Böcker av Alice Carter

Franklin Booth: Silent Symphony is a massive,304-page book featuring over 400 pieces that span the artist's entire career.Accompanying photos of Franklin Booth (1874-1948), his family, friends andcolleagues?along with illustrations by his peers and inspirations?add nearly fiftymore images. A new essay by the award-winning illustrator and professor AliceA. Carter delves into Booth's life. This biography highlights his childhood inIndiana, family life and the earliest days of his professional career, his roadtrips, studio life and teaching career with intimate stories and much more.Quotes of first-hand encounters with Booth by his students, friends and fellowartists also are shared. Pen-and-ink drawings cover afifty-year span?from Booth's earliest days to his final works. These include hisstory illustrations for top magazines of the time, plus a diverse and rareassortment of pieces made for poems, advertisements and prints. Bookillustrations completed in color as well as pen-and-ink also are featured,along with rare sketches for an unrealized project. All art was scanned andphotographed from its original source material using the latest technology andhas been painstakingly prepped for this publication. FranklinBooth's meticulous and unique pen technique has been revered by artists andstudents for the last hundred years. No one has ever been able to duplicate hisstyle. Booth utilized his own life, philosophies and experiences as vehicles toproject his thoughts to the viewer, which makes his work deeply compelling andinfused with his respect for nature and art. He always listened to his ownvoice and developed a style that was not a natural product of his era. Thisallowed his work to become timeless and to continue capturing audiences today. FranklinBooth's influence can still be seen in modern comic books, fantasy illustrations,concept art and films. The magnitude of his art is made for the big screen,with his figures in epic scenes. His work has made its way through decades ofshifting genres and changes in the art world and is still as immediate today asit was in the early twentieth century.

Edwin Austin Abbey (1852-1911) was born just two years after the inaugural release of Harper's Monthly Magazine. Starting with his first published drawing in December 1870 at age 18, Abbey's life-long association with the publisher resulted in hundreds of drawings found within the pages of Harper's Monthly Magazine and Harper's Weekly as well as Harper & Brothers books. The resulting exposure throughout the U.S. and Europe secured an extensive level of recognition. Abbey had the rarefied appeal to everyone from the average reader to the most prestigious artists of the day. The inclusion of Abbey's illustrations in these periodicals helped to expand the reach of the poetry, stories and essays that they accompanied to a massive audience.This book focuses on Abbey's line art for the magazines and books published by Harper & Brothers, beginning with his earliest works as a new professional in the field. The collection contains over 350 drawings. These delineated the poetry of Robert Herrick and enhanced such books as The Deserted Village, Old Songs, She Stoops to Conquer and The Quiet Life. Drawings created for numerous short stories and poetry are displayed here as well. Also collected are Abbey's exquisite series of drawings done over the course of twenty years for The Comedies of William Shakespeare, followed by The Shakespeare Tragedies. His painstaking devotion to research while securing the appropriate costumes, props and models for his drawings was legendary. The results are some of the most revered illustrations ever created, which continue to astound aficionados and inspire artists generations after Abbey's last drawing was made.An extensive new essay by Alice A. Carter offers a fresh look at Edwin Austin Abbey, his life and career.