Böcker av Alan Bennett

The complete audio collection of Alan Bennett's celebrated monologues, published together for the first time and performed by some of Britain's best actorsThe Talking Heads monologues are widely regarded as one of Alan Bennett's finest dramatic achievements. First broadcast on BBC TV and BBC Radio 4 in the 1980s and 1990s, they won a host of awards and huge popular acclaim, and remain among his most admired works today.This collection includes all twelve Talking Heads, plus the precursor of that series, A Woman of No Importance. Beautifully crafted and full of compassion and wry observation, each tale is ripe with the quirky, insightful detail that has become Bennett's trademark. The monologues are:A Woman of No Importance (Patricia Routledge); A Chip in the Sugar (Alan Bennett); A Lady of Letters (Patricia Routledge); Bed Among the Lentils (Anna Massey); Soldiering On (Stephanie Cole); Her Big Chance (Julie Walters); A Cream Cracker Under the Settee (ThoraHird); Miss Fozzard Finds Her Feet (Patricia Routledge); The Hand of God (Eileen Atkins); Playing Sandwiches (David Haig); The Outside Dog (Julie Walters); Nights in the Gardens of Spain (Penelope Wilton) and Waiting for the Telegram (Thora Hird). Intensely moving, deeply engrossing and highly entertaining, these spellbinding soliloquies are essential listening.

The screenplay for the film of the same name.

Includes tales such as "The Shielding of Mrs Forbes", and "The Greening of Mrs Donaldson".

Already a bestseller, this is a wonderfully entertaining collection of Alan Bennett's prose writings. Writing Home brings together diaries, reminiscences and reviews to give us a unique and unforgettable portrait of one of England's leading playwrights. As a memoir it covers the production of his very first play, Forty Years On, which starred John Gieldgud. His television series 'Talking Heads' has become a modern-day classic; as part of the 1960s revue 'Beyond the Fringe' Bennett helped to kick-start the English satire revolution, and has since remained one of our leading dramatists, most recently with The History Boys at the National Theatre. At the heart of the book is The Lady in The Van, since adapted into a radio play featuring Dame Maggie Smith. It is the true account of Miss Mary Shepherd, a homeless tramp who took up residence in Bennett's garden and stayed for fifteen years. This new edition also includes Bennett's introduction to his Oscar-nominated screenplay for The Madness of King George and his more recent diaries.

Adapted for the screen by the author from his celebrated memoir, Alan Bennett's The Lady in the Van, is directed by long-standing collaborator Nicholas Hytner.The film tells the true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who 'temporarily' parked her van in Bennett's London driveway and proceeded to live there for 15 years. Their unique story is funny, poignant and life-affirming.The Complete Lady in the Van contains a Foreword by Nicholas Hytner, a substantial Introduction with diary entries by Alan Bennett, the original memoir and the screenplay. The book includes numerous illustrations by David Gentleman, who sketched on set throughout filming, and a colour plate-section including behind-the-scenes photographs and stills from the film

Auden often said that metre and rhyme led him down unexpected paths to thoughts he wouldn't otherwise have had, and in this respect versification and fornication are not so different. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by amongst others their future biographer and a young man from the local bus station.You are a rent boy. I am a poet. Over the wall lives the Dean of Christ Church. We all have our parts to play.Alan Bennett's new play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art. 'In the end,' said Auden, 'art is small beer. The really serious things in life are earning one's living and loving one's neighbour.'

Alan Bennett sealed his reputation as the master of observation with this series of 12 groundbreaking monologues, originally filmed for BBC Television.

Includes such stories as: "Father! Father! Burning Bright"; "The Clothes They Stood Up In"; "The Laying on of Hands"; and "The Lady in the Van".

