Dikter

One of BBC's 100 Novels That Shaped our World.Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.A tour de force of wit and sparkling dialogue, Pride and Prejudice shows how the headstrong Elizabeth Bennet and the aristocratic Mr Darcy must have their pride humbled and their prejudices dissolved before they can acknowledge their love for each other.

Charles Bukowski was one of America's best-known writers and one of its most influential and imitated poets. Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems.

A STUNNING COLLECTION OF POEMS CURATED BY THE NEW POET LAUREATE AND THE BESTSELLING AUTHOR OF FOUR FIELDS___________________________'Some of the most ethereal verse ever written' Sunday Telegraph 'A glorious collection of works old and new' Independent on Sunday 'Truly inexhaustible . . . to be read again and again' Daily Mail 'A rich and sustaining larder, a marvellously realized sourcebook of flights of feathered fancy' Guardian 'A life-affirming celebration of the commonplace yet enduringly mysterious creatures we share this world with and the poetry they have inspired' Daily Telegraph

Published in 1798, Lyrical Ballads is a dazzling collaboration containing twenty-three poems by close friends, William Wordsworth (1770-1850) and Samuel Taylor Coleridge (1772-1834) - two major figures of English Romanticism. The volume heralded a new approach to poetry and expresses the poets' reflections on mankind's relationship with the forces of the world. Coleridge's contribution includes the nightmarish vision of 'The Rime of the Ancyent Marinere', one of the works for which he became best known, as well as the fantastical conversational poem 'The Foster-Mother's Tale' and the melancholic 'The Nightingale'. Wordsworth's 'We are Seven' depicts a child's na ve optimism in the face of the cruel mortality, while 'Goody Blake and Harry Gill' and 'Simon Lee' celebrate the simplicity and strength he perceived in country people, and 'Tintern Abbey' explores the healing powers of nature.Published as part of the Penguin Poetry First Editions series in which the greatest collections of poetry in English will be published in their original form. All texts have been completely reset and some minor changes made to punctuation.

Stevie Smith was one of the few modern poets to reach a wide general audience. Bizarre, witty, sad, sometimes caustic, her poems impart a zest for life, and reveal her unique eye for the marvels of the ordinary and her deep sensibility to the paradoxical nature of all human emotions.

C. P. Cavafy is one of the most singular and poignant voices of twentieth-century European poetry, conjuring a magical interior world through lyrical evocations of remembered passions, imagined monologues and dramatic retellings of his native Alexandria s ancient past. Figures from antiquity speak with telling interruptions from the author in such poems as Anna Comnena and You did not understand , while precise moments of history are seen with a sense of foreboding, as in Ides of March , The God Abandoning Antony and Nero s Deadline . And in poems that draw on his own life and surroundings, Cavafy recalls illicit trysts or glimpses of beautiful young men in One Night , I have gazed so much and The Caf Entrance , and creates exquisite miniatures of everyday life in An Old Man and Of the Shop .

One of the great English Romantic poets, William Blake (1757-1827) was an artist, poet, mystic and visionary. His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.

The centenary of Patrick Kavanagh's birth in 2004 provides the ideal opportunity to reappraise one of modern Ireland's greatest poets. From a harsh, humble background that he himself described so brilliantly, Kavanagh burst through immense constraints to redefine Irish poetry - a poetry appropriate for a fully independent country, both politically and culturally. Moving beyond Irish verse's preoccupation with history, national politics and identity, he turned to the land and scenery of his native Inniskeen, portraying the closely-observed minutiae of everyday rural and urban life in an uninhibited, groundbreaking style. Lucid, various, direct and engaging, Kavanagh's poems have a unique place in the canon and a unique accessibility. This major new edition is the culmination of many years of work by Antoinette Quinn in creating authoritative texts for Kavanagh's poetry - from his early works such as 'Inniskeen Road: July Evening' to his masterpiece, the epic 'The Great Hunger', allowing us to see the development of Kavanagh's genius as never before.

An invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Paradiso.

Carol Ann Duffy has been a bold and original voice in British poetry since the publication of Standing Female Nude in 1985. Since then she has won every major poetry prize in the United Kingdom and sold over one million copies of her books around the world. She was appointed Poet Laureate in 2009.Her first Collected Poems includes all of the poems from her nine acclaimed volumes of adult poetry - from Standing Female Nude to Ritual Lighting - as well as her much-loved Christmas poems, which celebrate aspects of Christmas: from the charity of King Wenceslas to the famous truce between the Allies and the Germans in the trenches in 1914. Endlessly varied, wonderfully inventive, and emotionally powerful, the poems in this book showcase Duffy's full poetic range: there are poems written in celebration and in protest; public poems and deeply personal ones; poems that are funny, sexy, heartbroken, wise. Taken together they affirm her belief that 'poetry is the music of being human'. Collected Poems is both the perfect single-volume introduction for new readers and a glorious opportunity for old friends to celebrate thirty years' work by one of the country's greatest literary talents. It confirms indisputably that 'Carol Ann Duffy is the most humane and accessible poet of our time' (Rose Tremain, Guardian).

Billy Collins is one of the world's most popular poets. While his poems often begin in the everyday and domestic, fans know that they might end anywhere - and that they will lift their heads from the book to a world startlingly different from the one they had left moments before. Billy Collins' previous collection, Taking Off Emily Dickinson's Clothes, was an extraordinary success, introducing thousands of readers to his exhilarating poetry for the first time. By turns wildly funny and intensely moving, Nine Horses has won Billy Collins even more admirers.

'Billy Collins is one of my favourite poets in the world' Carol Ann Duffy Readers will only have to open this book at random to realize the privation a life without Billy Collins has been. A writer of immense grace and humanity, Billy Collins shows how the great forces of history and nature converge on the tiniest details of our lives - and in doing so presents them in a new radiance. He is also unbelievably funny. 'The most popular poet in America' New York Times 'Billy Collins writes lovely poems . . . Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides' John Updike 'Billy Collins' medium is a rare amalgam of accessibility and intelligence. I'd follow this man's mind anywhere. Expect to be surprised' Michael Donaghy 'Smart, his strings tuned and resonant, his wonderful eye looping over the things, events and ideas of the world, rueful, playful, warm voiced, easy to love' E. Annie Proulx

In Feminine Gospels, Carol Ann Duffy draws on the historical, the archetypal, the biblical and the fantastical to create various visions - and revisions - of female identity. Simultaneously stripping women bare and revealing them in all their guises and disguises, these poems tell tall stories as though they were true confessions, and spin modern myths from real women seen in every aspect - as bodies and corpses, writers and workers, shoppers and slimmers, fairytale royals or girls-next-door. 'Part of Duffy's talent - besides her ear for ordinary eloquence, her gorgeous, powerful, throwaway lines, her subtlety - is her ventriloquism . . . From verbal nuances to mind-expanding imaginative leaps, her words seem freshly plucked from the minds of non-poets - that is, she makes it look easy' Charlotte Mendelson, Observer

Luis de Camoes is world famous as the author of the great Renaissance epic The Lusiads, but his large and equally great body of lyric poetry is still almost completely unknown outside his native Portugal. In The Collected Lyric Poems of Luis de Camoes, the award-winning translator of The Lusiads gives English readers the first comprehensive collection of Camoes's sonnets, songs, elegies, hymns, odes, eclogues, and other poems--more than 280 lyrics altogether, all rendered in engaging verse. Camoes (1524-1580) was the first great European artist to cross into the Southern Hemisphere, and his poetry bears the marks of nearly two decades spent in north and east Africa, the Persian Gulf, India, and Macau. From an elegy set in Morocco, to a hymn written at Cape Guardafui on the northern tip of Somalia, to the first modern European love poems for a non-European woman, these lyrics reflect Camoes's encounters with radically unfamiliar peoples and places. Translator Landeg White has arranged the poems to follow the order of Camoes's travels, making the book read like a journey. The work of one of the first European cosmopolitans, these poems demonstrate that Camoes would deserve his place among the great poets even if he had never written his epic.

