Liu takes our concern with the fleeting and virtual nature of our relationships today and gives it a historical angle, drawing examples from past societies and their media forms and revealing new ways of seeing history in the continual overwriting and changing of our programming languages.
Postmodernity is lived, it seems, at the end of history. This book takes the pulse of such postmodern historicism by tracking two leading indicators of its acceleration in the late twentieth and early twenty-first centuries: postmodern cultural criticism and digital information technology.
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