Böcker av Algernon Blackwood

Algernon Henry Blackwood (1869-1951) was an English writer of tales of the supernatural. In his late thirties, Blackwood started to write horror stories. He was very successful, writing ten books of short stories and appearing on both radio and television to tell them. He also wrote fourteen novels and a number of plays, most of which were produced but not published. He was an avid lover of nature, and many of his stories reflect this. Although Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur (1911) and Julius LeVallon (1916) and its sequel The Bright Messenger (1921).

This new selection of Algernon Blackwood’s essays and short stories is a unique combination of supernatural writing and the author’s own reflections on the art of fiction, and the themes and impulses that created these remarkable stories.

Drawing on Native American folklore and legends of the Western Frontier, Algernon Blackwood's 1910 novella The Wendigo recounts the eldritch experience of a moose-hunting party lost in the lonely wastes of western Ontario coming face-to-face with the titular creature. Fans of the later H.P. Lovecraft will notice some similarities in both style and substance.The Wendigo possesses the greedy, the hungry, and the envious - a spirit of famine, scarcity, and selfishness. The Spirit of the Lonely Places - the deserted wilderness of America.This chilling tale of man's helplessness against forces he cannot understand is sure to keep you guessing til the very end. And after all is said and done, we wonder which was the greater monster - the Wendigo, or the landscape itself?

The book "" Four Weird Tales "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

"Blackwood is one of those writers who can scare you simply by a turn of phrase ... These stories are downright spooky!"- Hollis George, Bram Stoker, Without FangsAlgernon Blackwood was a master of the ghost story. No, not gore and zombies and such. A descriptive writer, he knew how to tell a story that would raise goosebumps on your arm without resorting to dripping blood, claws, or gnashing teeth of a physical monster. The creak of a footstep on the stairs, a limb brushing against the roof, a shadow on the wall, Blackwood knew how to scare you without saying, "Boo!" Here are ten of his finest stories, a collection to read by flashlight (or e-reader glow) under the covers late at night. This is the illustrated edition.

Dr. John Silence was Algernon Blackwood's most well-known character, investigating all manner of strange phenomena. In this collection, all six of the John Silence stories are brought together: A Psychical Invasion, Ancient Sorceries, The Nemesis of Fire, Secret Worship, The Camp of the Dog, and A Victim of Higher Space.

This stand-alone short story is one of Algernon Blackwood's masterful John Silence tales, exploring the strange and mysterious adventures of a psychic doctor. A silk merchant is traveling home through the perilous mountains of southern Germany when he decides to visit his old school. He fondly remembers the strict discipline and dedicated religious education he underwent at the school over 30 years ago, and how the system had shaped his life and brought him peace. Yet, the institution isn't all he remembers, and the merchant soon finds himself entrapped in a disturbing Brotherhood ritual. First published in 1908, Secret Worship is a chilling work of weird literature and a must-read for fans of classic horror.

he stranger.--Elsewhere and other-wise.--Full circle.--Dr. Feldman.--A threefold cord.--Chemical.--Shocks.--The survivors.--The adventure of Tornado Smith.--Hands of death.--The land of green ginger.--The colonel's ring.--Revenge.--The man who lived backwards.--Adventures of Miss De Fontenoy.

Set against the terrifying and tense backdrop of the First World War, this Algernon Blackwood tale is a masterful example of weird literature and a classic short horror story. First published in 1921, this anti-war tale follows the protagonist as he leaves his Holy Order and finds work with the Red Cross in France. Dedicating his life to helping in the hospitals and convalescent camps, he discovers the true horrors of war. He finds peace and respite during walks in the forest but soon encounters a strange, comely woman who entraps him in her curious rituals.

This chilling tale is shrouded in the eerie atmosphere of classic ghost stories as two men unravel the mysteries of an abandoned barn with a macabre past. The supernatural remnants of occult experiments linger in a barn where a disturbed gardener met his tragic end. When two men decide to spend a night in the forsaken place, they're soon overwhelmed by its omnipresent darkness. While sharing spine-chilling stories of folklore and legend, the men are consumed by fear as they realise the horrifying presence looming around them. Prepare to confront the unknown in With Intent to Steal, where survival may come at a nightmarish price.

