This edition argues that Petrarch's text has been neglected by modern scholarship in favour of the translations of the Canzoniere, while it can be shown that the Triumphi enjoyed a much earlier and much more durable fame in Europe as well as in the British Isles, being translated at least twice in its entirety.
Assesses the impact of Machiavelli's "The Prince" in sixteenth-century England and Scotland through the analysis of early English translations produced before 1640, surviving in manuscript form.
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