflict between good and evil embodied in an epic saga of rich diversity that is complicated by the hero's ultimate discomfort with the hubristic implication of his own actions.Our edition is based on the most popular and enduring translation first published by Chapman and Hall in 1846. The name of the translator was never revealed.

  • av Jane Austen
    86 - 122,-

    Introduction and Notes by Dr Ian Littlewood, University of Sussex.Adultery is not a typical Jane Austen theme, but when it disturbs the relatively peaceful household at Mansfield Park, it has quite unexpected results.The diffident and much put-upon heroine Fanny Price has to struggle to cope with the results, re-examining her own feelings while enduring the cheerful amorality, old-fashioned indifference and priggish disapproval of those around her.

  • av Jonathan Swift
    86,-

    Reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. This novel attacks the political and financial corruption.

  • av Henry Fielding
    86,-

    Tom Jones is the ward of a liberal Somerset squire. He is a generous but slightly wild and feckless country boy with a weakness for young women. Misfortune, followed by many spirited adventures as he travels to London to seek his fortune, teach him a sort of wisdom to go with his essential good-heartedness.

  • av D.H. Lawrence
    86,-

    The 'progress' of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves 'human'? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? Without directly referring to the war, this novel explores these questions.

  • av Charles Dickens
    86 - 130,-

    Considered by many to be Dickens' finest novel, Great Expectations traces the growth of the book's narrator, Philip Pirrip (Pip), from a boy of shallow dreams to a man with depth of character. From its famous dramatic opening on the bleak Kentish marshes, the story abounds with some of Dickens' most memorable characters. Among them are the kindly blacksmith Joe Gargery, the mysterious convict Abel Magwitch, the eccentric Miss Haversham and her beautiful ward Estella, Pip's good-hearted room-mate Herbert Pocket and the pompous Pumblechook. As Pip unravels the truth behind his own 'great expectations' in his quest to become a gentleman, the mysteries of the past and the convolutions of fate through a series of thrilling adventures serve to steer him towards maturity and his most important discovery of all - the truth about himself.

  • av Jane Austen
    86 - 200,-

    Introduction and Notes by Dr Ian Littlewood, University of Sussex.Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim - that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband.With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language.

  • av George Eliot
    86,-

    Set in the English Midlands of farmers and village craftsmen at the turn of the eighteenth century, this book relates a story of seduction issuing in 'the inward suffering which is the worst form of Nemesis'.

  • av Fyodor Dostoevsky
    86,-

    Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent.Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

  • av Nikolai Gogol
    86,-

    Chichikov is willing to relieve their owners of the tax burden by buying the titles for a song. What he does not say is that he then proposes to take out a huge mortgage against these fictitious citizens and buy himself a nice estate in Eastern Russia. Will he get away with it? Who will rumble him?

  • av Jules Verne
    86,-

    A group of men escape imprisonment during the American Civil War by stealing a balloon. Blown across the world, they are air-wrecked on a remote desert island. In a manner reminiscent of Robinson Crusoe, the men apply their scientific knowledge and technical skill to exploit the island's bountiful resources.

  • av Charles Dickens
    86,-

    With an Introduction and Notes by Dr John Bowen, Department of English, University of Keele.Illustrations by Hablot K. Browne (Phiz).Martin Chuzzlewit is Charles Dickens' comic masterpiece about which his biographer, Forster, noted that it marked a crucial phase in the author's development as he began to delve deeper into the 'springs of character'.Old Martin Chuzzlewit, tormented by the greed and selfishness of his family, effectively drives his grandson, young Martin, to undertake a voyage to America. It is a voyage which will have crucial consequences not only for young Martin, but also for his grandfather and his grandfather's servant, Mary Graham with whom young Martin is in love. The commercial swindle of the Anglo-Bengalee company and the fraudulent Eden Land Corporation have a topicality in our own time.This strong sub-plot shows evidence of Dickens' mastery of crime where characters such as the criminal Jonas Chuzzlewit, the old nurse Mrs Gamp, and the arch-hypocrite Seth Pecksniff are the equal to any in his other great novels. Generations of readers have also delighted in Dickens' wonderful description of the London boarding-house - 'Todgers'.