In The Wave, Algernon Blackwood has written a story of reincarnation in the style that has won him fame, and of which he is peculiarly and essentially the master. It is mystical and absorbing, and the style is as delightful as the plot is thrilling. To attempt to reveal the scheme of the story would be to spoil it for the reader. It is, therefore, better to say that "The Wave" is a novel well worth reading -- more particularly for those who enjoy the mystical. Such persons will revel in the adventures of Thomas Kelverdon, haunted from boyhood by the premonition of a great wave that would at some moment of his life rise behind him and break over him. It never did, but the feeling that it would was almost always present with him. He was not in fear of drowning, but nevertheless was haunted by the wave's presence. Anyone who has read "Julius Le Vallon," "John Silence," "Ten Minute Stories," etc., by the same author, will be pleased to read "The Wave," which is quite as good in its way as any of its predecessors. (From a review in The Brooklyn Daily Eagle, Brooklyn, New York, 24 February 1917).

The Centaur is a story of a man who is uncomfortable in the modern world and seeks to find the relief from this feeling. He takes vacation to get back in touch with Nature, and heads for Caucasus, the land, which he believes is not yet polluted with the imprint of progress. On his way, he encounters several individuals who argue both for and against the reality of his discomfort and the meaning behind it. Thus, the whole story turns into an opposition and, at the same time, friendship between two sorts of man: the skeptic and the dreamer. The conflict reaches its climax as climax as the travellers see a herd of the mythical creatures, centaurs. This encounter arouses the feeling of supernatural horror. The characters feel the outside force dominating them. Yet, each handles this situation differently. Some get obsessed, while others come away with a feeling of discovered truth. A deeply philosophical novel about our inner drive to discover the mysteries of the world, that remains topical for all times.

'Of the quality of Mr. Blackwood's genius there can be no dispute' - H.P. Lovecraft

A Prisoner in Fairyland (1913) is a novel by Algernon Blackwood. Having already established himself as a promising short story writer, Blackwood began publishing novels at the age of 40. A lifelong occultist, Blackwood was interested in the fine line between the human and spiritual realms, often incorporating supernatural elements into his work. A Prisoner in Fairyland is a story of a wealthy retiree¿s return to the wonderful imaginative world of his youth. Hoping to spend the rest of his life in service of others, he gets the old Starlight Express up and running again. ¿For, from boyhood up, a single big ambition had ever thundered through his being¿the desire to be of use to others. To help his fellow-kind was to be his profession and career.¿ Henry Rogers has always been a dreamer. On the brink of retirement, he plans to use his carefully accumulated wealth to fulfill his philanthropic destiny. Initially unsure of the shape of his charitable contribution to society, a trip to his childhood home changes everything. There, he finds the old train carriage where he would spend days at a time immersed in a world of fantasy and adventure. Back on the Starlight Express, Rogers plans to take deserving passengers to the wondrous realm of Fairyland. He soon discovers, however, that his impassioned beliefs¿however well-intentioned¿risk condemnation and persecution from those whose investments on Earth prevent them from indulging in imaginative excursions into the unknown. A Prisoner in Fairyland is a story for children and adults alike, a novel that poses timeless questions regarding the nature of our existence, both upon earth and beyond. With a beautifully designed cover and professionally typeset manuscript, this edition of Algernon Blackwood¿s A Prisoner in Fairyland is a classic work of British literature reimagined for modern readers.

This classic ghost story is set on the isolated islands of Orkney as a man runs from the horrors he encountered in the North American wilderness. Jim Peace returns to his brother, Tom, and their childhood home in the Orkneys after spending 30 years working in Canada. Despite the comforting familiarity of the islands, something has changed within Jim, and he attempts to conceal his deteriorating state of mind from his brother and friends. As a heavy storm hits, Jim becomes transfixed by a pack of wolves only he can see, and Tom grows increasingly concerned for his brother's health. This classic short story by Algernon Blackwood was first published in his 1921 collection, The Wolves of God and Other Fey Stories, and is not to be missed by fans of classic horror literature.

Spannende Kurzgeschichten aus dem 1920er und 1930er JahrenDie Olive von Algernon Blackwood, Das Bat and Belfry Inn von Alan Graham, Das Richtige tun von Ray Cummings, Die Lüge von Holloway Horn, Die Medici Stiefeletten von Pearl Norton Swet, Wo war die Wych Street? von Stacy Aumontier, Der Würfler von Sidney Southgate, Die Motte von H.G. Wells