Böcker av Ad Putter

The genre of medieval romance examined through the lens of their physical and their metrical forms.

Investigations into the heroic - or not - behaviour of the protagonists of medieval romance.

The Gawain-Poet is the name given to the northern poet who is generally accepted as the sole author of four 14th-century Gawain poems. This text introduces the reader to the poems, setting the works in their relevant historical and cultural context and developing lines of critical argument.

The Middle English popular romances are today accessible to readers in numerous editions and anthologies. This text hopes to suggest appropriate strategies of interpretation and serve as a starting point for further analytical approaches.

A new volume of the works of the Gawain poet, destined to become the definitive edition for students and scholars.This volume brings together four works of the unknown fourteenth-century poet famous for the Arthurian romance Sir Gawain and the Green Knight, in their original Middle English. In one of the great tales of medieval literature, Gawain, the noblest knight of King Arthur's court, must keep a deadly bargain with a monstrous knight and resist the advances of his host's beautiful wife. The dream vision of Pearl depicts a bereaved father whose lost child leads him to glimpse heaven. And in moral poems based on stories from the Bible, Cleanness warns against sins of the flesh and of desecration, while Patience encourages readers to endure suffering as God's will.Little is known about the so-called 'Gawain poet', who wrote during the late fourteenth century. It is believed that he came from south-east Cheshire, an important cultural and economic centre at the time, and he was clearly well-read in Latin, French and English. Although he is not named as the author of Sir Gawain and the Green Knight, Pearl, Patience, Cleanness, the four works have been attributed to him based on a careful comparison of their language, date and themes.Myra Stokes was formerly Senior Lecturer in the Department of English at Bristol University. Her books include Justice and Mercy in Piers Plowman and The Language of Jane Austen.Ad Putter teaches at the English Department and the Centre for Medieval Studies of the University of Bristol, where is Professor of Medieval English Literature. His monographs include Sir Gawain and the Green Knight and French Arthurian Romance and An Introduction to the Gawain Poet, and he is also co-editor of The Cambridge Companion to the Arthurian Legend.

New investigations into Charles d'Orleans' under-rated poem, its properties and its qualities.The compilation Fortunes Stabilnes, the English poetry Charles d'Orleans wrote in the course of his twenty-five year captivity in England after Agincourt, requires a larger lens than that of Chaucerianism, through which ithas most often been viewed. A fresh view from another perspective, one that attends to form and style, as well as to the poet's French traditions, reveals a more conceptually complex and innovative kind of poetry than we have seenuntil now. The essays collected here reassess him in the light of recent work in Middle English studies. They detail those qualities that make his text one of the most accomplished and moving of the late Middle Ages: Charles's use of English, his metrical play, his felicity with formes fixes lyrics, his innovative use of the dits structure and lyric sequences, and finally, above all, his ability to write beautiful poetry. Overall, theybring out the underappreciated contribution made by Charles to the canon of English poetry. MARY-JO ARN is an independent scholar, and editor of Fortunes Stabilnes; R.D. PERRY is Assistant Professor of English and Literary Arts at the University of Denver. Contributors: B.S.W. Barootes, J.A. Burrow, Andrea Denny-Brown, Simon Horobin, Richard Ingham, Philip Knox, Jenni Nuttall, Ad Putter, Jeremy J. Smith, Elizaveta Strakhov, Eric Weiskott.

New approaches to the everlasting malleability and transformation of medieval romance.The essays here reconsider the protean nature of Middle English romance. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and forms, as they were "e;rewritten"e; during the Middle Ages and beyond. Ranging across popular, anonymous English and courtly romances, and taking in the works of Chaucer and Arthurian romance (rarely treated together), in connection with continental sources and analogues, the chapters probe this fluid and creative genre to ask just how comfortable, and how flexible, are its nature and aims? How were Middle English romances rewritten toaccommodate contemporary concerns and generic expectations? What can attention to narrative techniques and conventional gestures reveal about the reassurances romances offer, or the questions they ask? How do romances' central concerns with secular ideals and conduct intersect with spiritual priorities? And how are romances transformed or received in later periods? The volume is also a tribute to the significance and influence of the work of Professor Helen Cooper on romance. Elizabeth Archibald is Professor of English Studies at Durham University; Megan G. Leitch is Senior Lecturer in English Literature at Cardiff University; Corinne Saunders is Professor of English andCo-Director of the Centre for Medical Humanities at Durham University. Contributors: Elizabeth Archibald, Julia Boffey, Christopher Cannon, Neil Cartlidge, Miriam Edlich-Muth, A.S.G. Edwards, Marcel Elias, Megan Leitch, Andrew Lynch, Jill Mann, Marco Nievergelt, Ad Putter, Corinne Saunders, Barry Windeatt, R.F. Yeager

A series which is a model of its kind EDMUND KING, HISTORY

This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry.

Groundbreaking surveys of the complex interrelationship between the languages of English and French in medieval Britain.

Studies of how the physical manifests itself in medieval romance - and medieval romances as objects themselves.