Böcker i Writers on Writers-serien

Bestselling novelist Alexander McCall Smith's charming account of how the poet W. H. Auden has helped guide his life-and how he might guide yours tooWhen facing a moral dilemma, Isabel Dalhousie-Edinburgh philosopher, amateur detective, and title character of a series of novels by best-selling author Alexander McCall Smith-often refers to the great twentieth-century poet W. H. Auden. This is no accident: McCall Smith has long been fascinated by Auden. Indeed, the novelist, best known for his No. 1 Ladies Detective Agency series, calls the poet not only the greatest literary discovery of his life but also the best of guides on how to live. In this book, McCall Smith has written a charming personal account about what Auden has done for him-and what he just might do for you.Part self-portrait, part literary appreciation, the book tells how McCall Smith first came across the poet's work in the 1970s, while teaching law in Belfast, a violently divided city where Auden's "e;September 1, 1939,"e; a poem about the outbreak of World War II, strongly resonated. McCall Smith goes on to reveal how his life has related to and been inspired by other Auden poems ever since. For example, he describes how he has found an invaluable reflection on life's transience in "e;As I Walked Out One Evening,"e; while "e;The More Loving One"e; has provided an instructive meditation on unrequited love. McCall Smith shows how Auden can speak to us throughout life, suggesting how, despite difficulties and change, we can celebrate understanding, acceptance, and love for others.An enchanting story about how art can help us live, this book will appeal to McCall Smith's fans and anyone curious about Auden.

"An engaging invitation to rediscover Henry Miller--and to learn how his anarchist sensibility can help us escape "the air-conditioned nightmare" of the modern world"--Amazon.com.

From one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary criticsAre literary critics writers? As Michael Wood says, "e;Not all critics are writers-perhaps most of them are not-and some of them are better when they don't try to be."e; The British critic and poet William Empson (1906-84), one of the most important and influential critics of the twentieth century, was an exception-a critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance-and proof that the act of reading can be an unforgettable adventure.Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton's God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism-more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions.Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.

A passionate lifelong fan of the Sherlock Holmes adventures, Pulitzer Prize-winning critic Michael Dirda is a member of The Baker Street Irregulars-the most famous and romantic of all Sherlockian groups. Combining memoir and appreciation, On Conan Doyle is a highly engaging personal introduction to Holmes's creator, as well as a rare insider's account of the curiously delightful activities and playful scholarship of The Baker Street Irregulars.On Conan Doyle is a much-needed celebration of Arthur Conan Doyle's genius for every kind of storytelling.

In this book, Pulitzer Prize-winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around Walt Whitman and attempts to go back to Leaves of Grass as he first encountered it-to explore why Whitman's epic "e;continues to inspire and sometimes daunt"e; him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction to Whitman. Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.

Notes on Sontag is a frank, witty, and entertaining reflection on the work, influence, and personality of one of the "e;foremost interpreters of . . . our recent contemporary moment."e; Adopting Sontag's favorite form, a set of brief essays or notes that circle around a topic from different perspectives, renowned essayist Phillip Lopate considers the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a conversation between two writers. Reactions to Sontag tend to be polarized, but Lopate's account of Sontag's significance to him and to the culture over which she loomed is neither hagiography nor hatchet job. Despite admiring and being inspired by her essays, he admits a persistent ambivalence about Sontag. Lopate also describes the figure she cut in person through a series of wry personal anecdotes of his encounters with her over the years. Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. But while crediting her successes, Lopate also looks at how her taste for aphorism and the radical high ground led her into exaggerations that could do violence to her own common sense, and how her ambition to be seen primarily as a novelist made her undervalue her brilliant essays. Honest yet sympathetic, Lopate's engaging evaluation reveals a Sontag who was both an original and very much a person of her time.