  • av Virginia Woolf
    86 - 126,-

    With an Introduction and Notes by Merry M. Pawlowski, Professor and Chair, Department of English, California State University,Bakersfield.Virginia Woolf's singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence.Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide.

  • av Charles Dickens
    86,-

    With an Introduction and Notes by Peter Merchant, Principal Lecturer in English, Canterbury Christ Church University College.Illustrations by Hablot K. Browne (Phiz).A Tale of Two Cities (1859), Dickens' greatest historical novel, traces the private lives of a group of people caught up in the cataclysm of the French Revolution and the Terror. Dickens based his historical detail on Carlyle's great work - The French Revolution - and also on his own observations and investigations during numerous visits to Paris.'The best story I have written' was Dickens' own verdict on A Tale of Two Cities, and the reader is unlikely to disagree with this judgement of a story which combines historical fact with the author's unsurpassed genius for poignant tales of human suffering, self-sacrifice, and redemption.

  • av Miguel de Cervantes
    86,-

    According to tradition Cervantes first conceived his comic masterpiece in jail - his avowed intent being to debunk the romances of chivalry. From first publication Don Quixote was a best-seller, initially taken as a knockabout account of a mad Spanish gentleman and his cowardly peasant squire, but later reinterpreted as an enlightenment text, a representation of universal human nature, a myth of a tragic hero defending man's nobler aspirations, a study in alienation, a spiritual autobiography, a metaphor for Spain's imperial decline, an experimental novel that shaped later prose fiction, a tragedy and comedy in one, and a demonstration that ambiguity and uncertainty can lie at the centre of great art and that great art can be comic.Smollet's vigorous and lively translation brilliantly catches the feeling and tone of the Spanish original. It is a comic novelist's homage to a comic novelist.

  • av Charlotte Brontë
    86 - 200,-

    Ranked as one of the greatest and most perennially popular works of English fiction, this title portrays the heroine, who although poor and of plain appearance, possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order.

  • av Kenneth Grahame
    86 - 125,-

    Illustrated by Arthur Rackham.Far from fading with time, Kenneth Grahame's classic tale of fantasy has attracted a growing audience in each generation.Rat, Mole, Badger and the preposterous Mr Toad, have brought delight to many through the years with their odd adventures on and by the river, and at the imposing residence of Toad Hall.

  • av Robert Tressell
    86,-

    About this Wordsworth Classic: The Ragged Trousered Philanthropists is a classic representation of the impoverished and politically powerless underclass of British society in Edwardian England, ruthlessly exploited by the institutionalized corruption of their employers and the civic and religious authorities. Epic in scale, the novel charts the ruinous effects of the laissez-faire mercantilist ethics on the men, women, and children of the working classes, and through its emblematic characters, argues for a socialist politics as the only hope for a civilized and humane life for all. It is a timeless work whose political message is as relevant today as it was in Tressell's time. For this it has long been honoured by the Trade Union movement and thinkers across the political spectrum.This Wordsworth edition includes an exclusive foreword by the late Tony Benn.TheWordsworth Classicsseries offers over two hundred titles at prices all can afford.

  • av Charlotte Brontë
    86,-

    Based on the author's personal experience as a teacher in Brussels, this work presents a tale of repressed feelings and subjection to cruel circumstance and position, borne with heroic fortitude.

  • av Charles Dickens
    86,-

    Dickens' final, unfinished novel features themes and motifs such as: drugs, disappearances, sexual obsession, disguise and a possible murder. It also includes a number of stories and sketches, with subjects as different as murder, guilt and childhood romance.

  • av Mary Elizabeth Braddon
    86,-

    The flaxen-haired beauty of the child-like Lady Audley would suggest that she has no secrets. But this novel uncovers the truth about its heroine in a plot involving bigamy, arson and murder. It challenges assumptions about the nature of femininity and investigates the narrow divide between sanity and insanity.

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