In 1891, Paul Gauguin (1848-1903) traveled to Tahiti in an effort to live simply and to draw inspiration from what he saw as the island's exotic native culture. This book addresses both the artist's representation of Tahiti in the woodcut medium and the impact these works had on his artistic practice.
Examining the public response to Matisse's work, this book views that his early-twentieth-century audience found in his painting a deeply disturbing challenge to concepts of the self, of the nation, and of the West. It refutes the popular view of Matisse as the painter of relaxed pleasures, the master of decorative line, and sensuous color.
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