"e;How I would like to catch the world / at pure idea,"e; writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond us to such signal poems as (simply to cite three appearing in a row) "e;Mother's Sewing Box,"e; "e;For My Father Looking for My Uncle,"e; and "e;The Chicory Comes Out Late August in Umbria."e; Finally, the poet's words again: "e;. . . you get / just what you want"e; and (just before that), "e;Just as / from time to time / we need to seize again / the whole language / in search of / better desires."e;--Marvin Bell

This new critical edition, including Mark Musa's classic translation, provides students with a clear, readable verse translation accompanied by ten innovative interpretations of Dante's masterpiece.

'Carol Ann Duffy is the most humane and accessible poet of our time, and Rapture is essential reading for the broken-hearted of all ages' - Rose TremainThe effortless virtuosity, directness, drama and humanity of Carol Ann Duffy's verse have made her our most admired and best-loved contemporary poet. Rapture, her seventh collection, is a book-length love-poem, and a moving act of personal testimony; but what sets these poems apart from other treatments of the subject is that Duffy refuses to simplify the contradictions of love, and read its transformations - infatuation, longing, passion, commitment, rancour, separation and grief - as simply redemptive or destructive. Rapture is a map of real love, in all its churning complexity. Yet in showing us that a song can be made of even the most painful episodes in our lives, Duffy has accessed a new level of directness that sacrifices nothing in the way of subtlety of expression. These are poems that will find deep rhymes in the experience of most readers, and nowhere has Duffy more eloquently articulated her belief that poetry should speak for us all.

A highly personal collection of poems written by Virginia McKenna, the star of Born Free, recollecting the people, places and animals that have inspired her.

Edward Lear was the greatest nonsensicalist of all time. He was the inventor of the limerick and created the Jumblies and The Owl and the Pussycat. This complete edition of Lear's nonsense verse - including the limericks, longer verses, alphabets and his own illustrations - is lovingly restored and beautifully presented, for adults and children to enjoy together.

I lay there alone in bed, feeling the black shadow creeping up the underside of the world like a flood tide. Nothing held, nothing was left. The silver airplanes and the silver capes all dissolved and vanished, wiped away like the crude drawings of a child in coloured chalk from the colossal blackboard of the dark.The writings in this collection outline Plath's early preoccupation with issues of mental illness, creativity and femininity, all of which would become recurrent themes in her later work. They offer special insight into her development as a writer, and arguably paved the way for her only full-length piece of prose writing, the loosely veiled fictional autobiography, The Bell Jar.This second edition contains the thirteen stories included in the first edition together with five pieces of her journalism, as well as a few fragments from her journal; and a further nine stories selected from the Indiana archive.

Sylvia Plath was, for both English and American poetry, one of the defining voices of twentieth-century, and one of the most appealing: few other poets have introduced as many new readers to poetry. Though she published just one collection in her lifetime, The Colossus, and a novel, The Bell Jar, it was following her death in 1963 that her work began to garner the wider audience that it deserved. The manuscript that she left behind, Ariel, was published in 1965 under the editorship of her former husband, Ted Hughes, as were two later volumes, Crossing the Water and Winter Trees in 1971, which helped to make Sylvia Plath a household name. Hughes's careful curation of Plath's work extended to a Collected Poems and a Selected Poems in the 1980s, which remain in print today and stand testimony to the 'profound respect' that Frieda Hughes said her father had for her mother's work. It was not until the publication of a 'restored' Ariel in 2004 that readers were able to appraise Plath's own selection and arrangement of her work.This edition of the poems, chosen by the Poet Laureate Carol Ann Duffy, offers a fresh selection of Sylvia Plath's poetry to stand in parallel to the existing editions. Introduced with an inviting preface, the book is essential reading for those new to and already familiar with the work of this most extraordinary poet.