Alan Bennett's first collection of prose since Writing Home takes in all his major writings over the last ten years. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Bennett, as always, is both amusing and poignant, whether he's discussing his modest childhood or his work with the likes of Maggie Smith, Thora Hird and John Gielgud. Also included are his much celebrated diaries for the years 1996 to 2004. At times heartrending and at others extremely funny,Untold Stories is a matchless and unforgettable anthology. Since the success of Beyond the Fringe in the 1960s Alan Bennett has delighted audiences worldwide with his gentle humour and wry observations about life. His many works include Forty Years On, The Lady in the Van, Talking Heads, A Question of Attribution and The Madness of King George. The History Boys opened to great acclaim at the National in 2004, and is winner of the Evening Standard Award, the South Bank Award and the Critics' Circle Award for Best New Play.'Perhaps the best loved of English writers alive today.' Sunday TelegraphUntold Stories is published jointly with Profile Books.

George III's behaviour has often been odd, but now he is deranged, with rumours circulating that he has even addressed an oak tree as the King of Prussia. Doctors are brought in, the government wavers and the Prince Regent manoeuvres himself into power.Alan Bennett's play explores the court of a mad king, and the fearful treatments he was forced to undergo. It is about the nature of kingship itself, showing how by subtle degrees the ruler's delirium erodes his authority and status.

Adapted by the author from his autobiographical memoir, The Lady in the Van tells the story of Miss Mary Shepherd, whom Alan Bennett first came across when she was living in the street near his home in Camden Town. Taking refuge with her van in his garden originally for three months, she ended up staying fifteen years. Funny, touching and unexpectedly spectacular, The Lady in the Van marked the return to the stage of one of our leading playwrights.The Lady in the Van with Maggie Smith opened at the Queen's Theatre, London, in December 1999.

Funny, touching and real, this second collection of Alan Bennett's classic work for television from the late 1970s and early 1980s is full of fine observations of life as it is lived.

This second volume of plays by Alan Bennett includes his two Kafka plays, one an hilarious comedy, the other a profound and searching drama. Also included is An Englishman Abroad and A Question of Attribution. The fascination of these two plays lies in the way they question our accepted notions of treachery and, in different ways, make a sympathetic case for Guy Burgess and Anthony Blunt.

A work of non-fiction that follows the author's other little blockbuster "The Clothes They Stood Up In".

An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's new play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premi,red at the National in May 2004.'Nothing could diminish the incendiary achievement of this subtle, deep-wrought and immensely funny play about the value and meaning of education .. In short, a superb, life-enhancing play.' Guardian

'Believe me, my young friend, there is absolutely nothing half so much worth doing as simply messing about in boats. In them or out of them, it doesn't matter. Whether you get away or you don't, whether you arrive at your destination or whether you never get anywhere at all, you're always busy.'Ever since the publication of Kenneth Grahame's novel in 1908, the characters of Ratty, Mole, Toad and Badger have delighted generations of readers. Now Alan Bennett has written an adaptation for the stage, a version which is both true to the original and yet carries that distinctive Bennett hallmark.Alan Bennett introduces this edition, writing about the history of the project and the staging of the production.'Bennett is even able to inject the odd sly joke for the adult without bewildering the tots... the result is a delightful evening, a treat for anyone.' The Times

This collection of Alan Bennett's work includes his first play and West End hit, Forty Years On, as well as Getting On, Habeus Corpus, and Enjoy.Forty Years On'Alan Bennett's most gloriously funny play ... a brilliant, youthful perception of a nation in decline, as seen through the eyes of a home-grown school play ... a classic.' Daily MailGetting OnWinner of the Evening Standard Best Comedy Award in 1971, Getting on is an account of a middle-aged Labour MP, so self-absorbed that he remains blind to the fact that his wife is having an affair with the handyman, his mother-in-law in dying, his son is getting ready to leave home, his best friend thinks him a fool and that to everyone who comes into contact with him he is a self-esteeming joke.Habeus Corpus'After two elegiac comedies about the decline of old England, Mr Bennett has now written a gorgeously vulgar but densely plotted facre that is a downright celebration of sex and the human body ... a combination of hurtling action with verbal brilliance.' GuardianEnjoyEnjoy uncannily foresaw the attitudes to English working-class life now enshrined in themeparks. 'The classic tug in Bennett between childhod Yorkshire and intellectual sophistication has never been better, or more daringly expressed.' Observer