Elizabeth Smart's passionate fictional account of her intense love-affair with the poet George Barker, described by Angela Carter as 'Like MADAME BOVARY blasted by lightning ... A masterpiece'.One day, while browsing in a London bookshop, Elizabeth Smart chanced upon a slim volume of poetry by George Barker - and fell passionately in love with him through the printed word. Eventually they communicated directly and, as a result of Barker's impecunious circumstances, Elizabeth Smart flew both him and his wife from Japan, where he was teaching, to join her in the United States. Thus began one of the most extraordinary, intense and ultimately tragic love affairs of our time. They never married but Elizabeth bore George Barker four children and their relationship provided the impassioned inspiration for one of the most moving and immediate chronicles of a love affair ever written - 'By Grand Central Station I Sat Down and Wept'.Originally published in 1945, this remarkable book is now widely identified as a classic work of poetic prose which, seven decades later, has retained all of its searing poignancy, beauty and power of impact.

Matthew Arnold praised the Iliad for its 'nobility', as has everyone ever since -- but ancient critics praised it for its enargeia, its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance. 'The Iliad is an oral poem. This translation presents it as an attempt - in the aftermath of the Trojan War - to remember people's names and lives without the use of writing. I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world... compatible with the spirit of oral poetry, which was never stable but always adapting itself to a new audience, as if its language, unlike written language, was still alive and kicking.' - Alice Oswald

Originally published in 1960, The Colossus was the only volume of Sylvia Plath's poetry published before her death in 1963. Showing a scholarly dedication to the craft, the poems in this collection are brimming with originality and the startling imagery that would later confirm her status as one of the most important poets of the twentieth century. 'On every page, a poet is serving notice that she has earned her credentials and knows her trade.' Seamus Heaney 'She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously . . . There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss.' A. Alvarez in the Observer

Since its publication in 1988, Philip Larkin's Collected Poems has become essential reading on any poetry bookshelf. This new edition returns to Larkin's own deliberate ordering of his poems, presenting, in their original sequence, his four published books: The North Ship, The Less Deceived, The Whitsun Weddings and High Windows. It also includes an appendix of poems that Larkin published in other places, from his juvenilia to his final years - some of which might have appeared in a late book, if he had lived. Preserving everything that he published in his lifetime, this new Collected Poems returns the reader to the book Larkin might have intended.

When Philip Larkin's High Windows first appeared, Kingsley Amis spoke for a large and loyal readership when he wrote: 'Larkin's admirers need only be told that he is as good as ever here, if not slightly better.'Like Betjeman and Hardy, Larkin is a poet who can move a large audience - without betraying the highest artistic standards.The poems in High Windows illustrate Larkin's unrivalled ability to bring lyrical expression to ordinary, urban lives. It is a gift that makes him one of the most truly popular of the twentieth century's poets.

This volume replaced Ted Hughes's Selected Poems 1957-1981. It contains a larger selection from the same period, to which are added poems from more recent books, uncollected poems from each decade of Ted Hughes's writing life, and some new work. Another notable feature is the inclusion of poems from his books for younger readers, What is the Truth? and Season Songs.

This volume is a much-needed new selection of Seamus Heaney's work, taking account of recent volumes and of the author's work as a translator, and offering a more generous choice from previous volumes. Opened Ground: Poems 1966-1996 comes as close to being a 'Collected Poems' as its author cares to make it. It replaces his New Selected Poems 1966-1987, giving a fuller selection from each of the volumes represented there and adding large parts of those that have appeared since, together with examples of his work as a translator from the Greek, Latin, Italian and other languages. The book concludes with 'Crediting Poetry', the speech with which Seamus Heaney accepted the 1995 Nobel Prize in Literature, awarded to him, in the words of the Swedish Academy of Letters, for his 'works of lyrical beauty and ethical depth'.